Alexis Kandra Figurative Paintings

Oil paint on wood panel Signed on the back

In Shivers, a disease is spread through the throat, resulting in a zombie-like infection. In this painting, coupled with an image from The Eyes of Laura Mars, is a reference to ideological possession and the use of compelled speech. It is a concern towards those who display totalitarian traits in their quest for justice, too caught up in their own righteousness to really consider the damage they are doing. The do in the background stands above the lifeless body of a woman, it is dogma and its dismantlement of womanhood. Inspired by the films Shivers, 1975 The Eyes of Laura Mars, 1978 Georgia Hinaris Eyes of Shivers oil on panel 16h x 24w in 40.64h x 60.96w cm GHS003 Horror films are the most profound and visceral of films, garnering the most extreme responses: vehement hatred and cultish admiration. Horror elicits a controlled neurosis while exposing the rejected weaknesses and brutalities of humanity. I embrace the power of cinema and its ability to alter perception, as it is media that is a reflection of our primordial desires. I’m fascinated by concepts involving the limits of human perception, the ambiguity of morality in relation to nature, the paradoxical nature of reality, and the human struggle to reckon with uncertainty. Humans bear the burden of being as we are, all caught in a flux of unbelievable cognitive abilities and animalistic instincts. Every painting is in its own universe and I cater to it. Nothing is precious. Chaos is embraced. Georgia Hinaris, b. 1993, Chicago, Illinois Education 2019 MFA Painting, New York Academy of Art, New York, NY 2015 BFA Painting, Pratt Institute, Brooklyn, NY Exhibitions 2020 Summer Exhibition, Flowers Gallery, New York, NY Summer Juried Exhibition, Prince Street Gallery, New York, NY 2019 Di Donna Gallery, New York, NY AXA Art Prize, San Francisco Art Institute, San Francisco, CA, Richard Gray...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Jos de Wit is a versatile artist. His realistic way of painting is a result of good looking. He finds subjects everywhere, often an idea starts to live with him so that it does not ...

Dutch artist Jos de Wit creates both sculptures and paintings. He does not shy away from any subject in his work. Often small gems full of special finds sho...

This figurative animal painting titled "Contra" is an original artwork by Neil M. Perry made of acrylic paint on wood panel. This piece measures 12"h x 12"w. Neil M. Perry is an artist and illustrator who grew up on the North East coast of England, currently living and working in Portland, Oregon. Neil has participated in group and solo exhibitions at galleries in Europe, the United States and Japan. Thanks largely to David Attenborough...

The oil paintings of the contemporary Dutch artist Paul Jansen invites the viewer to look beyond the standard picture within the frame. It feels as if the ...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by t...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Signed lower right: Johan Arsenius and dated 1858 or 1853, attributed Johan Georg Arsenius (1818 - 1903), was a Swedish military man, painter and draftsman. Up for sale is important ...

The oil paintings of the contemporary Dutch artist Paul Jansen induce the viewer to look beyond the standard picture within the frame. It feels as if the c...

FRANCISCO DOMINGO MARQUÉS Spain, 1842 - 1920 REST IN THE TAVERN signed, located & dated “Domingo / PARIS / 1890” (lower left) oil on wood panel 9-1/2 x 10-1/4 inches (24 x 26 cm.) Francisco Domingo Marqués was a Spanish painter born in Valencia in 1842. He was a self-taught artist who began his career as a decorative painter before turning to portraiture, genre scenes, and landscapes. Marqués gained recognition for his realistic depictions of everyday life and his ability to capture the essence of his subjects. In 1864, Marqués moved to Madrid and joined the Royal Academy of Fine Arts of San Fernando, where he studied under Federico de Madrazo. He quickly became a prominent member of the Madrid art scene and exhibited his works at numerous prestigious exhibitions, including the National Exhibition of Fine Arts and the Paris Salon. Marqués was known for his use of vibrant colors and his masterful handling of light and shadow. He painted a wide range of subjects, including religious scenes, still lifes, and landscapes, but he is perhaps best known for his portraits of Spanish royalty...