Skip to main content

Amos Sewell Art

to
1
23
23
21
10
9
1
Morning Coffee Break, Saturday Evening Post Cover, 1959
Morning Coffee Break, Saturday Evening Post Cover, 1959

Morning Coffee Break, Saturday Evening Post Cover, 1959

By Amos Sewell

Located in Fort Washington, PA

Medium: Oil on Board Signature: Signed Lower Left Sight Size 27.00" x 23.75;" Framed 34.50" x 37.50" Original cover illustration for The Saturday Evening Post, September 12, 1959. ...

Category

1950s Amos Sewell Art

Materials

Oil, Board

The Hatchet  - Movie Moment of High Drama
The Hatchet  - Movie Moment of High Drama

The Hatchet - Movie Moment of High Drama

By Amos Sewell

Located in Miami, FL

High drama and fear is exressed on the faces of 5 kids as they anticipate the outcome a scary event. Signed lower left From the Estate of Charles Martignette. Most likey for the Sa...

Category

1950s American Realist Amos Sewell Art

Materials

Oil

The Well Meaning Kidnapper
The Well Meaning Kidnapper

The Well Meaning Kidnapper

By Amos Sewell

Located in Fort Washington, PA

Story illustration for "The Well-Meaning Kidnapper" by Logan Carrol, published in The Saturday Evening Post, February 3, 1951, page 24. The full caption reads: "'Don't you know kidn...

Category

1950s Amos Sewell Art

Materials

Oil, Board

“I won’t let you take our Katie away!” Illustration for River Singer
“I won’t let you take our Katie away!” Illustration for River Singer

“I won’t let you take our Katie away!” Illustration for River Singer

By Amos Sewell

Located in Fort Washington, PA

Illustration for third and final installment of "River Singer" by Pete Martin for The Saturday Evening Post, published August 30, 1947, page 26. The full caption reads: “Katie’s br...

Category

1940s Amos Sewell Art

Materials

Mixed Media, Board

The Audience, Saturday Evening Post Cover
The Audience, Saturday Evening Post Cover

The Audience, Saturday Evening Post Cover

By Amos Sewell

Located in Fort Washington, PA

Medium: Oil on Board Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, July 28, 1956. The Post described, “The cows don't realize it is rude t...

Category

1950s Amos Sewell Art

Materials

Oil, Board

Let's Go Fishing, Original Cover Painting for The Saturday Evening Post
Let's Go Fishing, Original Cover Painting for The Saturday Evening Post

Let's Go Fishing, Original Cover Painting for The Saturday Evening Post

By Amos Sewell

Located in Fort Washington, PA

Original cover illustration for The Saturday Evening Post, published August 25-September 1, 1962. A little boy eager to go fishing sits watching his father sleep away the morning. ...

Category

1960s Amos Sewell Art

Materials

Board, Mixed Media

YMCA Camping Trip
YMCA Camping Trip

YMCA Camping Trip

By Amos Sewell

Located in Fort Washington, PA

Medium: Gouache on Board Signature: Signed Lower Right Sight Size 23.00" x 19.50;" Framed 32.00" x 28.00"

Category

20th Century Amos Sewell Art

Materials

Gouache, Board

Secret Project
Secret Project

Secret Project

By Amos Sewell

Located in Fort Washington, PA

Magazine Story Illustration Signed lower left Amos Sewell had a special empathy for children and also particularly enjoyed depicting homespun, rural subjects. These special gifts were ideally combined in the illustrations he made for a series of stories about Babe, Little Joe, Big Joe, and Uncle Pete by R. Ross Annett that ran for over twenty years in The Saturday Evening Post. Sewell was born in San Francisco and studied nights at the California School of Fine Arts, working days in a bank. After some years of this, he decided to try his luck as an illustrator in the East. To get there, he shipped out as a working hand on a lumber boat going by way of the Panama Canal. In New York, he studied at the Art Students League and at the Grand Central School of Art. Among his teachers were Guy Pene DuBois, Julian Levi...

Category

1940s Other Art Style Amos Sewell Art

Materials

Board, Oil

The Confrontation, Story Illustration for the Saturday Evening Post, 1940
The Confrontation, Story Illustration for the Saturday Evening Post, 1940

The Confrontation, Story Illustration for the Saturday Evening Post, 1940

By Amos Sewell

Located in Fort Washington, PA

An illustration depicting a circa late 19th century woman confronting a child, whose holster and gun are lying at his feet. Story illustration for "Pony-Express Boy" by M.G. Chute f...

Category

1940s Amos Sewell Art

Materials

Paper, Charcoal

"Child of the Terror" Saturday Evening Post Illustration, February 1, 1941
"Child of the Terror" Saturday Evening Post Illustration, February 1, 1941

"Child of the Terror" Saturday Evening Post Illustration, February 1, 1941

By Amos Sewell

Located in Fort Washington, PA

Story illustration for "Child of the Terror" by Helen Fawley for The Saturday Evening Post, published February 1, 1941, page 17. The full caption reads: "'So happy to be German once...

Category

Mid-20th Century Amos Sewell Art

Materials

Charcoal

Tricking Trick-or-Treaters, Halloween Cover for The Saturday Evening Post
Tricking Trick-or-Treaters, Halloween Cover for The Saturday Evening Post

Tricking Trick-or-Treaters, Halloween Cover for The Saturday Evening Post

By Amos Sewell

Located in Fort Washington, PA

Date: 1951 Medium: Oil on Canvas Dimensions: 30.00" x 25.00" Signature: Signed Lower Left Original Halloween cover illustration for The Saturday Evening Post, November, 3, 1951. A ...

Category

1950s Amos Sewell Art

Materials

Canvas, Oil

"Remembered Anger, " Story Illustration for the Saturday Evening Post

"Remembered Anger, " Story Illustration for the Saturday Evening Post

By Amos Sewell

Located in Fort Washington, PA

Medium: Oil on Board Signature: Signed Lower Right Story featured in The Saturday Evening Post, 1945 “Remembered Anger” by Martha Albrand Story illustration: Man in showgirl's dres...

Category

1940s Amos Sewell Art

Materials

Oil, Board

Hunters
Hunters

Hunters

By Amos Sewell

Located in Fort Washington, PA

Date: 1943 Medium: Oil on Board Dimensions: 17.50" x 25.50" Signature: Signed Lower Left Born in San Francisco, Amos Sewell was a ranking California tennis player in his 20s wh...

Category

1940s Amos Sewell Art

Materials

Oil, Board

Parent- Teacher Conference, Saturday Evening Post Cover
Parent- Teacher Conference, Saturday Evening Post Cover

Parent- Teacher Conference, Saturday Evening Post Cover

By Amos Sewell

Located in Fort Washington, PA

Medium: Oil on Board Signature: Signed Lower Left Sight Size 26.00" x 24.00", Framed 32.00" x 20.00" Original cover illustration for The Saturday Evening Post, December 12, 1959. T...

Category

1950s Amos Sewell Art

Materials

Oil, Board

Boy at Carnival
Boy at Carnival

Boy at Carnival

By Amos Sewell

Located in Fort Washington, PA

Medium: Oil on Board Signature: Signed Lower Right Featured in the Saturday Evening Post.

Category

20th Century Amos Sewell Art

Materials

Oil, Board

Man Leading Horse
Man Leading Horse

Man Leading Horse

By Amos Sewell

Located in Fort Washington, PA

Date: 1945 Medium: Gouache Dimensions: 23.50" x 35.50" Signature: Signed Lower Left Story illustration, older man leading horse, concerned kids. "Don't sell him, Uncle Pete' Ba...

Category

1940s Amos Sewell Art

Materials

Gouache

Related Items
Congregational Church, Old Lyme, CT. (quintessential New England landmark)
Congregational Church, Old Lyme, CT. (quintessential New England landmark)

Congregational Church, Old Lyme, CT. (quintessential New England landmark)

By Walter DuBois Richards

Located in New Orleans, LA

The Old Lyme Congregational Church located on Ferry Road, a quintessentially New England landmark, was captured by Walter DuBois Richards. The church was a favorite subject of Old Ly...

Category

Late 20th Century American Modern Amos Sewell Art

Materials

Lithograph

Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern
Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern

Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern

By Mervin Jules

Located in New York, NY

Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern. Signed upper right and verso 8 x 10 inches oil on board. BIO The son of a men's haberdasher, Mervin ...

Category

1930s American Realist Amos Sewell Art

Materials

Oil, Board

Ballantine Beer Ad. Mid-Century American Illustration
Ballantine Beer Ad. Mid-Century American Illustration

Ballantine Beer Ad. Mid-Century American Illustration

Located in Miami, FL

Only Ballantine Ale Brews "Brewer's Gold," ad illustration appeared in the major magazines of the day. A magic moment is caught at a peak point of drama. It's the instant of friends having fun. A cold beer from the fridge is offered and it's is acknowledged with a head nod. The woman in the foreground covers her giggling face reacting to a funny comment. The decisive moment is preserved. Sounds like a critique of an art photograph? No, it's an illustrator. This ingenious Infiniti "S" composition simultaneously represents the best of photography and painting. Cartier-Bresson could have captured the precise moment. While Nicolas Poussin could have rendered the complex figural composition. Add to it , a painting technique and color scheme with the quick drama of a post-impressionist. We have a great work of art by an overlooked American illustrator/artist/painter, Mike Ludlow...

Category

1950s Amos Sewell Art

Materials

Gouache, Board

Untitled Composition (Poligrafa, Redfern, Spanish, Abstract, 38% OFF)
Untitled Composition (Poligrafa, Redfern, Spanish, Abstract, 38% OFF)

Untitled Composition (Poligrafa, Redfern, Spanish, Abstract, 38% OFF)

Located in Kansas City, MO

Josep Guinovart Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Size: 10 x 7.325 inches (25.4 × 18.61 cm) E...

Category

1970s Abstract Amos Sewell Art

Materials

Lithograph

“Sierra Heights” by Paul Grimm Sierra Nevada Mountains California Landscape Oil
“Sierra Heights” by Paul Grimm Sierra Nevada Mountains California Landscape Oil

“Sierra Heights” by Paul Grimm Sierra Nevada Mountains California Landscape Oil

By Paul Grimm

Located in Yardley, PA

About this work: “Sierra Heights, 1971” by Paul Grimm (1892-1974). A beautiful view of the Sierra Nevada mountains by Grimm, one of the most beloved painters of the California lands...

Category

1970s American Realist Amos Sewell Art

Materials

Oil, Board

Brooklyn Bridge NYC American Scene Social Realism Mid 20th Century Modern WPA
Brooklyn Bridge NYC American Scene Social Realism Mid 20th Century Modern WPA

Brooklyn Bridge NYC American Scene Social Realism Mid 20th Century Modern WPA

By Cecil Crosley Bell

Located in New York, NY

Brooklyn Bridge NYC American Scene Social Realism Mid 20th Century Modern WPA Cecil C. Bell (American, 1906-1970) Brookyn Bridge amid the NYC Waterfront 35 ½ x 23 ½ inches Oil on Bo...

Category

1930s American Realist Amos Sewell Art

Materials

Oil, Board

"View of Arizona Desert near Wickenberg" Will Foote, Impressionist Western Scene
"View of Arizona Desert near Wickenberg" Will Foote, Impressionist Western Scene

"View of Arizona Desert near Wickenberg" Will Foote, Impressionist Western Scene

Located in New York, NY

Will Foote View of Arizona Desert near Wickenberg, circa 1927 Signed lower center; titled and dated on the reverse Oil on artist's board 12 x 16 inches Foote was born on June 29, 1874 in Grand Rapids, Michigan, and died on January 27, 1965, in Sarasota, Florida. He was in Old Lyme, 1901-65; and in Cos Cob, 1903. Will Howe Foote was one of the earliest artists at Old Lyme and one who adopted the town as home. He first went there the summer of 1901 with his uncle, William H. Howe, a painter of cattle, who had been told about the beauties of the countryside by Henry Ward Ranger. Foote had himself heard of Old Lyme when he had met Clark Voorhees in France. He and his uncle were both from Grand Rapids, Michigan, where Foote's father was an executive in the furniture industry that made the city famous. Encouraged to be an artist by his father, he began his professional training at the Art Institute of Chicago in 1894. He became friends there with a fellow Michigan student, Frederick Frieseke, who would study with him again at the Art Students League in New York, where Foote worked in 1895-96 under H. Siddons Mowbray and Kenyon Cox. In 1897 he and Frieseke went to the Academic Julian in Paris, where Foote studied under Jean-Paul Laurens and Benjamin Constant. He was at Julian's until 1900, except for an Italian trip, summers at Laren, Holland, or Etaples, France, and a short period at Whistler's school in Paris. He exhibited twice at the Old Salon, and when he returned to the United States in 1900, he had a one-man exhibition in his hometown. Will Howe Foote's paintings were well received on his return from abroad. He exhibited frequently at the National Academy of Design and became an associate member in 1910. His awards included a bronze medal at the St. Louis Exposition in 1904 and a silver medal at the Panama-Pacific Exposition in San Francisco in 1915. Once he visited Old Lyme, Foote returned every summer. In 1902 he was hired as assistant to Frank DuMond at the Lyme Summer School of Art, which was sponsored by the Art Students League of New York. Sometime in 1903 he also taught a session in Cos Cob. After 1906, when the League moved its Lyme classes to Woodstock, New York, Foote continued in Old Lyme as a private instructor. In 1907 he was married to Helen Kirtland Freeman, whom he had met a year or two earlier when she had come to the Lyme art colony as a student of Henry Rankin Poore. Fellow artist William Chadwick was best man at the wedding. The Footes began building a house on Sill Lane in Old Lyme and upon its completion in 1909 spent every spring, summer and fall there, where Foote devoted full time to painting. The Gregory Smiths, old friends from Grand Rapids, arrived in Old Lyme in 1910 and became neighbors. Foote's early works in Connecticut, such as A Summer's Night reflect the artist's interest in soft, atmospheric scenes dominated by a single, overriding tone. The arrival of Childe Hassam and Walter Griffin...

Category

1920s American Impressionist Amos Sewell Art

Materials

Oil, Board

“Eastern White Pines, c. 1910”, New England Landscape, Signed Oil Painting
“Eastern White Pines, c. 1910”, New England Landscape, Signed Oil Painting

“Eastern White Pines, c. 1910”, New England Landscape, Signed Oil Painting

By Charles Warren Eaton

Located in Yardley, PA

“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...

Category

Early 20th Century American Realist Amos Sewell Art

Materials

Canvas, Oil, Board

Flower Signal - Lithograph by Renzo Margonari - 1976

Flower Signal - Lithograph by Renzo Margonari - 1976

By Renzo Margonari

Located in Roma, IT

Flower Signal is a lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition 30/125. Good conditions.

Category

1970s Contemporary Amos Sewell Art

Materials

Lithograph

Previously Available Items
"The Sea Was Upon Them" Illustration for "Crazy Waters" in Saturday Evening Post
"The Sea Was Upon Them" Illustration for "Crazy Waters" in Saturday Evening Post

"The Sea Was Upon Them" Illustration for "Crazy Waters" in Saturday Evening Post

By Amos Sewell

Located in Fort Washington, PA

Story illustration for “Crazy Waters” by Leonard H. Nason for The Saturday Evening Post, published January 22, 1938, page 10. The full caption reads: “The sea was upon them. It pick...

Category

1930s Amos Sewell Art

Materials

Charcoal, Board

Amos Sewell art for sale on 1stDibs.

Find a wide variety of authentic Amos Sewell art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Amos Sewell in paint, board, oil paint and more. Not every interior allows for large Amos Sewell art, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Tom Lovell, Robert Riggs, and Martha Walter. Amos Sewell art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,350 and tops out at $249,000, while the average work can sell for $8,500.

Artists Similar to Amos Sewell