Alexi Torres Paintings

This framed 19.875" x 16" oil painting on canvas by Oklahoma-based artist James Cobb depicts a strand of river birch trees in freshly fallen snow. at the he...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Twentieth Century Marine Oil on Panel depicting the iconic Cutty Sark Tall Sailing Ship in dry dock at Greenwich by one of the undisputed Masters of the Mid Twentieth Century. Belov...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

In this work, flowers, a vase, and a fragment of an architectural form create a space of quiet co-presence. The objects do not construct a narrative or strive for symbolic completen...

Bradley Kerl creates paintings that merge lived experience, memory, and invention, transforming familiar subjects into images that balance the recognizable with the uncanny. Drawing ...

"Extra In, Field Flagship (Linea Pictura — Diptych)" is an original artwork by Hyland Mather made of acrylic, ink, string, pins on drop cloth, in tray frames. The diptych measures ap...

A Modern and traditional Impressionist Oil Painting of Ballet Dancers dressed in Tutus backstage before a performance. A Signed Oil on Canvas, mounted on stretchers and Framed in a ...

"Within Us" This work is part of the “Trust” series, which explores the delicate yet profound connection between a person and their inner world. The series reflects on trust as a s...

“Soft Bends / Tight Crop” (diptych) is an original artwork by Hyland Mather. Executed in acrylic and aerosol with string and pins on canvas, the work is presented in solid wood tray ...

Michael Tole says of his work… This work draws a connection between the didactic moralizing tendencies of Neo Classicism (represented in the style of the painting) and Modernism (represented in the architectural setting). Though modern art eschews the naturalistic imagery used by Neo Classicists, both movements pursued a self-important, austere, self-consciously masculine aesthetic that they saw as synonymous with virtue. Set in the MoMA courtyard, a passel of men lounge about, regarding a golden statue which looks terribly out of place in this modernist vitrine. The uncomfortable architectural setting, prisonlike and cold, provides a foil for the odalisque-like young men sprawled on hard stone benches and paying homage to the central idol. In my current work, The Revisionist Histories, I am writing letters to art history, literature, and mythology in an attempt to reflect the social changes that have reshaped our society over the past century.  As part of this agenda, I explore the evolution of gender norms, power dynamics, and representation within Western visual culture and what this implies for the negotiation between pleasure, justice, and our culturally specific discourse on beauty.    The seed for The Revisionist Histories was sewn when I caught a glimpse of my preteen daughters watching music videos on their iPad as I chopped veggies for dinner.  Out of the corner of my eye I caught glimpses of music videos featuring Beyonce, Taylor Swift, Ariana Grande, Katy Perry, and Doja Cat gyrating across the tiny screen.  A better parent might have snatched the iPad away, but I was overcome with hallucinatory visions of this pop diva...

Victorian Nineteenth Century Impressionist Rural Scene with Sun setting on Farmer and his wife and other workers returning home. Farm Workers in the Countryside with their Dog and a...

Modern Impressionist Ballet Oil Painting showing Ballet Dancers in their tutus backstage at the theatre. A Signed and Framed Oil on Canvas on stretchers, it has a choice of a modern...

MIXED MEDIA PAINTING signed by the artist. Ask us for custom framing options for this piece. This original mixed media painting by Craig Alan belongs to his acclaimed work that blur...

Victorian Impressionist Large Signed Landscape Framed Oil Painting on canvas laid on stretchers of Lake District England. This lovely painting was produced by the Whitby artist Augus...