Paris Review

Roy Lichtenstein Paris Review, 1966 screenprint, Ed. 60/150 40 x 25-3/4” – art size 52-1/4 x 37-3

Keith Haring The Paris Review, 1989 22 x 30 inches paper size Screenprint edition of 200

Screen print Signed and numbered Edition of 150

Allan D'Arcangelo, PARIS REVIEW 1967 Edition 150 signed and numbered silkscreen Allan D'Arcangelo

the art scene “amazing” work and “an intensity and integrity you just can’t fake.” The Paris Review

art scene “amazing” work and “an intensity and integrity you just can’t fake.” The Paris Review drew a

others. Reviews of his work have been published in The Paris Review, The New York Times, Art in America

countries. Her writing has also appeared in The Paris Review, Harper’s, and The New Yorker. July’s

, published by G. di San Lazarro, Chroniques du Jour, Paris, in the review XXeme Siècle, vol. I, No. 3, Paris

Galerie Zak exhibition, La Semaine A Paris, November 2, 1934. Review of A.C.A. Gallery exhibition

turn of the century, he went to Europe and spent the next 16 years there. While in Paris, he studied

Independence Foundation as well as a fellowship to the Cité Internationale des Arts in Paris. His work has been

well as a fellowship to the Cité Internationale des Arts in Paris. His work has been reviewed in Arts

Independence Foundation as well as a fellowship to the Cité Internationale des Arts in Paris. His work has been

Independence Foundation as well as a fellowship to the Cité Internationale des Arts in Paris. His work has been

literary review, Soirées de Paris and, a few years later, asked Férat to design the program, sets, and

Keith Haring The Paris Review 1989 Screen print in colors on wove paper Signed, dated and numbered

Artist: John Matos "Crash" Title: Paris Review Medium: Serigraph Signed: Hand Signed Measurements

Artist: Nicholas Krushenick, American (1929 - 1999) Title: Paris Review Year: 1965 Medium

105/150 in pencil by Rosenquist. Printed by Chiron Press, New York. Published by the Paris Review, New

in pencil by Kelly. Printed by Stephen Poleskie, Chiron Press, New York. Published by the Paris

Paris Review (Anchor in Sand) Ed Ruscha, American (1937) Date: 1991 Lithograph on BFK Rives, signed

indiscernible forms that move across the page, creating visceral energy. "The Paris Review" USA, 1991

Poster Paris Review 25th Anniversary (Flower Study) 1981 Signed in pencil, l.r. Offset lithograph

Artist: Carol Summers, American (1925 - ) Title: Paris Review Year: 1968 Medium: Silkscreen on

An original silkscreen by Minimalist artist Sol Lewitt (American 1920 - 2007). It is hand-signed and numbered AP 5/15 in pencil. Currently unframed.

Paris Review, 2021 Ed Ruscha Hand-printed lithograph with torn and deckle edges Signed, dated and

Paris Review, is signed and numbered 141/150 in pencil. It measures 40 x 26 inches and is in excellent

. The Paris Review publishes writings and poetry by aspiring writers young and old. The publications are

: Serigraph by Jim Dine for the Paris Review. Shipping and Handling: We ship Worldwide. For Domestic and

Numbered in Pencil on left bottom corner 49 of 200. Some light denting throughout print.

Published by: The Paris Review, New York Condition: Excellent

Size: 41 x 32 inches Publisher: Paris Review

of the founding editors, and the first art director, of influential literary magazine, The Paris

Artforum and was published in the Paris Review. He was included in the White Columns Twentieth Anniversary

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself

" in Paris. Folies-Bergère, Parisian music hall and variety-entertainment theatre that is one of the

appeared in New American Paintings, the Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote

appeared in New American Paintings, the Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote

museums. They have also appeared in New American Paintings, the Paris Review, the Wall Street Journal

museums. They have also appeared in New American Paintings, the Paris Review, the Wall Street Journal

appeared in New American Paintings, the Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote

. Glasson’s work has been published in New American Paintings, The Paris Review, The Wall Street Journal