Piranesi Etchings

The etching is by Giovanni Battista Piranesi, published in Rome in 1778.

This is a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Orthographia utriusque lateris arcuum ductus Aquae Virginis a specu principe ad Hadriani thermas, effossorum...

Il Restante degli Ornamenti com Gliuccelli Formano un Vago Intreccio nel Corpo del Vaso" is an etching by Giovanni Battista Piranesi, first published in Rome in 1768.

In 1768 Piranesi began creating etchings depicting these objects.

Vintage poster realized in occasion of the exhibition of Piranesi's Etchings at Galleria Marino Rome. The exhibition was held in occasion of Piranesi's bicentenary of the death (177...

Vintage poster realized in occasion of the exhibition of Piranesi's Etchings at Galleria Marino Rome. The exhibition was held in occasion of Piranesi's bicentenary of the death (177...

Vintage poster realized in occasion of the exhibition of Piranesi's Etchings at Galleria Marino Rome. The exhibition was held in occasion of Piranesi's bicentenary of the death (177...

Vintage poster realized in occasion of the exhibition of Piranesi's Etchings at Galleria Marino Rome. The exhibition was held in occasion of Piranesi's bicentenary of the death (177...

In 1768 Piranesi began creating etchings depicting these objects.

Ref: Focillon n. 516 , L. Ficacci, Piranesi, The Complete Etching, Taschen,2000 n.568, pag.459.

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S.

In 1768 Piranesi began creating etchings depicting these objects.

In 1768 Piranesi began creating etchings depicting these objects.

Another front view of the same chair + Cinerary urn in marble Artist proof, printed on contemporary laid paper, wide margins. Two Piranesi’s Etching on the same sheet, with good cont...

Piranesi Etching of an Antique Roman Vase and Pedestal, Vasi e Candelabri Paris Edition, Circa 1800–1835 Etching with engraving by Giovanni Battista Piranesi (Italian, 1720–1778), f...

In 1768 Piranesi began creating etchings depicting these objects.

The engraving is elegantly presented in a wide, crisp white mat and housed in a clean, modern black frame that perfectly contrasts the deep, dramatic shadows of Piranesi's etching st...

Minor stains (Some rust stains are visible from the outside due to the passage of time) The etching is presented framed In 1777 Piranesi executed his last master works—15 exquisite...

Elegant and timeless, this pair of 19th-century etchings after Giovanni Battista Piranesi captures the beauty and grandeur of classical Roman architecture.

Ficacci, Piranesi, The Complete Etching, Taschen, p. 703, n. 902.

Giovanni Battista Piranesi, The Well, Carcere XIII , from “ Images of Prisons”, Buchard , Rome, 1749-50 Etching on laid paper.

Plate #106 from Giovanni Battista Piranesi's Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vase...

Artist: Giovanni Battista Piranesi, Italian (1720 - 1788) Title: Veduta delle Antiche Sostruzioni Portfolio: Vedute di Roma Year: 1776 Medium: Etching Image Size: 17.7 x 26.5 inches...

Veduta del Ponte Lugano su l'Anione is a superb black and white etching on laid paper realized by Giovan Battista Piranesi.

G.B. Piranesi Marble Urns and Vases and Lamps Etching c.1770 Beautiful 18th century etching by Giovanni Battista Piranesi (1720-1778) Loose translation of the text: Knight Gio.

References: Wilton-Ely 1994 / Giovanni Battista Piranesi, the complete etchings, 202 Hind 1922 / Giovanni Battista Piranesi, a critical study, 69.1 Focillon 1918 / Giovanni Battista...

Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and...

View of the Capitoline Hill is an original etching realized by the italian artist Giovanni Battista Piranesi in 1775.

In 1768 Piranesi began creating etchings depicting these objects.

View of the magnificent substructure is an original etching realized by the italian artist Giovanni Battista Piranesi.

The print combines etching, engraving and drypoint techniques. It is signed in the plate in the lower right "Piranesi Archit. dis. et inc.".

Piranesi's style greatly influenced the neoclassical art movement of the late 18th century.

References: L. FICACCI, Piranesi, The Complete Etchings, Taschen, p.660, fig. 846; A.A.V.V., Giovanni Battista Piranesi, Architetture, fantasie e grotteschi, Antichità Romane, Catalo...

Veduta della Spelonca, detta il Bergantino is an original etching realized by G. B. Piranesi in 1762. Image Dimensions: 43 x 63 cm Very good condition.

Etching realized by Giovan Battista Piranesi in 1775.

References: L. FICACCI, Piranesi, The Complete Etchings, Taschen, p.613, fig. 776; A.A.V.V., Giovanni Battista Piranesi, Architetture, fantasie e grotteschi, Antichità Romane, Catalo...

Reference: L. Ficacci, Piranesi The Complete Etchings, Taschen, p. 261, n. 287; A.M.

Quickly mastering the medium of etching, Piranesi went on reconstructing the ancient Rome in painstaking detail.

References: L. FICACCI, Piranesi, The Complete Etchings, Taschen, p.603, fig. 762.

Neoclassical Etching of three ancient Roman candelabra by Giovanni Battista Piranesi (1720-1778) originally published in 1778 as Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne ...

The complete etchings, San Francisco, AlanWofsy, 1994, n. 26; Ficacci Luigi, Piranesi.

View of Mausoleo of Cecilia Metella is an original etching realized by the italian artist Giovanni Battista Piranesi in 1773.

View of Castel of Acqua Felice is an original etching realized by the italian artist Giovanni Battista Piranesi in 1751.

By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins.

Ficacci “Giovanni Battista Piranesi the Complet Etchings”  Koln 2000 pag.738 nº 968.

This exceptional mid-18th century etching by Giovanni Battista (Giambattista) Piranesi (b. 1720-1778) is titled “Veduta della Gran Curia Innocenziana” (“View of the Palazzo di Montec...

Reference: L. Ficacci, Piranesi The Complete Etchings, Taschen, p.258 n. 283; Focillon, n. 291

Etching on paper. Early 19th Century impression of this celebrated view by Piranesi.

View of the Cave known as Bergantino is an etching realized by the italian artist Giovanni Battista Piranesi in 1762.

Neoclassical Etching of three ancient Roman urn on pedestal, two oil lamps and a vase by Giovanni Battista Piranesi (1720-1778) originally published in 1778 as "Vasi, candelabri, cip...

Image dimensions 40.6x56.8. Belongs to the Collection "Antiquities of Cori, described and etched by Giovambat Piranesi", and printed in 1764. Beautiful first roman edition/1st state ...

Classical Blueprints: Piranesi Engraving of the Exeter Pedestal and Antiquities Etching and Engraving on Paper, Circa 1778 This large-scale copperplate engraving by Giovanni Battist...

References:   L. FICACCI, Piranesi, The Complete Etching s, Taschen, Roma, 2000, p.607.

Signed on plate “Piranesi F.” Ref: L. Ficacci, Piranesi, The Complete Etching, Taschen, pag.440, n. 544; Focillon 491.

The central vase is carved with a priest and worshippers sacrificing the suovetaurilia (a boar, a ram and a bull), and is placed on a sarcophagus guarded by winged sphinxes. The left...

Sepolcro Regio, o Consolare , inciso nella rupe del Monte Albano (Royal or Consular Tomb in the Alban Hills) is an original etching realized by Giovan Battista Piranesi in 1764.

Veduta della Basilica di San Giovanni in Laterano, is an original etching realized by Giovanni Battista Piranesi in 1749.

Pair of Architectural Etchings by Giovanni Piranesi. One presents a grand panoramic view of St.

The dramatic large, almost 4 foot tall etching is framed with a green ground and gold double border with cream French matting.

Etching on Rives paper. Hand signed lower right by Henry Moore. Hand numbered V/X lower left, one of ten artist's proofs, aside from the edition of 50. Sheet size 17.25 x 21 inch...