Alicia Czechowski Art

Represented by George Billis Gallery, Los Angeles -- Artist Statement Nothing But Neon, 2021 I see beauty in old neon signs. I have always been fascinated by the glow inside the h...

Super realistic colorful candy image Pop art sensibility Oil paint on canvas Doug Newton’s hyper-real paintings observe reality, explore translucency, reflections and luminosity, and...

Paul Lecomte (1842-1920) A Flowerbed signed lower left Watercolor on paper, 15.5 x 23.5 cm Framed : 25.5 x 33 cm This is a particularly original work by Paul Lecomte. It shows his ...

Chrysanthemums and Tiger Lilies Signed and dated lower left (twice), see photo Watercolor on paper, 1935 A symbol of the sun, the Japanese consider the or...

This piece is framed measuring 42 by 26 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism....

Artist: Ian Hornak (1944–2002) Title: Lilies and Mushrooms with my Parrot Kouka Year: 1986 Medium: Acrylic on panel, with artist painted frame Size: 65.5 x 52.5 inches (166.37 x 133....

Christopher Remmers' (US based) "Nomos" is an original, handmade oil painting that depicts a nude man hugging a glowing orb of light to himself as ...

This painting explores the quiet dialogue between vulnerability and inner strength. The figure is partially concealed by flowing crimson fabric, revealing only fragments of the body....

"Skylover" is a contemporary realist male nude perspective oil painting in a unique wood frame. An ellipse shaped canvas displays a man laying on the ground under the morning sky. Hi...

"Realistic Oil On Canvas, Female Nude By V Tsvetkov " Original contemporary painting by Bulgarian artist V Tsvetkov, depicting a beautiful female nude Signed lower left V Tsvenkov E...

Oil on canvas Signed in red, u.r. $3250.00 + $200.00 framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art mo...

Chiura Obata Dahlias, 1940 Signed, dated and stamped lower right Watercolor on paper 15 x 9 5/8 inches Born in the Okayama prefecture of Japan, Chiura Obata was adopted by his uncle, an artist. As a child he was trained in ink painting, and at 14 he was apprenticed to the painter Murata Tanryo in Tokyo. He also studied with Kogyo Terasaki and Goho Hasimoto. In 1903, Obata moved to San Francisco and began working as an illustrator for The New World and The Japanese American, two of the city's Japanese newspapers. He also did work as a commercial designer. Obata helped establish the East West Art Society in San Francisco in 1921, which sought to promote cross-cultural understanding through art. This goal was reflected in his embrace of the Nihonga style, which fused traditional Japanese sumi-e ink painting with the conventions of western naturalism. He spent much of the 1920s painting landscapes throughout California, and among his favorite subjects were mountain landscapes. In 1927, he visited Yosemite and the Sierra Nevada, creating over a hundred paintings and sketches of the high country. Obata stayed in the USA until the death of his father in 1928. Between 1928 and 1932, he worked in Tokyo as a painter and transformed his California landscape watercolors...

Chiura Obata Nasturtiums, circa 1940 Signed and stamped lower left Watercolor on paper 15 x 9 5/8 inches Born in the Okayama prefecture of Japan, Chiura Obata was adopted by his uncle, an artist. As a child he was trained in ink painting, and at 14 he was apprenticed to the painter Murata Tanryo in Tokyo. He also studied with Kogyo Terasaki and Goho Hasimoto. In 1903, Obata moved to San Francisco and began working as an illustrator for The New World and The Japanese American, two of the city's Japanese newspapers. He also did work as a commercial designer. Obata helped establish the East West Art Society in San Francisco in 1921, which sought to promote cross-cultural understanding through art. This goal was reflected in his embrace of the Nihonga style, which fused traditional Japanese sumi-e ink painting with the conventions of western naturalism. He spent much of the 1920s painting landscapes throughout California, and among his favorite subjects were mountain landscapes. In 1927, he visited Yosemite and the Sierra Nevada, creating over a hundred paintings and sketches of the high country. Obata stayed in the USA until the death of his father in 1928. Between 1928 and 1932, he worked in Tokyo as a painter and transformed his California landscape watercolors...

Siebe Johannes ten Cate (1858-1908) A Dune Landscape Signed lower right Pastel on paper 25.5 x 39.5 cm in good condition, very fresh, traces of pinholes in the upper corners barely...

A solitary figure strains forward, arms fully extended, as if reaching beyond the frame itself. Rendered in warm, earthen tones, the oil painting captures the tension between strengt...