Angelo Maria Crivelli Paintings

Sydney Kendrick British, (1874-1955) Going for a Walk Oil on canvas, signed Image size: 25.75 inches x 19.5 inches Size including frame: 32.75 inches x 26.5 inches Provenance: Jack & Boyle, 23 Market Street, Brighton, Sussex A lovely genre painting of a woman with a dog outside a country house by Sydney Kendrick. A young woman can be seen dressed for a wintry day in a green velvet cloak over a brown dress and holds a fur muffler in her hands. She is shown walking down the snow covered stone steps of a country house followed by a black and tan rough collie. Sydney Percy Kendrick was born on 17 September, 1874. Little is known about his early life, however he is believed to have studied art in Paris. By the early 1900’s he was living in London where he set up a studio at 3D Warwick Avenue, Maida Vale known as Fulthorpe Studios. He began exhibiting at the Royal Academy in 1903 and later at the New Society of Artists in Suffolk Street. Kendrick became known for his genre paintings featuring women and also painted portraits of well-known people including the Duke of Devonshire, Marquess of Lansdowne, Dame Sybil Thorndike, Cecil John Rhodes...

Scottish/British artist John Gifford is best known for his paintings of Setters, Spaniels and Ponies in the Scottish countryside and highlands. Sought after for his sporting artwor...

Lucy Kemp Welch 1869-1958 was an English artist and teacher who specialised in the painting of horses. From the 1890''s until the 1920's she was the most famous painter of horses in...

This charming oil painting features a rabbit and continues my Wild Nature series. It is inspired by animals that coexist with humans and can often be pets. I love the silver backgrou...

Work on canvas Golden wooden frame 109 x 109 x 6 cm

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2018 Style: Impressionism Title: Cows Size: 23.5" x 30" x 0.8'' inch,...

Painting was attributed to Jean-Baptiste Marie Huet (1745 - 1811) by Cabinet Turquin (France). A cute scene with children tying a ribbon around the neck of a young lamb. Rococo in th...

Photorealist oil painting by Manon Cleary (1942-2011). Painting is signed on reverse "Cleary". Painting is stretched on aluminum stretcher and dates to the 1990s. Manon Cleary had a remarkable ability to draw and paint with photographic fidelity, but she was also known as a charismatic teacher at the University of the District of Columbia and as a free spirit whose exuberant life may have been her most enduring work of art. Since the 1970s, Ms. Cleary had been at the center of a group of artists in Adams Morgan. She exhibited her meticulous artwork throughout the city and around the world, but she also became known for her striking presence, her colorful love life and the rats she kept as pets. As an artist, Ms. Cleary borrowed classical techniques from her deep study of Renaissance masters to create paintings and drawings memorable for their frank realism and sometimes disturbing themes. In addition to her many nude self-portraits, Ms. Cleary made erotically charged paintings of flowers. She took inspiration from a painful personal history in a series of works depicting the terror of rape and, in later years, of not being able to breathe without mechanical assistance. Critics considered her a leading figurative artist of the photo-realist school, in which painters render their subjects with camera-like precision. In fact, Ms. Cleary occasionally won awards for photography when adjudicators didn’t realize her works were free-hand creations. She was “widely acknowledged to be among the best, if not the best, of the city’s figurative painters,” Washington Post critic Michael O’Sullivan wrote in 2006. “There is a tension between the cool, clinical detachment of photography and painting’s warm idealization of form.” Ms. Cleary exhibited her art in galleries and museums from Moscow to Paris to Hickory, N.C., but Washington was her home for the past 42 years. In 1974, she settled in the decrepit Beverly Court apartments on Columbia Road NW, where a coterie of artists soon grew up around her. She painted her walls purple, and her fourth-floor apartment — even with the pet rats — became something of a bohemian salon. “She was a star,” painter Judy Jashinsky told the Washington City Paper in 2004. “She was stunning, beautiful; long, brownish–black hair; real thin; wore . . . little sundresses and sandals. She was just very cool, and there was always a crowd around her.” Ms. Cleary had a long list of male admirers, including several whose confrontational attempts at “performance art” led to their arrests. She had a brief marriage in 1981 to a Danish artist known as Tommy — “just Tommy,” Ms. Cleary said — whom she divorced in less than a year. As a kind of graphic homage to her various lovers, Ms. Cleary made a series of intimately revealing portraits that were featured years later on the HBO program “Real Sex.” She met her second husband after a gallery opening in Baltimore. By way of introduction, Kijek, a dancer, stripped naked at a crowded party, walked up to Ms. Cleary and said, “Wouldn’t you like me to pose for you?” They were married in 2001. In spite of her unconventional life, Ms. Cleary was more than a mere provocateur. After a day of teaching at UDC, she would return to her studio, with its windows painted over to block out sunlight, and work late into the night, with a bottle of Dr Pepper at her side. She took nude photographs of herself from every angle, then painstakingly created lifelike images that seemed alive with the warmth of human flesh. After studying in Rome in her youth, she developed what she called “an obsession” with Caravaggio, an iconoclastic painter who lived from 1573 to 1610. She often copied paintings at the National Gallery of Art and, in her own work, blended Renaissance styles with a distinctly modern sensibility. Manon Catherine Cleary was born Nov. 14, 1942, in St. Louis. Her father was a doctor, and her identical twin sister, Shirley Cleary-Cooper, is an artist in Helena, Mont. She was a 1964 graduate of Washington University in her home town and, for the rest of her life, was proud of having been a member of the Pi Phi...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Artist: Ugo Setti, Italian (1915 - ) Title: In Valdumentina Year: circa 1960 Medium: Oil on Canvas, signed l.l. Size: 23.5 x 31.5 inches Frame Size: 32 x 40 inches

Work on canvas Molded frame in plaster and gilded wood 65.5 x 91.5 x 7 cm

As we navigating our daily lives, we must face thoughts, anxieties, joys and emotions from all three of these tenses, and often at the same time. Seemingly opposite emotions -- lust...