Alois Wittlin Art

Henry Gasser American Scene Realism Regionalism Mid-20th Century Modern WPA Henry Martin Gasser (1909-1981) "Village in Snow" Oil on canvas laid on artist's board, c. 1930s 28 x 22...

Paul Louis Narcisse GROLLERON (Seignelay 1848 – Paris 1901) Child atop a wall Oil on canvas H. 60 cm ; W. 73 cm Signed and dated lower right – 1884 Paul Grolleron belongs to the generation of French painters who, during the second half of the 19th century, revitalized military painting through a keen and sensitive observation of soldiers' lives. Born in 1848 in Seignelay (Yonne), he trained in Paris under Léon Bonnat, receiving instruction grounded in rigorous draftsmanship and powerful structural composition. Exhibiting at the Salon from 1873 onwards, Grolleron developed a body of work dedicated to military painting, history painting, and genre scenes. He drew his primary inspiration from 19th-century conflicts, particularly the Franco-Prussian War of 1870–1871. Far from portraying war in an exclusively heroic light, the artist focused on lived experiences: marches, halts, bivouacs, reconnaissance missions, and combat scenes. The precision with which he rendered uniforms, equipment, and postures lends his compositions both a narrative and a documentary quality. His art is distinguished by solid draftsmanship, accuracy of detail, and remarkable compositional mastery. Notable works exhibited at the Salon include *Épisode de 1870* (Episode of 1870), *Combat en 1870 sous les murs de Paris* (Combat in 1870 beneath the walls of Paris), *Sur le qui-vive, à Buzenval* (On the Alert at Buzenval), and *Épisode de la bataille de Loigny* (Episode from the Battle of Loigny). An award-winning Salon artist whose work is held in both public and private collections, Grolleron remains a significant figure in French military painting...

"Skating Party" WPA Regionalism American Scene Mid 20th Century Modern Realism Roger Medearis (1920 – 2001) "Skating Party" 20 x 24 inches Tempera on board, 1949 Signed Medearis and...

A vibrant and yet romantic sailing scene which was a favorite series by Della-Volpe. His compelling colorist approach has made his works desirable as he was one of the few artists post-war to be representative in style like Milton Avery and Wolf Kahn. Head to Sea has the hallmark intense and lovely coloration for which Della-Volpe is known. He came out of Abstract Expressionism in the New York school but then pivoted, like Milton Avery to representational, colorist work. The frame is a silvered gold leaf float frame of quality and has a rubbed, antiqued surface...

Eternal Destiny By Hovsep Pushman (1877–1966) A 20th-century American oil painting on board, signed lower left. This evocative still life features Buddha figures, a blue pottery pitc...

"Untitled" oil on canvas painting by artist Alex Katz. Signed and dated A. Katz 46 recto lower right. Painted in 1946, during the period when Katz was studying at Cooper Union in New...

In this triptych, Amy Lowry Poole transforms dates, persimmons, and squash into three distinct studies of growth, abundance, and organic movement. Working in ink and gouache on handm...

Mediterranean Catalan Village and River Landscape Oil Painting Artist: Francesc / Francisco Galofré Surís Title: Catalan Village and Ri...

An exceptional, large, early work by American artist Dorothy Eisner (1906-1984). This painting was recently exhibited at Gracie Mansion in 2019 as part of “She Persists” - a show de...

Marianne Loir (Paris 1705 – Paris 1783) Presumed Portrait of Jean-Jacques-Blaise Baloin de Belvèse, Baron de Vennac (?-1781) Oil on oval canvas H. 54.5 cm; W. 46 cm Unsigned Grandda...

Boys Swimming Industrial Landscape WPA Mid 20th Century Social Realism Modernism Henry Schnakenberg (1982 - 1970) Boys Swimming Industrial Landscape 11 1/2 x 15 1/2 sight Oil on Canvas Signed lower left 14 1/2 x 18 1/2 inches, Framed Bio In many cases, American artists visited the Armory Show in New York in 1913, and returned to their studios to react to or against what they saw. However, for Henry Ernest Schnakenberg it was much more life altering. Prior to visiting this important exhibition of American and European modernist art...

Michael Tole says of his work… This work draws a connection between the didactic moralizing tendencies of Neo Classicism (represented in the style of the painting) and Modernism (represented in the architectural setting). Though modern art eschews the naturalistic imagery used by Neo Classicists, both movements pursued a self-important, austere, self-consciously masculine aesthetic that they saw as synonymous with virtue. Set in the MoMA courtyard, a passel of men lounge about, regarding a golden statue which looks terribly out of place in this modernist vitrine. The uncomfortable architectural setting, prisonlike and cold, provides a foil for the odalisque-like young men sprawled on hard stone benches and paying homage to the central idol. In my current work, The Revisionist Histories, I am writing letters to art history, literature, and mythology in an attempt to reflect the social changes that have reshaped our society over the past century.  As part of this agenda, I explore the evolution of gender norms, power dynamics, and representation within Western visual culture and what this implies for the negotiation between pleasure, justice, and our culturally specific discourse on beauty.    The seed for The Revisionist Histories was sewn when I caught a glimpse of my preteen daughters watching music videos on their iPad as I chopped veggies for dinner.  Out of the corner of my eye I caught glimpses of music videos featuring Beyonce, Taylor Swift, Ariana Grande, Katy Perry, and Doja Cat gyrating across the tiny screen.  A better parent might have snatched the iPad away, but I was overcome with hallucinatory visions of this pop diva...

"6th Avenue El" American Scene Social Realism Mid-20th Century New York City Ernest Fiene (1894-1965) "6th Avenue El" 12 1/4 x 14 1/4 Oil on canvas board, c. 1940s Signed lower righ...

Elegant Female Portrait with Red Ceramic Jar and Blue Mediterranean Shawl Artist: Federico Molina Albero Title: Female Portrait with Red Ceramic Jar Technique: Oil on canvas Support...

Nicolas de LARGILLIERRE (Paris 1656 - 1746) Portrait of Louis-Urbain Le Peletier, Marquis de Rosanbo, Master of Requests (1662-1730) Oil on canvas H. 75 cm; L. 60 cm Unsigned Proven...