Alex Corno Art

Title: Lantern Column I Year: 1998 - 2014 Medium: Mold blown glass, cast polymer, steel, cast iron Size: 41 3/4" inches Niho Kozuru (髙鶴丹穂) is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Thomas Morin (1934-2017) Untitled, 1962. Cast iron on wood base. Cast sculpture measures 24 x 7 x 5 inches and weighs 49 lbs. Overall measures 26 inches tall on wood base. Proc...

"Upsurge" is a minimalist, abstract pedestal sculpture in fabricated bronze. It was conceived in 1989 and can be considered a Mid-Century Modern artwork. It is finished with Clement ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Kim Seungwoo is a contemporary Korean sculptor, lives in Seoul, South Korea. Seungwoo is famous for his sculptures made from coins and buttons. He create...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Israel Hadany (Israeli, 1941-). A stainless steel maquette for sculpture "Three Tubes", currently installed at the University of Pennsylvania ...

"Synopsis" by Elsbeth Halvorsen Vever (American, b. 1929). Box sculpture combines aluminum, sand, bone, glass and a magnifier. Signed "Elsbeth Vever 1982" on verso. Image, 24.50"L x 13.75"H x 4"W. Using bone as the central image Elsbeth has assembled an optical and visual experience. One view is the magnification and juxtaposition of the floating effect of the curvature in the stainless steel background; stand back and it's a hologram effect. The first image shows clearly the hologram effect available to the eye of the viewer. From a review of her show of box constructions in Providence, Rhode Island: "Viewing her box constructions is a lot like a walk in the moonlight. What we know, or think, to be true in the hard brightness of daytime reality dissolves into an amorphous space of multiple possibilities and perspectives." Born in Purdys, New York, Elspeth Halvorsen is the daughter, granddaughter, and mother of professional artists. She has studied at prestigious academic and artistic institutions includingthe New School for Social Research, the Art Students League, and the Académie de la Grande Chaumière. In 1955, she moved to Provincetown, Massachusetts, establishing her home and studio in the former residence of Mark Rothko. Provincetown not only remains her home but also acts as a personal, social, and artistic source of inspiration for her work. Shortly after arriving in Provincetown, Halvorsen and her husband, the late Tony Vevers...