Ukiyo E

He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his bijin ōkubi-e “large-headed pictures of beautiful women” of the 1...

The orange-red copper surface shows a prime example of Winhart & Co.’s trademark EOSIN patinations developed by Ludwig Vierthaler as well as a modern visual aesthetic derived from Ja...

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865) was one of the most famous designers of Ukiyo-e woodblock prints from Japan in the 19th century.

Yoshitoshi stood alone as the last great master of Ukiyo-e. Biography courtesy International Folk Art

Shunga is a style that was painted by some of the best ukiyo-e artists of the day. This work features figurative art, daggers, gilding, textiles, natural bamboo and a musical harp.

He was one of the last Japanese ukiyo-e painters. His first signed print dates from 1852, but it was only in 1854 that he took the go (stage name) "Kunichika".

Yoshitoshi stood alone as the last great master of Ukiyo-e. Biography courtesy International Folk Art

Yoshitoshi stood alone as the last great master of Ukiyo-e. Biography courtesy International Folk Art

In time, ukiyo-e would become eclipsed. However, shin hanga (new prints) and sōsaku hanga (creative prints) managed to preserve the world of Japanese prints in the twentieth century...

Kunichika (1835–1900), one of the last great masters of the ukiyo-e tradition, is celebrated for his vivid portrayals of kabuki actors and theatrical subjects during the late Edo and...

The work features paintings from various Japanese ateliers: Tosa School, Ukiyo-e, Kano school, Maruyama-Shijo, Haiga, and poems in both Chinese and Japanese.

Utagawa Kunisada (1786 – January 12, 1865) (also known as Utagawa Toyokuni III) was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th...

Combining the visual languages of American Pop art and Japanese ukiyo-e woodblock prints, Shimomura creates bold, graphic compositions that are at once playful and pointed.

Combining the visual languages of American Pop art and Japanese ukiyo-e woodblock prints, Shimomura creates bold, graphic compositions that are at once playful and pointed.

Combining the visual languages of American Pop art and Japanese ukiyo-e woodblock prints, Shimomura creates bold, graphic compositions that are at once playful and pointed.

Raised in Orlando and of Chinese-Vietnamese heritage, his growing body of work draws inspiration from a vast array of styles, from Folk and Graffiti to Ukiyo-e and Surrealism, and em...

Utamaro Kitagawa – active ca. 1753-1806 Woodblock Print title : Awabi Diver with Shell date: Showa era edition size : oban, approx. 9.5 x 14.5 inches Note : Utamaro Ktagawa (17...

Utagawa Hiroshige, born Ando Tokutaro, was a Japanese ukiyo e artist, considered the last great master of that tradition.

In a new series of two-part ink drawings, Baselitz is “visited” by Katsushika Hokusai (1760–1849), whose exquisitely controlled color woodblock prints epitomized the refined ukiyo-e ...

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865) was one of the most famous designers of Ukiyo-e woodblock prints from Japan in the 19th century.

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865) was one of the most famous designers of Ukiyo-e woodblock prints from Japan in the 19th century.

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865) was one of the most famous designers of Ukiyo-e woodblock prints from Japan in the 19th century.

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865) was one of the most famous designers of Ukiyo-e woodblock prints from Japan in the 19th century.

The overall composition balances narrative subtlety with decorative richness, making the print both a compelling portrait and an accomplished example of mid-19th-century ukiyo-e desi...

Jacoulet occupies a special place in the world of ukiyo-e, the artist formed a bridge between the East and West.

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

A powerful piece for collectors of ukiyo-e, military history, or Meiji-era visual culture.

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Jacoulet occupies a special place in the world of ukiyo-e, the artist formed a bridge between the East and West.

Toyohara Kunichika (豊原 国周; 30 June 1835 – 1 July 1900) was a ukiyo-e Japanese woodblock print artist who as a youth studied under renowned printmaker, Utagawa Kunisada.

Jacoulet occupies a special place in the world of ukiyo-e, the artist formed a bridge between the East and West.

Sadanobu Hasegawa III was known primarily as an artist for combining traditional ukiyo-e subject matter with modern aesthetics in an attempt to present an idealized Japan to a foreig...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Utagawa Kuniyoshi (January 1, 1798– April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting.He was a member of the Utagawa sc...

In addition to producing a prolific number of prints, he was a writer, producing biographies of the Forty-seven Ronin and several books, including a continuation of the Ukiyo-e Ruiko...

Collect an amazing Japanese landscape animated by female characters and realized by one of the most popular master of ukiyo-e art, Utagawa Hiroshige II, that inherited the name of “...

Frame size: 18.75"H x 14.75"W (each) Image size: 12.5"H x 8.75"W (each) Utagawa Kuniteru (Japanese: 歌川国輝; active 1818-1860) was an ukiyo-e artist in the tradition of the Utagawa sch...

In his Ukiyo-e monotype, Opus 9, 2011, (12 x 11 in // framed size: 22 x 21 in.)

Toyohara Kunichika (30 June 1835 – 1 July 1900) was a ukiyo-e Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading prin...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Shunga was in demand, and one commission from a wealthy buyer would reportedly keep an ukiyo-e artist eating for months. One, ahem, standout element of shunga is the exaggerated geni...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Utagawa Yoshitora was a designer of ukiyo-e Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880.

Utagawa Toyokuni (Edo, 1769 – Edo, 1825), also often referred to as Toyokuni I, to distinguish him from the members of his school who took over his go (art-name) after he died, was a...

Page Size: 20 x 9.25 Frame Size: 28 x 14.25 This exquisite woodblock print by Ishikawa Toyonobu, a prominent master of the Edo period, is a quintessential example of ukiyo-e artistr...

The artwork on the left hand side depicts a monochrome woodblock print (sumizuri-e) of a standing courtesan, created by the Japanese ukiyo-e artist Kaigetsudō Doshin.

At age six, he trained under the legendary ukiyo-e master Utagawa Kuniyoshi, who taught him to closely observe and capture the raw vitality of nature.

This elegant Japanese woodblock print is inspired by Ura Fuji (“Hidden Fuji”) from the celebrated series Thirty-Six Views of Mount Fuji by Katsushika Hokusai, one of the most iconic ...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...