Adrian Samson Color Photography

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10. ...

Buick in the Dust, features an American Car, on a British Beach (Hemsby, Norfolk) driven by a German. Richard spent years honing his skills as a drag racing photographer, a sport he ...

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10. "...

'Telephone II' from Richard Heeps 'Dream in Colour' Series, this cool interiors picture combines bold colours of yellow, black and white, and has a dreamy nostalgic aesthetic. This...

Colosseo Quadrato by Frank Schott, from a series of photographic observances capturing urban textures and color palettes of Roman architecture 30 x ...

a series of observations on French master paintings and their opulent gilded frames GILDED DRAMA by Frank Schott 40 x 32 inches / 102 cm x 8...

Dutch dog #3 King Charles Spaniels - Signed limited edition archival pigment print - Edition of 3 A series of four images inspired by the 17th century go...

This photograph was created by American artist and avid scuba diver Michael DeCamp. DeCamp's abstract photos have an enigmatic quality, and the interactions between shapes and colors...

Richard Heeps Dream in Color Swimming Pool Artworks. A set of three individual artworks, vibrant yet serene they take you to the swimming pool on a hot day. Featuring, 'Sun Lounger, ...

Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Handcoloured portrait of otherworldly lovers, immobilised in marble, dancing in blooming meadows. A whimsical tale of adoration, Ursa and her spiritual partner take visual cues from Titania and Bottom in Dieterle and Reinhartd’s 1936 interpretation of A Midsummer Nights Dream. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: URSA LOVES YOU, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Colony at Dawn, architecture photography by Richard Heeps for his 'Dream in Colour' series, this piece features the mid-century architecture of Ballantines Movie Colony, California, captured at dawn against the Palm Springs mountain landscape...