Unglazed Ceramics

A French pottery shepherd's lunch holder from the 19th century with green glaze, two bowls and large handle. This charming 19th-century French shepherd's lunch holder, known as a Por...

Josiah Wedgwood's own factory, Etruria, made these two trays in the Potteries region of England -- Stoke-on-Trent, in Staffordshire. They are white stoneware with olive green jasper ...

A French Provincial pottery jug from the 19th century with green glaze, dripping and lateral handles flanking the central spout. This captivating French Provincial pottery jug, craft...

tapered base is unglazed. Confit pots were half-glazed for two reasons. Firstly, they were unglazed

Sunflower series. A delightful relic of rustic culinary history! Note that the tapered base is unglazed

A French earthenware confit pot with traditional green glaze and yellow interior. Old green painted repaired chips to rim. These ordinary earthenware vessels were once used daily in ...

A French earthenware confit pot with traditional green glaze. These ordinary earthenware vessels were once used daily in the French country home and have beautiful rustic glazes of g...

Etruria, Staffordshire, circa 1925, turned Wedgwood shape no. 317, stoneware with crimson Jasper dip ground, decorated with sprigged white Jasper bas-relief depictions of muses and A...

Sunflower series. A delightful relic of rustic culinary history! Note that the tapered base is unglazed

Barlaston, Staffordshire, 1973, molded, stepped, oval form with bas-relief depiction of a horse cowering from an imposing lion, impressed "WEDGWOOD" recto, "WEDGWOOD/MADE IN ENGLAND/...

Etruria, Stoke-on-Trent, Staffordshire, England, 1910-1932, turned Wedgwood shape no. 317, stoneware with olive green Jasper dip ground, decorated with sprigged white Jasper bas-reli...

Etruria, Staffordshire, c.1790, white jasper pierced grid, molded green body ornamented with bas-relief figure of Venus and alternating urns of flowers within molded arches, high-rel...

An authentic English sage green and white Jasperware matte stoneware pitcher by Wedgwood in the Neoclassical style, 1955, mid-20thth century, England. Pitcher has a white raised reli...

Etruria, Staffordshire, comma marks at base date 1800-1820, sprigged bas-relief decoration alternating bell flowers and acanthus leaves, an oak leaf and acorn wreath around rim, impr...

Etruria, Staffordshire, circa 1900, turned Wedgwood shape no. 317, stoneware with lilac Jasper dip ground, decorated with sprigged white Jasper bas-relief depictions of muses, ringed...

Dutch Art Deco ceramic dish from Gouda, Holland with traditional period flowery and curvaceous designs. Circa 1920s, matte glaze, which for us is the mixture of abstract and floral d...

Dutch Art Deco ceramic dish from Gouda, Holland with traditional period flowery and curvaceous designs, circa 1920s, matte glaze, which for us is the mixture of abstract and floral d...

Dutch Art Nouveau ceramic dish from Gouda, Holland with traditional period flowery and curvaceous designs. Matte glaze, mixture of abstract and floral designs, circa 1920s. Very col...

Dutch Art Deco ceramic cup or pen/pencil holder from Gouda, Holland with traditional period flowery and curvaceous designs, circa 1920s, matte glaze, which for us is the mixture of a...

Etruria, Staffordshire, c.1790, lilac dip white jasper body with vertical engine-turned stripes, ornamented with molded strips of green jasper strapwork, bolted to base with nut ceme...

An English sage green and white Jasperware matte stoneware pitcher by Wedgwood in the Neoclassical style, circa early-20thth century, England. Pitcher has a white raised relief of gr...

blues and blacks stylized birds over an unglazed base. Studio Mark on the bottom. A very unusual and

A beautiful set of six (6) Italian green and yellow matte pottery plates with leaf and flower design by designer Ed Langbein, made in Italy, circa mid-20th century. All six plates ar...

Stoneware ashtray with glass inlaid rim. The round ashtray features an unglazed exterior and

Two beautiful Lobster plates made of Glass. A nice addition to your Table. Found at an estate sale in Stockholm, Sweden.

Etruria, Staffordshire, c. 1790, octagonal wafer-thin white jasper with green jasper dip framing, lilac ground boarder with white jasper floral meander, central decoration with blue ...

An English sage green and white Jasperware matte stoneware small footed bowl by Wedgwood, in the Neoclassical style, circa mid-20th century, 1960, England. A small, footed bowl, in a...

WEDGWOOD - Vintage blue and white Jasperware ceramic pitcher or creamer - signed / stamped on the base - United Kingdom - circa 1950's. Excellent / mint vintage condition - no los...

Vintage wheel thrown studio pottery pitcher - wax resist floral decoration - speckled olive green glaze over the buff clay body - contrasting white glaze to the interior - artist's c...

at the base of the handle - unglazed interior - unsigned - United Kingdom - 19th century. Good

Etruria, Stoke-on-Trent, Staffordshire, England, 1910-1925, olive green jasper dip on white stoneware, white jasper sprig decoration, sgraffito scrolling and text-decoration by Harry...

A very beautiful hand-crafted pottery artwork tray with abstract and figural design. A beautiful piece for a wall, table, vanity, or other. Colors include black, white, red/burgundy/...

Etruria, Staffordshire, circa 1785, chalky solid buff-green jasper ware rectangular molded body, applied and finely undercut white jasper bas- and haut-relief decoration depicting cu...

Etruria, Staffordshire, c.1895, each white stoneware with burnished green jasper dip ground and three white bas-relief decorations, laurel wreath at neck, hand-decorated in sterling ...

, bronze with polychrome glazed and unglazed ceramics, and pewter, most cast and edited by Louchet. He

A beautiful set of six (6) English black basalt plates by Wedgwood, circa early to mid-20th century, England. Plates could be used a myriad of ways (appetizer plates, dessert, etc., ...

Mid-Century Modern Large Stoneware Charger. This bold charger is signed. It is striking with blue cold-paint on the outside and bottom with white snow-flake glazed inside. A lovely a...

One of a kind ceramic lamp, hand built and assembled by hand. The lamp base is made with red clay manufactured regionally to the East Coast with custom made white frothy glaze. This ...

A further examination of "The Challis" these sculptural pieces become an offering, a gift, a ritual. Rather than just a cup, it is a cup endowed with a unique central sculpture. ...

A Hand Formed Chalice on Tripod Legs, one in a series of Modern TOTEMS, in matte black, underglazed stoneware. Each TOTEM is unique and has its own personality consisting of various ...

One of a trio of fully hand built ceramic TOTEMS in matte black under glazed stoneware. This one, "Take a Bite" has a small arc-like bite at the top. They each have their own persona...

A new series of small sculptures in the Modern Totemic vein. Not exactly humanistic, but they do have feet and personality. They are abstracted, offering a feeling of historic beings...

Inspired by the viewing of the 2017 Total Eclipse of the Sun, these pieces consist of uniquely hand-formed conical shapes, like bursts or rays eminating from an interior sphere. This...

A new series of small sculptures in the Modern Totemic vein. Not exactly humanistic, but they do have feet and personality. They are abstracted, offering a feeling of historic beings...

This 3-part crusty yellow-gold hand built ceramic TOTEM is a true gift from the "kiln gods", a term ceramicists often use. Here, the result was totally unpredictable and unexpected. ...

Blue Planet Sphere is a round elliptically shaped sculpture, like a flattened, angle-edged ball. Not exactly shaped like our Blue Planet, it still looks like it could be spinning thr...

Hand built Ceramic Sculpture, in Gray/Green Underglaze. The Gray/Green is hard to capture: more dark gray than green, it has the feeling of the color sage green. The piece is a compo...

A new series of small sculptures in the Modern Totemic vein. Not exactly humanistic, but they do have feet and personality. They are abstracted, offering a feeling of historic beings...

One in a series of fully Hand Built Ceramic TOTEMS in Matte Black Underglazed Stoneware. This one, "First Walk On The Moon" has a full moon-like hollow disk on top. Each TOTEM has it...

One in a new series of modern TOTEMS consisting of soft round or rectangular forms on small conical feet. The shapes begin as a solid piece. They are then hollowed out, stacked and i...

One in a new series of Modern TOTEMS consisting of soft round or rectangular forms on small conical feet. The shapes begin as a solid piece. They are then hollowed out, stacked and t...

A further examination of "The Challis" these sculptural pieces are an offering, a gift, a ritual. Rather than a cup to be used it is a piece to be celebrated. Each one completely ...

A further examination of "The Challis" these sculptural pieces become an offering, a gift, a ritual. Rather than a cup to be used it is a piece to be celebrated. Each one complete...

This Totem has three stacking parts, a hollow brown rectangle, hollow white rectangle and a brown curved crescent crown on four small feet. The 3 parts are started as solid forms the...

There's something about art that hangs in space rather than on the wall. This piece, "Hanging Rachis With Tail" consists of graduating stoneware arcs with porcelain spacers. It has a...

A tall, hand built ceramic Modern TOTEM, created by artist Helena Starcevic, this is one in an ongoing study of the totemic form. Here, there are 4 separate parts hand-formed and att...

A further examination of "The Challis" , these pieces are an offering, a gift, a ritual. Rather than a cup to be used it is a piece to be celebrated. Each one completely unique. Bu...