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Thai Benjarong

Early 20th Century Tai Benjarong porcelain Soup Tureen
Early 20th Century Tai Benjarong porcelain Soup Tureen

Early 20th Century Tai Benjarong porcelain Soup Tureen

Located in Pomona, CA

This is a Thai Benjarong porcelain soup tureen. This type of ware is a traditional Thai craft known for its intricate, hand-painted designs using multi-colored enamels and real gold ...

Category

Early 20th Century Thai Aesthetic Movement Soup Tureens

Materials

Porcelain

Early 20th Century Tai Benjarong porcelain bowl with Marks on the bottom
Early 20th Century Tai Benjarong porcelain bowl with Marks on the bottom

Early 20th Century Tai Benjarong porcelain bowl with Marks on the bottom

Located in Pomona, CA

This item is a Benjarong porcelain bowl featuring a portrait of the late 19th and early 20th-century Siamese monarchs, King Chulalongkorn (Rama V) and Queen Saovabha Phongsri.

Category

Early 20th Century Thai Aesthetic Movement Decorative Bowls

Materials

Porcelain

Recent Sales

Ayutthaya Period (1350-1767) Siamese Benjarong Bowl
Ayutthaya Period (1350-1767) Siamese Benjarong Bowl

Ayutthaya Period (1350-1767) Siamese Benjarong Bowl

Located in Chapel Hill, NC

Ayutthaya Period (1350-1767) Siamese Porcelain Benjarong Bowl. 5-color decoration of Thepphanom and Narasimha.

Category

Antique 18th Century Thai Aesthetic Movement Decorative Bowls

Materials

Ceramic

c. 1350-1767 Benjarong Bowl
c. 1350-1767 Benjarong Bowl

c. 1350-1767 Benjarong Bowl

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H 3.25 in Dm 6.88 in

c. 1350-1767 Benjarong Bowl

Located in Chapel Hill, NC

A Benjarong bowl, likely Chinese stoneware for the Thai market, Ayutthaya period, 1350-1767.

Category

Antique 17th Century Thai Aesthetic Movement Decorative Bowls

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19th Century Thai Benjarong Stem Dish
19th Century Thai Benjarong Stem Dish

19th Century Thai Benjarong Stem Dish

Located in Chapel Hill, NC

19th century Thai (Siamese) Benjarong stem dish. Enamelled with Shou characters amid a scrolling lotus design on a gilded ground.

Category

Antique 19th Century Thai Aesthetic Movement Ceramics

Materials

Ceramic

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A Close Look at Aesthetic-movement Furniture

In 1880, polymath designer William Morris declared: “If you want a golden rule that will fit everybody, this is it: Have nothing in your houses that you do not know to be useful or believe to be beautiful.” His words encapsulated the Aesthetic Movement, which prized beauty above all and blurred the lines between fine art and the decorative arts, particularly through lavishly crafted furniture pieces.

The Aesthetic Movement, whose major proponents included author Oscar Wilde, flourished from the 1860s to the 1880s and was mostly popular in England and the United States. Design expositions like the 1876 Centennial International Exhibition in Philadelphia, as well as the publishing of how-to books for interior design, helped disseminate Aesthetic Movement bedroom furniture, serveware, coffee tables and other items, especially to the middle class.

The establishment of new art museums, art clubs and a rising passion for collecting at the time contributed to a growing appreciation for art. Morris’s founding of Morris & Co. in 1862 and the commercializing of this “cult of beauty” by the Liberty store in London, starting in the late 19th century, further disseminated the idea of a domestic space that was thoughtfully and floridly designed.

Leading Aesthetic Movement furniture designers included E.W. Godwin, who drew on Japanese influences and whose work reflected a wider enthusiasm for imported East Asian art. British designer Christopher Dresser created textiles, ceramics and more that were also inspired by Japanese decorative art but were representative of additional diverse design sources that ranged from Egypt to Mexico.

The Aesthetic Movement’s eclecticism resulted in dazzling interiors. Japanese fans were positioned on Renaissance-inspired cabinets with brass hardware, while mantels made of rich walnut or finely carved ebonized wood and adorned with painted Minton tiles mingled with cast-iron chairs against a backdrop of floral wallpaper. In 1881, in New York City, stenciled checkerboard motifs and painted floral murals could be found under an opalescent glass chandelier in a luxurious dressing room designed by German émigré cabinetmaker-decorator George Alfred Schastey. Amid the rise of the industrial age, the style’s promotion of art in everyday life would inform the Arts and Crafts Movement and Art Nouveau.

Find a collection of antique Aesthetic Movement seating, tables, decorative objects and other furniture and antiques on 1stDibs.