Álvaro Verduzco Art

Original crayon and pencil drawing on paper. Hand signed and dated on front by Peter Max. Remarqued and hand signed on frame verso by Peter Max. Paper size: 6 x 7.8 inches. Frame...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Charcoal on paper, 60cm x 42cm, (74cm x 60cm framed). The picture is framed behind museum quality non-reflective UV glass. Drawings and paintings of the nude were central to academ...

"Night Blues" Female Nude, seen from the back, and a second view in the mirror. from another perspective. Part of "Nude in Interior" series, inspired by Matisse. Ultramarine tempera ...

Chess players 2022. Paper/pencil/corrector, 21x29.7 cm Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landsc...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Study for the Head of an Apostle or Saint Artist: Enrico Reffo (1831-1917) Medium: Charcoal and white chalk on colored paper Dimensions: [To be specified] Date: Late 19th - Early 20...

Emerging in the late twentieth century with his celebrated “Men in the Cities” series, Robert Longo quickly established himself as a draftsman of rare discipline, transforming media ...

1928 Bentley Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a 1928 Bentley vintage green car. Antique car stamp...

Drawing on paper, 1975 FRANCISZEK STAROWIEYSKI (b.1930- d.2009) studied paitning at Academy of Fine Arts in Kraków and Warsaw (1949-1955). He specialized in poster, drawing, paintin...