Sir Peter Lely was a painter of Dutch origin whose career was nearly all spent in England, where he became the dominant portrait painter to the court. Lely was born as Pieter van der Faes to Dutch parents in Soest in Westphalia. He studied painting in Haarlem, where he may have been apprenticed to Pieter de Grebber and became a master of the Guild of Saint Luke in Haarlem in 1637. Lely is reputed to have adopted his surname from a heraldic “Lely” on the gable of the house where his father was born in The Hague. After arriving in London around 1643, his early English paintings, mainly mythological or religious scenes or portraits set in a pastoral landscape, show influences from Anthony van Dyck and the Dutch baroque. Lely’s portraits were very well received and he succeeded van Dyck (who had died in 1641) as the most fashionable portrait artist in England. He became a freeman of the Painter-Stainers’ Company in 1647 and was portrait artist to Charles I. His talent ensure that his career was not interrupted by Charles’ execution and he was appointed as Charles II’s Principle Painter in Ordinary in 1661, with a stipend of £200 per year. Lely became a naturalised English subject in 1662 and his demand and workshop were prolific.
$16,562
Studio of Sir Peter Lely, Portrait of Lady Anne (later Queen Anne)
By Studio of Sir Peter Lely
Located in Oxford, GB
Studio of Sir Peter Lely (1618-1680) Portrait of Lady Anne (1665–1714), later Queen Oil on canvas 20⅞ x 16¾ in. c.1678 Provenance Capt. H. A. N. Forte of Polock, West Somerset; Chri...
Oil
17th Century portrait oil painting of a lady
By Studio of Sir Peter Lely
Located in Nr Broadway, Worcestershire
Studio of Sir Peter Lely Dutch, (1618-1680) Portrait of a Lady Oil on canvas Image size: 29.25 inches x 24.25 inches Size including frame: 37...
Canvas, Oil
Price Upon Request
Diana
By Studio of Sir Peter Lely
Located in London, GB
Studio of Sir Peter Lely Diana Oil on canvas Image Size: 38 x 50 inches (96.5 x 127 cm) Ornate auricular frame Provenance The collection of Mr Campbell Private Estate Mary II (16...
Canvas, Oil
$13,142
H 21.66 in Dm 15.75 in
Italian 18th Century Oval Religious Oil on Canvas Painting with Saint Dominic
By Francesco de Mura
Located in Firenze, IT
This beautiful Italian 18th Century old masters oil painting on oval canvas with giltwood frame is attributed to Solimena and features a religious scene. In this splendid oval-shaped painting are depicted Saint Dominic...
Canvas, Oil
$600
H 18 in W 12 in
Oil Painting / Photorealism / Figurative Art / Human Figure /Museum
By Bruce Adams
Located in Buffalo, NY
Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...
Canvas, Oil
$7,598Sale Price|44% Off
H 58.27 in W 47.64 in D 2.37 in
large 18th century portrait gentleman oil on canvas
Located in York, GB
A fine, imposing 18th century portrait of an unknown aristocrat,housed in a gilt frame The artist is also unidentified but certainly a talented hand, in the circle of one of the fine old masters of the period. Unsigned The size overall is 148 x 121 cm whilst the painting is 128 x 101 cm In overall good condition the frame at the bottom has bowed slightly The painting has been checked whilst being cleaned and has not been affected in any way . SHIPPING Free delivery to mainland uk ,worldwide shipping available please email for quote Delivery usually within 14 working days, insured please provide telephone/email details for courier. All taxes/customs etc to be paid for by purchaser. RETURNS (The Consumer Contracts Regulations) Whilst we are sure that you will be extremely happy with your purchase, if for any reason you are not, then you are entitled to return the item to us for a refund. For all purchases made you are entitled to return the item(s) for a period of up to 14 days following receipt by you or a representative indicated by you. Please contact us to confirm that you are returning the item(s) and the reason for doing so. Upon receipt of the item(s) we will refund the purchase price via your original payment method...
Oil
$4,973Sale Price|20% Off
H 39.38 in W 34.65 in D 3.94 in
19th Century Portrait Of A Young Woman Oil On Canvas
Located in York, GB
Fine 19th Century Oil on Canvas Portrait of a Young Woman in large gilt gesso frame .unsigned. Identity of the sitter as yet unknown. The artist has managed to capture her ethereal b...
Oil
$3,174Sale Price|34% Off
H 27.17 in W 23.23 in D 1.97 in
19th century Portrait of a Lady, Attributed to Sir Frank Dicksee
Located in York, GB
Portrait of a very attractive Lady, head-and-shoulders in length monogrammed FD, inscribed to verso, oil on canvas, 50cm x 40cm whilst overall is 59 x 69 cm . In overall good condition some craquelure. Has been relined and cleaned. original frame some minor losses (self coloured) Frank...
Oil
$5,203Sale Price|35% Off
H 38 in Dm 33.08 in
17th century portrait of Lady Sarah Cowper, Circle of Michael Dahl
By (Circle of) Michael Dahl
Located in York, GB
Portrait of Lady Sarah Cowper, nee Holled [1644-1720]-Circle of Michael Dahl (unsigned)17th century,Oil painting on canvas oval,bust-length . She has dar...
Oil
$5,451
H 56 in W 37 in D 3 in
Portrait of Prince of Orange-Nassau" - After Michael Jansz. (Modern)
Located in Uppingham, GB
"Portrait of Frederick Hendrick, Prince of Orange-Nassau" - After Michael Jansz. van Miereveldt Dutch Golden Age royalty copy oil on canvas of van Miereveldt's iconic portrait. Excep...
Oil
Portrait of a Man
Located in New York, NY
Provenance: with Leo Blumenreich and Julius Böhler, Munich, 1924 Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to: Abraham M. Adler, New York, until 1985; thence by descent to the present owners While old inscriptions on the verso of this panel propose its author to be Hans Holbein and the sitter Sir John More—a lawyer, judge, and the father of Sir Thomas More—this fine portrait has long been recognized to be by a Flemish hand. Max Friedländer gave the painting to Bernard van Orley (1487/1491 – 1541) in 1924, but did not include it in the volume dedicated to the artist in his Early Netherlandish Paintings...
Oil, Panel
$23,322Sale Price|20% Off
H 25.6 in W 31.5 in D 1.97 in
17th-18th Century By Matteo Bonechi Marine Triumph Oil on Canvas
Located in Milano, Lombardia
Matteo Bonechi (Florence, Italy, 1669 - 1756) Title: Marine Triumph Medium: Oil on canvas Dimensions: without frame 65 x 80 cm - with frame 85 x 100 cm Not signed Expertise by Profe...
Oil, Canvas
$24,182Sale Price|20% Off
H 29.53 in W 19.3 in D 1.97 in
18th Century by Matteo Bonechi Presentation of Jesus Painting Oil on Canvas
Located in Milano, Lombardia
Matteo Bonechi (Florence, Italy, 1669 - Florence, Italy, 1756) Title: Presentation of Jesus Medium: Oil on canvas Dimensions: without frame 75 x 49 cm – with frame 89.5 x 65 cm Shaped, carved and gilded wooden box frame Not signed Expertise by Sandro Bellesi, Professor and art historian Fairs: The International Biennial of Antiques in Florence 2022 (BIAF, Biennale Internazionale dell’Antiquariato di Firenze) Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti (From the Giorgio Baratti Collection) curated by Anna Orlando, Agnese Marengo and Annalisa Scarpa, Genova, 2022, pp. 20, 21. The present painting is a very interesting testimony of the creative process of Matteo Bonechi, one of the leading artists on the Tuscan art scene in the early 18th century. The canvas in question is in fact the last preparatory model made by Bonechi before he executed an altarpiece for the church of San Filippo Neri in Cortona in 1716. The scene presented here is that of the Presentation of Jesus, when, forty days after his birth, the child is ransomed through an offering in the temple and placed in the hands of Simeon, who prophesies his future: the coming of the Messiah...
Canvas, Oil
$7,218Sale Price|44% Off
H 63.78 in W 53.55 in D 1.97 in
19th century antique portrait lady in landscape Godfrey Kneller (manner of)
Located in York, GB
Fine Portrait of a lady standing in a landscape wearing a white satin dress and holding a posy of flowers. Manner of Sir Godfrey Kneller (1646-1723) ...
Oil
$5,135
H 62.25 in W 43.5 in D 3 in
"Femme et Homards" (Woman with Lobsters), 1948 -André Minaux (French, 1923-1986)
By Andre Minaux
Located in Berlin, MD
Behold a mid-century marvel by André Minaux, a titan of the French School whose stylized Social Realist visions continue to captivate the art world. Painted in 1948, “Femme et Homard...
Cotton Canvas, Oil
Sold
H 99 in W 64 in
Portrait Of Mary Of Modena, Queen Of England, 17th Century Studio Of SIR PETER
By Studio of Sir Peter Lely
Located in Blackwater, GB
Portrait Of Mary Of Modena, Queen Of England, 17th Century Studio Of SIR PETER LELY (1618-1680) Huge 17th century English Old Master portrait of Mary ...
Canvas, Oil
Sold
H 57.49 in W 48.04 in D 2.76 in
Portrait of Mary of Modena, when Duchess of York c.1675; Studio of Peter Lely
By Studio of Sir Peter Lely
Located in London, GB
Portrait of Mary of Modena (1658-1718) when Duchess of York c.1675-80 Studio of Sir Peter Lely (1618-80) Presented by Titan Fine Art This attractive po...
Canvas, Oil
Sold
H 35.04 in W 31.11 in D 1.97 in
Portrait of Lady, Grace Saunderson, Viscountess Castleton Oil on canvas Painting
By Studio of Sir Peter Lely
Located in London, GB
Portrait of Grace Saunderson, Viscountess Castleton (1635-1667) c.1665-67 Sir Peter Lely and Studio (1618-1680) Titan Fine Art present this work, which formed part of a collection of family pictures and heirlooms of the Saunderson, Viscount Castleton family and their descendants, the Earls of Scarbrough, at their magnificent family seat Sandbeck Park, where the Earls still reside today almost four hundred years later. It was painted in the studio of Sir Peter Lely...
Canvas, Oil
Sold
H 57.09 in W 48.43 in D 3.94 in
Portrait of a Gentleman, William Seymour, 3rd Duke of Somerset, Oil Painting
By Studio of Sir Peter Lely
Located in London, GB
This exquisite portrait, presented by Titan Fine Art, of William Seymour is a product of the studio of the court painter, Sir Peter Lely. The sitter was Duke of Somerset...
Canvas, Oil
Sold
H 51 in W 44 in
17th Century English Oil Painting Portrait of King James II
By Studio of Sir Peter Lely
Located in London, GB
Studio of Sir Peter Lely (1618-1680, English) Portrait of James II (1633-1701), Reigned 1685-88) c.1661-2 Oil on canvas Framed in carved perio...
Canvas, Oil
Sold
H 56.7 in W 47.25 in
Portrait of Catherine Watson, Countess of Rockington (1658-1695)
By Studio of Sir Peter Lely
Located in London, GB
This work formed part of a collection of family pictures and heirlooms of the Smyth Baronets at their magnificent one-thousand-year-old stately home Ashton Court, where they resided for over 400 years. The sitter in this magnificent portrait descended from one of the best and most ancient families in England. From the studio of the most technically proficient painter in England after the death of Van Dyck, and the dominant court painter to Charles II and James, Duke of York, Sir Peter Lely. Titan Fine Art are pleased to present this elegant and beautiful painting, which is a classic example of English Baroque portraiture. Meticulously rendered, the sitter is three quarter length, holding a cluster of flowers. The painting abounds with ingenious flourishes and demonstrations of the painter's skill and superior pictorial technique. It was painted circa 1677 when Lely was at the height of his artistic powers and most likely on the occasion of the sitter’s marriage. Sir Peter Lely’s character and talent dominated the art world in the second half of the seventeenth century in England and everyone of significance sat to him. This elegant portrait of Catherine Watson, Countess of Rockington (1657-1695) portrays her in the finest dress and seated in a rocky outcrop with romantic autumnal landscape beyond. It was a popular pose that Lely used throughout the 1670’s and one which would have been chosen from a selection by the sitter. In line with tradition at the time the portrait was likely painted on the occasion of her marriage in 1677. It was common for more than one portrait to be produced to adorn the walls of the sitter’s various estates or to give to friends and family as gifts. One other version of this portrait is known to exist. Born Lady Catherine Sondes in 1658 to Sir George Sondes, 1st Earl of Feversham KB (1599-1677) and Mary Villiers (d.1688), daughter of Sir William Villiers, of Brooksby. The family of Sondes is found in Throwley, in Kent, as early as the fourteenth century. Catherine, who was the heiress of her father, married Lewis Watson, 3rd Baron Rockingham, later 1st Earl of Rockingham (1655-1724) on 17th July 1677. The Watson family had been settled at Rockingham, Northamptonshire, since the reign of Henry VIII. The family seat still remains - Rockingham Castle. Lewis was the grandson of the infamous Thomas Wentworth, 1st Earl of Strafford (1593-1641) - a major figure in the period leading up to the Civil War). Her father had died three months earlier and there followed an acrimonious court case over the Feversham inheritance, which led to a ruling by the House of Lords in July 1678 that his brother-in-law Louis de Duras, the 2nd Earl (widower of the elder daughter, Lady Mary Sondes d.v.p. in 1676), who had succeeded to the Feversham title by special remainder, should receive £3,000 p.a. for life out of the estates. The 2nd Earl therefore retained these Kentish estates. Lewis Watson succeeded to the Rockingham barony in 1689 and upon the death of the 2nd Earl Feversham in 1709 he finally inherited the remainder of the Feversham estates. By this time, however, Rockingham was already a power in his own right in Kent, having been appointed lord lieutenant of the county in 1705. Even so, the acquisition of the Feversham lands made the Watsons the largest landholders in the county. In 1714, Lewis was created Earl of Rockingham and on his death in 1724, his titles passed to their grandson, Lewis (2nd Earl of Rockingham). Lewis and Catherine’s great...
Canvas, Oil