Salon Des Arts Menagers

The 1935 original poster by Roger Pérot for the XIIe Salon des Arts Ménagers showcases the quintessence of Art Deco style, embodying the elegance and modernity of the era.

The 1930 original poster by Francis Bernard for the VIIe Salon des Arts Ménagers is a remarkable testament to the intersection of art, design, and domesticity.

The original 1932 poster by Will Lacroix for the 9th Salon des Arts Ménagers at the Grand Palais, organized by the Office National des Recherches Scientifiques et Industrielles et de...

In 1937, Paul Colin created an original poster for the 16th Salon des Arts Ménagers at the Grand Palais, Paris.

This was shown for the first time at the Salon des Arts Ménagers in February 1962 on the stand of the Société de Creation de Modèles.

His first creations followed the evolution of the Salon des arts ménagers, which focused on modern, economical, high-quality mass-produced furniture.

His first creations followed the evolution of the Salon des arts ménagers, which focused on modern, economical, high-quality mass-produced furniture.

His first creations followed the evolution of the Salon des arts ménagers, which focused on modern, economical, high-quality mass-produced furniture.

His first creations followed the evolution of the Salon des arts ménagers, which focused on modern, economical, high-quality mass-produced furniture.

This model was presented at the 1938 Salon des Arts Ménagers and was published by a french company called Norma the same year.

This model was presented at the 1938 Salon des Arts Ménagers and was published by a french company called Norma the same year.

His first creations followed the evolution of the Salon des arts ménagers, which focused on modern, economical, high-quality mass-produced furniture.

His first creations followed the evolution of the Salon des arts ménagers, which focused on modern, economical, high-quality mass-produced furniture.

His first creations followed the evolution of the Salon des arts ménagers, which focused on modern, economical, high-quality mass-produced furniture.

Unveiled in 1973 at the Salon des Arts Ménagers, the TOGO was introduced by Ligne Roset, the newly launched brand of the long-established French furniture maker Roset.

This piece was part of the furniture of the room that was exhibited at the Salon des Arts Ménagers in 1956, which was to be produced by Jacques Gillen.

He studied an economical version that he presented in 1934 at the Salon des arts ménagers under the name of RG elements.

ABOUT TOGO It is said that Togo, the cushy, crimped, ground-hugging sofa series, was inspired by French designer Michel Ducaroy’s crushed aluminum toothpaste tube, spotted one mornin...

Artiste décorateur lié à l’École Boulle, il se spécialise après la Seconde Guerre mondiale dans la création de meubles industriels destinés aux petites collectivités et à l’habitatio...

ABOUT TOGO It is said that Togo, the cushy, crimped, ground-hugging sofa series, was inspired by French designer Michel Ducaroy’s crushed aluminum toothpaste tube, spotted one mornin...

He studied an economical version that he presented in 1934 at the Salon des arts ménagers under the name of RG elements.

He studied an economical version that he presented in 1934 at the Salon des arts ménagers under the name of RG elements.

He studied an economical version that he presented in 1934 at the Salon des arts ménagers under the name of RG elements.

Patrick Favardin describes him as "one of the most endearing figures of this republic of decorative arts in the second half of the 20th century "2. A decorative artist associated wit...

En 1967, à l’occasion du salon des Arts Ménagers, Pierre Chapo présente de nouvelles créations et expose pour la première fois l’étagère B 17.

He studied an economical version that he presented in 1934 at the Salon des arts ménagers under the name of RG elements.

He studied an economical version that he presented in 1934 at the Salon des arts ménagers under the name of RG elements.

He studied an economical version that he presented in 1934 at the Salon des arts ménagers under the name of RG elements.

En 1967, à l’occasion du salon des Arts Ménagers, Pierre Chapo présente de nouvelles créations et expose pour la première fois l’étagère B 17.

His work was exhibited at the Salon des Arts Ménagers and received numerous awards, including the prestigious René Gabriel Prize, recognizing excellence in furniture design for moder...

He studied an economical version that he presented in 1934 at the Salon des arts ménagers under the name of RG elements.

He studied an economical version that he presented in 1934 at the Salon des arts ménagers under the name of RG elements.

He studied an economical version that he presented in 1934 at the Salon des arts ménagers under the name of RG elements.

He began to exhibit his own work in the Salon des Arts Ménagers and the Salon des Artistes Décorateurs.[1] In the period after World War II (1939–1945) there was increased interest i...

He exhibits regularly at the Salon des artistes décorateurs (SAD) or at Salon des arts ménagers (SAM).

In 1938, he participated in the Salon des Arts Ménagers and created a line of storage furniture with a particular design that found an echo in Scandinavian countries.

In 1938, he participated in the Salon des Arts Ménagers and created a line of storage furniture with a particular design that found an echo in Scandinavian countries.

First presented in 1967 at the Salon des Arts Ménagers, the 'B17' surprises with its discretion and elegance, courtesy of the harmony displayed between the lines of the shelves and v...

First presented at the Salon des Arts Ménagers in Paris in 1967, Pierre Chapo’s B17 bookshelf exemplifies the designer’s mastery of proportion, structure, and material integrity.

ACMS also played a key role in promoting mass-produced furniture at the Salon des arts ménagers until the 1960s4. After this pioneering period, René-Jean Caillette went on to create...

From 1935 he showed his work at the salons of Société des Artistes Decorateurs regularly and at editions of Salon des Arts Ménagers.

From 1935 he showed his work at the salons of Société des Artistes Decorateurs regularly and at editions of Salon des Arts Ménagers.

A graduate of the École nationale supérieure des Arts décoratifs, he published his first designs on his own, including the famous Rotaflex lamp, which he exhibited at the Salon des A...

A graduate of the École nationale supérieure des Arts décoratifs, he published his first designs on his own, including the famous Rotaflex lamp, which he exhibited at the Salon des A...

From 1935 he showed his work at the salons of Société des Artistes Decorateurs regularly and at editions of Salon des Arts Ménagers.

His first creations followed the development of the Salon des arts ménagers, which focused on modern, economical, high-quality, mass-produced furniture.

In 1961, thanks to the Société de Création des Modèles, he was able to exhibit his latest light fixture designs at the trade show Salon des arts ménagers.

In 1954, they participated in the Salon des Arts Ménagers and realized that they had the common desire to found an association, in particular with the aim of creating a series of fur...

In 1954, they participated in the Salon des Arts Ménagers and realized that they had the common desire to found an association, in particular with the aim of creating a series of fur...

From 1938 onwards, he took part in the Salon des Arts Ménagers and created a line of storage units with a particular design, which the war was to bring to a standstill in France, but...

In addition to these thirty-two biographical and stylistic monographs, the author Patrick Favardin analyses the establishment of structures, totally new for the France, of publishing...

He participated at the 1925 Paris Exposition Internationale des Arts Decoratifs et Industriels Modernes, the 1931 Paris Exposition Coloniale, and the 1937 Paris Exposition Internatio...

He also uses rattan, brass, formica, glass and wood. Member of the Société des Artistes Décorateurs (SAD), between 1952 and 1958, he regularly exhibited at the Salon des Arts Ménager...

He participated at the 1925 Paris Exposition Internationale des Arts Decoratifs et Industriels Modernes, the 1931 Paris Exposition Coloniale, and the 1937 Paris Exposition Internatio...

In 1961, thanks to the Société de Création des Modèles, he was able to exhibit his latest light fixture designs at the trade show Salon des arts ménagers.

Presented for the first time in 1962 at the prestigious Salon des Arts Ménagers, this unique work was fascinated by its audacity and technical mastery.

He exhibited his designs at the Salon des Arts Ménagers, the Salon des artistes décorateurs, the CNIT (Centre des Nouvelles Industries et Technologies), and at the Milan and Turin fa...