$527Sale Price|20% Off
Traditional English Painting Church at Weston Green, Thames Ditton, Surrey
By English School
Located in Cirencester, Gloucestershire
Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), 1994, signed to the front and
Acrylic
$549Sale Price|20% Off
Traditional English Painting Hampton Court Bridge in London
By English School
Located in Cirencester, Gloucestershire
Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), 1996, signed to the front and
Acrylic
$443Sale Price|20% Off
Traditional English Painting Water Mill in Winter Snow with Horse
By English School
Located in Cirencester, Gloucestershire
Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), dated 1990, signed to the
Acrylic
$527Sale Price|20% Off
Traditional English Painting Church and Figures at Altarnun, Cornish School
By English School
Located in Cirencester, Gloucestershire
Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), 1995, signed to the front and
Acrylic
$488Sale Price|20% Off
Traditional English Painting Constables Boatyard Thames Hampton, England
By English School
Located in Cirencester, Gloucestershire
Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), dated 1996, signed to the
Acrylic
$443Sale Price|20% Off
20th Century Traditional English Painting Rochester Castle View, Kent
By English School
Located in Cirencester, Gloucestershire
Artist/ School: Norman A. Olley (British, 20th century, 1908-1996), 1993, signed to the front and
Acrylic
$443Sale Price|20% Off
20th Century Traditional English Painting Derrington Mill Holsworthy Devon
By English School
Located in Cirencester, Gloucestershire
Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), 1993, signed to the front and
Acrylic
$554Sale Price|20% Off
Traditional English Painting Cloister Garth at Rochester Cathedral, Kent
By English School
Located in Cirencester, Gloucestershire
Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), 1989, signed to the front and
Acrylic
$549Sale Price|20% Off
20th Century Traditional English Pastel Summer Evening by the Thames
By English School
Located in Cirencester, Gloucestershire
Artist/ School: Norman A. Olley (British, 20th century, 1908-1996), 1993, signed to the front and
Acrylic
$527Sale Price|20% Off
Traditional English Painting Statue of Mary and Christ, Rochester, Kent
By English School
Located in Cirencester, Gloucestershire
Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), 1996, signed to the front and
Acrylic
$527Sale Price|20% Off
Traditional English Painting Working Horses Returning Home in Kent
By English School
Located in Cirencester, Gloucestershire
Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), 1990, signed to the front and
Acrylic
Norman Olley - Signed & Framed 1987 Oil, October Marshland
By Norman Olley
Located in Corsham, GB
Textured impasto is used to depict a charming countryside scene. Signed, dated and inscribed. Well presented in a gilded wood frame with a linen slip. On canvas on stretchers.
Oil
Norman Olley - Signed & Framed 1953 Oil, Autumn Sunlight
By Norman Olley
Located in Corsham, GB
Impasto oils describe the evening light beaming through trees onto a quiet country road. Signed in the bottom left-hand corner and inscribed on the reverse. Presented in a modern g...
Oil
Norman Olley - Signed & Framed 1974 Oil, River Landscape with Windmill
By Norman Olley
Located in Corsham, GB
A quaint oil painting depicting a river leading to a windmill. Signed, dated, and inscribed. Well presented in a gilded wood frame. On Canvasboard.
Oil
Norman Olley - Signed & Framed 1974 Oil, River Landscape with Windmill
By Norman Olley
Located in Corsham, GB
A quaint oil painting depicting a river leading to a windmill. Signed, dated, and inscribed. Well presented in a gilded wood frame. On Canvasboard.
Oil
Norman Olley - Signed & Framed 1987 Oil, October Marshland
Located in Corsham, GB
Textured impasto is used to depict a charming countryside scene. Signed, dated and inscribed. Well presented in a gilded wood frame with a linen slip. On canvas on stretchers.
Oil
Norman Olley - Signed & Framed 1974 Oil, River Landscape with Windmill
Located in Corsham, GB
A quaint oil painting depicting a river leading to a windmill. Signed, dated, and inscribed. Well presented in a gilded wood frame. On Canvasboard.
Oil
Sold|$1,664
LARGE SIGNED ENGLISH OIL - CLASSIC TALL SHIP ENTERING OLD TRADITIONAL HARBOUR
By Norman Olley
Located in Cirencester, Gloucestershire
Artist/ School: Norman Olley, signed and dated 1970 Title: Peleus entering Harbour Medium: oil
Oil
Horse & Cart Travelling Up The Cobbled Bridge In Tresmeer Cornwall
Located in Cirencester, Gloucestershire
Artist/ School: Norman A.Olley (British, 20th century) dated 1995 and inscribed verso Title
Ink, Watercolor, Gouache, Pencil
Salisbury Cathedral Original Painting, Cattle Grazing in Pastoral Meadows
Located in Cirencester, Gloucestershire
Artist/ School: Norman A.Olley (British, 20th century), signed & dated 1994 Title: Sailsbury
Watercolor
Sold|$650
Abstract Drypoint Etching Iowa Landscape 1962 Shane Weare California Artist
Located in Surfside, FL
, studying printmaking with Mauricio Lasansky. He showed with Norman Ackroyd and Peter Olley. This work has
Drypoint, Etching
Touch of Eternity Huge British Surrealist Oil Painting
By Richard Turner
Located in Cirencester, Gloucestershire
Olley and Norman Ackroyd. In 1968, he was employed as an epigraphic artist and photographer by the
Canvas, Oil
Traditional English Painting Punting on the River Ember in Surrey, England
By English School
Located in Cirencester, GB
Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), dated 1991, signed to the
Other
Traditional English Painting Children with a Pond Yacht in an English Village
By English School
Located in Cirencester, GB
Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), dated 1991, signed to the
Other
20th Century Traditional English Pastel Summer Garden in Teddington
By English School
Located in Cirencester, GB
Artist/ School: Norman A. Olley (British, 20th Century, 1908-1996), 1993, signed to the front and
Other
It could be argued that cave walls were the canvases for the world’s first landscape paintings, which depict and elevate natural scenery through art, but there is a richer history to consider.
The Netherlands was home to landscapes as a major theme in painting as early as the 1500s, and ink-on-silk paintings in China featured mountains and large bodies of water as far back as the third century. Greeks created vast wall paintings that depicted landscapes and grandiose garden scenes, while in the late 15th century and early 16th century, landscapes were increasingly the subject of watercolor works by the likes of Leonardo da Vinci and Fra Bartolomeo.
The popularity of religious paintings eventually declined altogether, and by the early 19th century, painters of classical landscapes took to painting out-of-doors (plein-air painting). Paintings of natural scenery were increasingly realistic but romanticized too. Into the 20th century, landscapes remained a major theme for many artists, and while the term “landscape painting” may call to mind images of lush, grassy fields and open seascapes, the genre is characterized by more variety, colors and diverse styles than you may think. Painters working in the photorealist style of landscape painting, for example, seek to create works so lifelike that you may confuse their paint for camera pixels. But if you’re shopping for art to outfit an important room, the work needs to be something with a bit of gravitas (and the right frame is important, too).
Adding a landscape painting to your home can introduce peace and serenity within the confines of your own space. (Some may think of it as an aspirational window of sorts rather than a canvas.) Abstract landscape paintings by the likes of Korean painter Seungyoon Choi or Georgia-based artist Katherine Sandoz, on the other hand, bring pops of color and movement into a room. These landscapes refuse to serve as a background. Elsewhere, Adam Straus’s technology-inspired paintings highlight how our extreme involvement with our devices has removed us from the glory of the world around us. Influenced by modern life and steeped in social commentary, Straus’s landscape paintings make us see our surroundings anew.
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