Saturday Evening Post Covers

Medium: Oil on Canvas laid on Board Signature: Unsigned Saturday Evening Post cover study, November 6, 1937

Beginning to Rain, New Years Baby, Saturday Evening Post Cover, December 31, 1927.

Medium: Oil on Canvas Signature: Signed Lower Left Saturday Evening Post Cover, February 25, 1939

Date: 1927 Medium: Oil on Canvas Dimensions: 28.00" x 21.00" Signature: Signed Lower Right Beginning to Rain, New Years Baby, Saturday Evening Post Cover, December 31, 1927 ...

Date: 1954 Medium: Gouache on Board Dimensions: 21.25" x 20.75" Signature: Signed Lower Right Saturday Evening Post cover, March 20, 1954 "Dick Sargent a gifted portr...

Date: July 4, 1908 Medium: Oil on Canvas Dimensions: 27.25" x 21.00" Signature: Signed Lower Right The Saturday Evening Post cover, Holiday Edition, July 4, 1908 This painti...

Date: 1950 Medium: Watercolor and Tempera on Masonite Dimensions: 40.00" x 30.00" Signature: Signed Lower Left Saturday Evening Post Cover, May 20, 1950 Exhibited Denver...

Medium: Oil on Board Signature: Signed Center Left Study for Saturday Evening Post Cover 'Who, Me Work?' January 23, 1926

Approximate Date: 1922 Medium: Oil on Canvas Signature: Signed Lower Right Size: 28" x 21" Price on Request- Cover Illustration, The Saturday Evening Post, June 2...

Medium: Oil with Pencil on Canvas Signature: Signed Monogram Lower Right Study for Saturday Evening Post cover, Sep 3, 1932. Monogram signature "JCLeyendecker" l.r., identified in ...

Approximate Date: 1954 Medium: Oil on Board Signature: Signed Lower Right Sight Size 21.00" x 21.00", Framed 26.00" x 26.00" Saturday Evening Post cover painting, December 18, 1954 ...

Saturday Evening Post cover, October 11, 1958 Daily life is the real subject of most great illustration art.

He created 321 covers for the Saturday Evening Post.. American painter, illustrator, 1874-1951 Exhibitions: JC Leyendecker and The Saturday Evening Post, Norman Rockwell Museum, M...

Leyendecker’s style in this Dec. 23, 1916 The Saturday Evening Post cover. It is a triumph of detail as well as execution.

Medium: Oil on Canvas Signature: Signed Lower Center Bringing in the Turkey, Saturday Evening Post Cover, December 2, 1933 Exhibitions: The Society of Illustrators and Watson-Gup...

Saturday Evening Post Cover, April 20th 1940 Young boy hanging upside down.

Date: 1950 Medium: Oil on Board Dimensions: 36.00" x 24.00" Signature: Signed Lower Left

Signature: Signed Lower Left

Medium: Oil and Pencil on Canvas Laid Down on Board Study for the December 23rd, 1939 issue The Saturday Evening Post.

Date: 1937 Medium: Oil on Canvas Dimensions: 31.00" x 24.00", Framed 38.00" x 32.00" Signature: Signed Lower Right Cover of The Saturday Evening Post, May 15, 1937 The title “Queen...

Medium: Oil on Board Signature: Signed Middle Left Cover of Saturday Evening Post magazine (Easter edition), April 1905.

Featured on the cover of the April 28, 1956 Saturday Evening Post, the comical illustration by American illustrator Earl Mayan chronicles a messy traffic jam.

Date: 1951 Medium: Oil on Masonite Dimensions: 46.00" x 35.25" Signature: Signed Lower Left: Stevan Dohanos; Dated on the reverse: August 25, 1951.

Literature: The Saturday Evening Post, September 26, 1959, cover illustration.

Date: 1934 Medium: Oil on Canvas Dimensions: 32.00" x 24.00" Signature: Signed Lower Left: JCLeyendecker

Schau, Joseph Christian Leyendecker, 1974, New York, p. 183, illustrated Appeared as the cover of The Saturday Evening Post on July 6, 1918, July 4th Holiday Edition Joseph C...

This composition, entitled All Wrapped Up in Christmas was featured on the December 19, 1959 cover of the Saturday Evening Post. Sargent painted 47 covers for the publication, includ...

Medium: Oil on Canvas Signature: Unsigned Study for the Saturday Evening Post cover - Thanksgiving edition (Nov. 29, 1924).

Saturday Evening Post Cover, September 26. 1953 Signed Lower Left

Medium: Tempera on Board Signature: Signed Lower Left Submitted as a Saturday Evening Post Cover

Date: Nov 29, 1924 Medium: Oil on Canvas Dimensions: 20.00" x 14.00" Signature: Unsigned Made for the Saturday Evening Post cover - Thanksgiving edition (Nov. 29, 1924).

Signature: Unsigned Framed Dimensions: 34.38" x 22.50" Study for Saturday Evening Post Cover, January 20, 1940 Civil War general, Robert E.

C. Leyendecker's Saturday Evening Post covers. By 1941, Mat Kauten was selling realistic cover designs to the pulp magazines.

He used this approach effectively for his humorous Saturday Evening Post covers as well as for the more serious fiction illustrations for Cosmopolitan, McCall’s, The Ladies’ Home Jou...

Capitol. Finished his first Saturday Evening Post cover in 1899 and proceeded to do over 300 more.

Capitol. Finished his first Saturday Evening Post cover in 1899 and proceeded to do over 300 more.

He used this approach effectively for his humorous Saturday Evening Post covers as well as for the more serious fiction illustrations for Cosmopolitan, McCall’s, The Ladies’ Home Jou...

He used this approach effectively for his humorous Saturday Evening Post covers as well as for the more serious fiction illustrations for Cosmopolitan, McCall’s, The Ladies’ Home Jou...

He honed his craft at the Kansas City Art Institute, and in the 1930s, he earned his first important commissions producing work for advertising firms. Falter's first Saturday Evening...

Painted for the June 2, 1906, cover of Saturday Evening Post, The Sleuth illustrates a scene from the story Mortmain by Arthur Train.

In 1898, Leyendecker produced the first of 48 covers for Collier’s magazine. The next year, he painted his first cover for Saturday Evening Post magazine, which was the beginning of ...

Much like his iconic Saturday Evening Post covers, Norman Rockwell’s Top Value catalog covers have become treasured collectibles celebrated for their nostalgia and artistry.

Medium: Oil on Canvas Laid on Board Signature: Unsigned Sight Size 11.50" x 14.50;" Framed 18.00" x 21.00" Fourth of July (George Washington), The Saturday Evening Post preliminary ...

This oil painting is a study of a young male model who posed for a Norman Rockwell Saturday Evening Post Cover, "Boy with Melting Ice Cream Cones."

First published on the July 21, 1928 cover of The Saturday Evening Post, Norman Rockwell’s Hayseed Critic showcases the artist’s signature warmth and wit.

"Extra Good Boys and Girls" is a lithograph by Norman Rockwell that was used as a Saturday Evening Post magazine cover in December of 1939.

Today Utz is best known for his graphic contributions to The Saturday Evening Post, which took off in 1944. He created many cartoons for them, 45 of which were used on the cover.

Willis also illustrated stories for Esquire and the Saturday Evening Post and created covers for all Ice Follies programs from 1952-1969.

Town and Country and The Saturday Evening Post featured Davidson cover designs.

Kauffmann is best remembered for his Saturday Evening Post covers as well as a series of extremely popular World War II posters that were distributed in quantities second to only Nor...

An artist and illustrator of the social realism school, Dohanos is best known for his Saturday Evening Post covers and is responsible for several of the Don't Talk set of World War I...

Most recognized for her World War I poster art and Saturday Evening Post covers, McMein was as intriguing to the public for her personal life as her incredible talent.

We are unsure of the specific usage of this painting, Bolles, a versatile East Coast artist, created one cover for The Saturday Evening Post and many covers for titles such as People...

This extraordinary 128-piece service by Fabergé is a rare treasure in more ways than one. Enclosed in its original oak chest, the exquisite service remains complete and in pristine c...

The present work was reproduced as an illustration for Bruce Barton's story "The Boy Who Established a Nation," published in the February 1929 issue of Good Housekeeping. Part of an ...

Item is in excellent condition and has only been displayed in a gallery setting. This painting was procured direct from the artist's studio. Cornelis le Mair is truly a renaissance ...

‘St. James’ Day’ by Richard Morton Paye (1750-1820). This very large and fine 18th century oil on canvas depicts a diverse crowd of Londoners at an oyster stand on a summer’s evening...

We offer you the chance of buying this breathtaking, rare Jaguar XK 120 which had its first road legal in february 1950. There has been built only a very little number of these cars,...

A three-quarter length portrait of Anne, Lady Russell, later Countess of Bedford (1615-1684), in a blue dress. Attributed to Sir Anthony Van Dyck.  Anne Carr, Lady Russell, an estee...

Lady Dormer, Mary Browne c. 1592 oil on panel 35 x 29 inches, unframed; 41 x 34.75 inches, inc. frame Inscribed 'Lady Dormore' Mary married Henry Wriothesley, 2nd Earl of Southampt...

PIERRE-AUGUSTE RENOIR (1841-1919) Portrait de femme - Berthe Poret bears signature (lower left) oil on canvas 17 15/16 x 14 3/4 in (45.5 x 37.4 cm) Painted between 1862-1863 Footn...

This painting demonstrates the source of Arnoldus Bloemers’ enduring popularity. A profusion of peonies, honeysuckle, and poppies share the confines of a terracotta urn sitting on a ...

This stunning Edwardian portrait oil painting is attributed to Scottish Kirkcudbright School artist William Stewart MacGeorge. Painted circa 1910, The painting shows the influences o...

"The Coward" (Woman Kissing Soldier). Original cover illustration for Life Magazine, published April 1919. Norman Rockwell’s The Coward (or, Woman Kissing Soldier) was published on...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Martha Walter (1875 - 1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followe...