Adolf Loos Seating

"A simplified design to create an elegant, comfortable, popular item”. The structure has an all-embracing simplicity, and is formed from just a few elements in steam bent solid beech...

Extreme shape synthesis. Minimalism, exclusivity and an eye for detail. The “Postsparkasse” series was designed in 1906 by Otto Wagner for the headquarters of the Post Office Savings Bank in Vienna, and represents a clear expression of modern Viennese art. The bent beech wood structure is both embracing and ergonomic. Aluminium embellishment. This item introduces a new concept to the “Postsparkasse” series: the use of wood with a square, not round cross-section, to create a more rigorous design. The range comprises an armchair and a stool . Additional Info: Materials: Beech wood, perforated wood...

Five pieces of bent wood make up the unique profile of Post Mundus, the chair designed by Martino Gamper that plays on the iconic lines of the historic Aus...

A refined and timeless object. Elegance, shape lightness and everyday life. Adolf Loos’s famous chair has today been revived thanks to new production techniques that successfully leave its artisan quality unaltered. Inspired by Thonet catalogue models nos. 14 and 30, and Kohn catalogue model no. 248, the Loos Café...

"A simplified design to create an elegant, comfortable, popular item”. The structure has an all-embracing simplicity, and is formed from just a few elements in steam bent solid beech...

"A simplified design to create an elegant, comfortable, popular item”. The structure has an all-embracing simplicity, and is formed from just a few elements in steam bent solid beech...

The refined elegance of the Japanese minimalism by Nendo abstracts from the brands’ stylistic features, in order to reinterpret them in a contemporary light. A rigorous and poetic ap...

Designed in 1994, the Hermann Czech chair represents the turning point of modern furniture towards the passion of reminiscence and intimacy: a contemporary design that evokes memorie...

Wohnung Dr. Otto und Auguste Stoessl, Wien XIII, Auhofstr. 235, um 1900-02 Wohnung Haberfeld Manufacturer Friedricht Otto Schmidt Lit.: Rukschcio, Schachel, Adolf Loos, S. 32 und 7...

A rare Viennese Secessionist bench by Austrian and Czechoslovak architect and influential European theorist Adolf Loos (1870-1933).  Produced by Thonet, Austria, circa 1915.  Stain...

A corner armchair designed by Adolf Loos (1870-1933) and manufactured by Friedrich Otto Schmidt, Vienna, Austria, circa 1900. The condition of the wood is very good. The leather seat...

Chair from the antechamber of the Rudolf Kraus apartment, brother of Karl Kraus, the famous wordsmith. This Apartment in Vienna 1, Nibelungengasse 13, was presented by Adolf Loos on ...

Chromed steel structure and shell in beech plywood with or without solid wood arms. Wood or upholstered seat for chairs or armchairs. The upholstered cover is available only in the front part of the seat and back with the exposed wood edge. They can be equipped with a coupling system that allows for alignment. Additional Info: Materials: Beech wood, chromed steel Dimensions: H 31.9 x W 20.7 x D 20.8 inch Seat height: 17.7 inch WIENER GTV DESIGN is a trademark which distinguishes the historical and contemporary collection of Gebrüder Thonet Vienna GmbH...

The two Swedish designers able to give a poetic and innovative touch to materials at the same time, have come up with Coat Rack Bench for the Wiener GT...

The great classic. The item that is absolutely the most famous and most sold in the history of furniture. Designed by Michael Thonet in 1860, the No. 14 chair immediately became known as the bistro chair. Minimalist both in the chosen material and the fact that just six elements go into forming the entire item, the No. 14 is the result of almost twenty years of research. Simple, versatile and ever contemporary, it is considered the first true example of industrial design. The structure is formed from carefully steam bent solid beech wood. The backrest and back legs are formed out of a single piece of wood. Various different seats available. Additional Information: Materials: Beechwood with perforated...

The great classic. The item that is absolutely the most famous and most sold in the history of furniture. Designed by Michael Thonet in 1860, the No. 14 chair immediately became know...

The light and playful circus theme is at the core of the Cirque family of stools designed by Martino Gamper for Wiener GTV Design. The bent element, which is the brand’s signature trait, is surprisingly and unexpectedly inserted in the base of the stool, forming the outline of the seat in the form of a chain comprising two or three wooden rings that loop around the full length of the stool legs. This striking styling effect blends in seamlessly with the functionality of the seat, which is available in two heights: a tall, sleek stool...

Adolf Loos Café Capua Armchairs by J.J. Kohn, c. 1900–1910 These Café Capua armchairs, designed by the renowned Austrian architect Adolf Loos and produced by J.J. Kohn between 1900 ...

This bar stool was originally designed n 1908 by August Thonet. It is a classic for public seating, with solid, functional and elegant characteristics. ...

The refined elegance of the Japanese minimalism by Nendo abstracts from the brands’ stylistic features, in order to reinterpret them in a contemporary light. A rigorous and poetic ap...

The rigorous style of Michael Anastassiades defines the new SUGILOO bent wood chair with wood or upholstered seat, proposed with and without wooden backrest. A strongly contemporary ...

Nigel Coates has designed a sophisticated lounge chair with a complex design reflecting the stylistic features of the brand with refined ski...

The two Swedish designers able to give a poetic and innovative touch to materials at the same time, have come up with Coat Rack Bench for the Wiener GT...

Supple, light, and elegant. This chair, designed in 1849, uses the new technique of steam bent beech wood, and clearly shows the philosophy aimed at simplifying the components to ena...

The rigorous style of Michael Anastassiades defines the new SUGILOO bent wood chair with wood or upholstered seat, proposed with and without wooden bac...

Designed by Vico Magistretti in 2003, the Magistretti 03 01 chair combines the warmth of wood and the timeless elegance of the design language of Gebrüder Thonet Vienna GmbH (GTV) wi...

Extreme shape synthesis. Minimalism, exclusivity and an eye for detail. The “Postsparkasse” series was designed in 1906 by Otto Wagner for the headquarters of the Post Office Savings...

Martino Gamper suggests a new reading of the concept of informal seat, with the stool TRIO, available in two heights, Trio alto and Trio basso. The tripod structure plays with the brand’s icons, proposing bent wooden elements of different angles, recalling the geometry of the triangle. Three sections of the offset semicircle define the linking support of legs, which holds a triangular seat...

This bar stool was originally designed n 1908 by August Thonet. It is a classic for public seating, with solid, functional and elegant characteristics. ...

Supple, light, and elegant. This chair, designed in 1849, uses the new technique of steam bent beech wood, and clearly shows the philosophy aimed at simplifying the components to ena...

This bar stool was originally designed n 1908 by August Thonet. It is a classic for public seating, with solid, functional and elegant characteristics. ...

Designed in 1994, the Hermann Czech chair represents the turning point of modern furniture towards the passion of reminiscence and intimacy: a contemporary design that evokes memorie...

Nigel Coates has designed a sophisticated lounge chair with a complex design reflecting the stylistic features of the brand with refined ski...

Designed in 1994, the Hermann Czech chair represents the turning point of modern furniture towards the passion of reminiscence and intimacy: a contemporary design that evokes memories of times gone by. An ideal way of maintaining continuity with the late XIXth century Thonet style. ‘Czech’ adapts the harmony of steam bent beech wood to its pure and abstract design, which is further enhanced by the various finishes available. Solid and hardwearing, this chair is also available in a padded version, with or without armrests. The seat frame is curved from a single piece of wood, and supported by an arched structure giving it greater stability and strength plastic protection caps. Additional Information: Materials: Beechwood with Plywood Seat...

Designed in 1903 by the pioneering Austrian architect and designer Adolf Loos, the B 952 F armchair represents a rare convergence of utilitarian form and refined craftsmanship. Execu...

Iconic Design: The No. 519 Café Capua Chair Experience a piece of architectural history with the No. 519 Café Capua chair. Designed in 1913 by the pioneering modernist architect Adol...

A refined and timeless object. Elegance, shape lightness and everyday life. Adolf Loos’s famous chair has today been revived thanks to new production techniques that successfully leave its artisan quality unaltered. Inspired by Thonet catalogue models nos. 14 and 30, and Kohn catalogue model no. 248, the Loos Café...

Adolf Loos (1870 - 1933) designed the chair model shown here in 1899 based on an English model as part of his earliest work as an interior designer for the dining room in Eugen Stössler's apartment in Vienna. The omission of the front supports of the armrests and the backwards curved legs lend the early chair a touch of elegance. Instead of the turned legs of the English model, Loos used smooth round wood with brass feet to protect the carpet. So these ankle cuffs fulfill a practical purpose and at the same time have a decorative effect. They thus correspond to Loos' demand for a 'unity of form and function'. Beautifully shaped furniture made by hand in high quality, solid walnut and veneered, shellac hand-polished, upholstered seat and covered with leather, brass nails and brass shoes. Execution: Friedrich Otto Schmidt, Vienna, circa 1900 Model number 6865 The model was produced by the company F. O. Schmidt and was also in their offer at the time. This explains why this chair model, specially designed by Loos for one of his interiors, can also be found on the art market. Measures: Total height: 82.0 cm / 32.28 in Seat height: 47.0 cm / 18.50 in Width: 57.0 cm / 22.44 in Depth: 50.0 cm / 19.68 in Bibliography: - The dining room in the Stössler apartment was published in 1900 in the Viennese arts and crafts...

Extremely rare corner armchair designed by Adolf Loos (1870-1933) Manufactured by Friedrich Otto Schmidt, Vienna, Austria, circa 1900. Very good condition Seat in excellent con...

Poor unrestored condition. Secession armchairs, model no. 6150 by Adolf Loos for Thonet, Austria. W 23 x D 22 x H 31.5 in. Arm Height: 25 in. Seat Height: 18.5 in.

Extreme shape synthesis. Minimalism, exclusivity and an eye for detail. The “Postsparkasse” series was designed in 1906 by Otto Wagner for the headquarters of the Post Office Savings...

Rocking chair with structure in bent beech-wood, seat and backrest are made of woven cane. Available in classic or lacquered wood. Additional Info: Materials: Walnut , Woven cane...

A historical re-edition with all the charm of past times. A walking stick or folding stool made from bent beech wood with a woven cane seat connecting the three curved legs. The swan’s neck handle also provides a comfortable backrest. Legend has it that the empress Elizabeth...

The chair Radetzky by Michele De Lucchi has a solid beech structure with bent wooden elements, integrating the back legs’ design and the backrest. Its profile is extremely characteri...

The light and playful circus theme is at the core of the Cirque family of stools designed by Martino Gamper for Wiener GTV Design. The bent element, which is the brand’s signature trait, is surprisingly and unexpectedly inserted in the base of the stool, forming the outline of the seat in the form of a chain comprising two or three wooden rings that loop around the full length of the stool legs. This striking styling effect blends in seamlessly with the functionality of the seat, which is available in two heights: a tall, sleek stool...

Bent-beech wood chair and armchair designed by Josef Hoffmann in 1930. A timeless and modern design gives the chair N. 811 an outstanding comfort and lightness. Available in three ve...

Bent-beech wood chair and armchair designed by Josef Hoffmann in 1930. A timeless and modern design gives the chair N. 811 an outstanding comfort and lightness. Available in three ve...

The light and playful circus theme is at the core of the Cirque family of stools designed by Martino Gamper for Wiener GTV Design. The bent element, which is the brand’s signature trait, is surprisingly and unexpectedly inserted in the base of the stool, forming the outline of the seat in the form of a chain comprising two or three wooden rings that loop around the full length of the stool legs. This striking styling effect blends in seamlessly with the functionality of the seat, which is available in two heights: a tall, sleek stool...

Thanks to the striking effect of the steam-bent beech, the Bodystuhl chair proposed by Nigel Coates shows a profile showing sinuous shapes characterized by a structure with variable thickness. The large seat and the ergonomic backrest, made in woven cane, recall shapes and materials of Lehnstuhl, already designed by the English designer for Wiener GTV Design...

Extreme shape synthesis. Minimalism, exclusivity and an eye for detail. The “Postsparkasse” series was designed in 1906 by Otto Wagner for the headquarters of the Post Office Savings...

The light and playful circus theme is at the core of the Cirque family of stools designed by Martino Gamper for Wiener GTV Design. The bent element, which is the brand’s signature trait, is surprisingly and unexpectedly inserted in the base of the stool, forming the outline of the seat in the form of a chain comprising two or three wooden rings that loop around the full length of the stool legs. This striking styling effect blends in seamlessly with the functionality of the seat, which is available in two heights: a tall, sleek stool...

- Carefully refurbished and finish by shellac. - Measures: height of the armrests are 71cm. - height of seat 44 cm.

A great classic that made the history of this brand. Conceived by the company during the second half of the nineteenth century to meet the precise needs of practicality, the n°18 is ...

Martino Gamper suggests a new reading of the concept of informal seat, with the stool TRIO, available in two heights, Trio alto and Trio basso. The tripod structure plays with the brand’s icons, proposing bent wooden elements of different angles, recalling the geometry of the triangle. Three sections of the offset semicircle define the linking support of legs, which holds a triangular seat...

An unusual classic. Elegant and comfortable. The new color variants of this chair evoke the ambiance of the cafe society. A new edition of the model originally designed by Adolf Loos...

A great classic that made the history of this brand. Conceived by the company during the second half of the nineteenth century to meet the precise needs of practicality, the n°18 is ...

The great classic. The item that is absolutely the most famous and most sold in the history of furniture. Designed by Michael Thonet in 1860, the No. 14 chair immediately became know...

Nigel Coates widens his furnishing proposal for Wiener GTV Design by introducing in his collection an extremely original element: the Lehnstuhl-Hocke...

An unusual classic. Elegant and comfortable. The new color variants of this chair evoke the ambiance of the cafe society. A new edition of the model originally designed by Adolf Loos...

An unusual classic. Elegant and comfortable. The new color variants of this chair evoke the ambiance of the cafe society. A new edition of the model originally designed by Adolf Loos...