Oil Paint Splatter

Oil on board painting. Modernist abstract painting. Newly framed in a solid wood frame. Dimensions H 75cm, W 50.5cm, D 3cm Condition Please do take a careful look at all our pi...

As art dealers, we have had frequent opportunity to consider the following questions: Why are some artists, well-known in the day, virtually forgotten after their death? Why do some ...

Large Abstract Splatter Composition in Blue and Green, Oil on Canvas, with yellow line with white and navy splatter, signed with impasto kanji mark lower left, unframed. 96.5" H x 48...

Oil On Canvas

Oil On Canvas

"Glistening Roller" Ocean Wave in Blue and Green with Paint Splatters The rhythm of the waves marks time, like the breath. Moment to moment, its intensity fluctuates like emotion. T...

Carole Eisner painted Untitled I in 1963, after having been inspired by Helen Frankenthaler. Eisner was able to visit Frankenthaler's studio in the early 60s. Untitled I comes fram...

Vertical gestural abstract painting on canvas in a complex splattering of sapphire blue, sienna orange, and black Oil, alkyd and mineral spirits on canvas framed in a simple black mo...

Large scale abstract landscape of a city inspired by graffiti styles painted in the style of Jackson Pollock/Abstract Expressionism. Signed by artist in lower right corner. Currently...

Large scale black, red, and silver splatter portrait of a man painted in the style of Jackson Pollock/Abstract Expressionism. Signed by artist in lower right corner. Currently unfram...

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

Introducing the Alma Accent Chair – a timeless piece crafted for comfort and style. Upholstered in a faux mohair style velvet, the color is our french havane, a warm honey, caramel t...

Panton 'Panthella 160' Original Brown Portable Table Lamp for Louis Poulsen The 'Panthella 160' lamp was designed in 1971 by Danish designer Verner Panton and remains one of his mos...

Stunning classic set of four mid century 1960's Danish rosewood model 42 dining chairs by Kai Kristiansen. The sculptural rosewood frames display beautiful craftsmanship, with the ba...

Stool Berlingo in natural solid polished walnut wood and with seat in genuine leather D4 straps in beige finish. Original piece also available in armchair, on request.

Adrian Pearsall, 'Cloud' sofa, walnut, fabric, United States, 1950s Adrian Pearsall's "Cloud" sofa, crafted in the 1950s in the United States, is a stunning example of mid-century m...

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Ugo Trevisan (Officina d’Arte), fireplace, hammered steel, copper, Italy, 1950s The Turin-based atelier Officina d’Arte was established by the Venetian-born metalworker and designe...

A fluid organic hand-blown glass design by Alfredo Barbini made in the 1970s. This rare collector's bowl is in excellent condition. It is signed Barbini on the base.

Hans J. Wegner for Johannes Hansen, writing desk, model 'JH571', teak, oak, metal, Denmark, 1953 Out of all the desks that Wegner designed, the ‘JH571‘ is the most 'Wegnerian'. This...

American studio craft sculptural shelf or console table circa 1990s Unique Memphis inspired step design executed in ash and walnut with dovetail joinery and lower wave stretcher So...

Exceptional and rare Italian modular wall unit by Vittorio Dassi and produced by Dassi Mobili Moderni during the 1950s, representing one of the most iconic examples of high Italian M...

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Midcentury amazing rectangular decorative box in tortoiseshell-effect lucite in Christian Dior Home style. Made in Italy in the 1980s. Perfect desk object or gift idea.

Pewter bowl by Edvin Ollers (1888-1959) for Schreuder & Olsson, Sweden. Designed during the 1930s. This fruit bowl is made in 1954=D9.

Post-Modern and Hollywood Regency style table lamp designed by Jorge Pensi for the Spanish brand B-Lux, 1980s. Made of polished injected aluminum, and chrome plated in gold. The shad...

Art Deco round two top gueridon birdseyemaple black legs with two tops.