Allen Jones Art

Edition of 1,000 Hardcover with four fold-outs, signed by Naomi Campbell, 496 pages, 33 x 46.2 cm (13 x 18.2 in.), plus companion volume, 368 pages, within a multiple artwork by Allen Jones. Supermodel, entrepreneur, activist, provocateur. Since her teenage rise to stardom, Naomi Campbell has dazzled the world with her looks, her strength, and her irrepressible spirit. The first black model to grace the cover of French Vogue and TIME magazine, she has been the face of hundreds of magazine covers, countless editorials and advertising campaigns, and a favorite subject for some of the best photographers of the 1980s, 1990s, and today. This signed, limited, two-volume Collector’s Edition celebrates Campbell’s remarkable career amidst the greatest legends of fashion and photography with jaw-dropping images and exclusive autobiographical text. Volume 1 showcases the very best of Campbell’s portfolio, with photographs from the likes of Mert Alas and Marcus Piggott, Richard Avedon, Anton Corbijn, Patrick Demarchelier, Steven Meisel, Helmut Newton, Herb Ritts, Paolo Roversi, Mario Testino, Ellen von Unwerth, and Bruce Weber, and such unforgettable shoots as Peter Lindbergh’s joyful sequence of Naomi dancing as Josephine Baker on the beach in Deauville for Italian Vogue, or Jean-Paul Goude’s stunning composition of Naomi racing a cheetah for U.S. Harper's Bazaar. Volume 2 features Naomi’s extensive autobiographical text, illustrated by magazine covers, ads, never-before-seen personal snapshots, video stills, and more. Naomi recalls her childhood; the beginning of her modeling career; her work with fashion’s greatest designers, including Azzedine Alaïa, John Galliano, Marc Jacobs, Karl Lagerfeld, Gianni Versace; and experiencing the meteoric rise to superstardom. Photographer biographies and an illustrated appendix are also included. In a dazzling meeting of art and fashion, Volume 1 is presented in a multiple artwork by British pop art luminary, Allen Jones. Best known for his controversial fetish furniture...

We have a small number of these fantastic pieces by the famous English pop artist Allen Jones. They consist of a full bottle of perfume, with a stunning Aluminium sculpture of a sexy...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

Allen Jones (1937) Chest (1968) Sculpture. Silkscreen print on fiberglass published by Xartcollection 14 3/5 × 10 1/5 × 4 7/10 in 37 × 26 × 12 cm An iconic example of Jones's early w...

Allen Jones is an English painter, sculptor and printmaker. He studied at Hornsey College of Art, London (1955-9, 1960-61), spending 1959-60 at the Royal College of Art, where he ...

Shoe Box (Title Page) From: Shoe Box-Exotic (Sculpture and seven original lithographs) Published by the artist and Peterssburg Press Edition: 200 of which t...

A brand new screen by Allen Jones exclusively for Paradisoterrestre in a limited edition of 30 signed and numbered pieces (+2AP). The legendary British pop artist – part of whose ...

Shoe Box (C) From: Shoe Box-Exotic (Sculpture and seven original lithographs) Signed, dated, titled and numbered in pencil (see photos) Lithograph printed on ...

Shoe Box (D) Lithograph printed on BFK Rives Signed, dated, titled and numbered in pencil (see photos) From: Shoe Box-Exotic (Sculpture and seven original li...

ALLEN JONES (1937) Three in One 1971 Color serigraphy 48.5 x 46 cm 19.09 x 18.11 inches Number 70 of 75 Signed and dated on the lower right

Original lithograph. Allen Jones "High Society". From first owner. Numbered and signed. Dimensions including original frame.

ALLEN JONES (1937) Acrobat 1993 Acrylic on wood 70 x 36 x 30 cm 27.55 x 14.17 x 11.81 inches Number 16 of 22 Signed, dated and numbered on the base "allenjones '93 16/22"

Watercolor artwork "The Message" by Allen Jones. Watercolor is 29.5" H x 22.25" W without framing and matting.

Allen Jones (English, b. 1937) Catwalk Fragment, 1998 Medium: Etching on paper Dimensions: 53.5 × 38 cm (21 1/10 × 15 in) Edition of 150: Hand-signed and numbered Condition: Excellent

Allen Jones Take it from the Top (Lloyd 86), 1982 Lithograph on BFK Rives wove paper 28 1/2 × 37 1/10 in 72.5 × 94.2 cm Edition of 75

A Unique sculpture by Allen Jones, one of the very few variations on the theme, made in a forge and painted differently then other variations on the theme.

Published by the Welsh Arts Council, screenprinted by Priestleys.