Giovanni Bonetti Paintings

Still Life of Game with Spaniels and Falcons in Landscape Setting Carstian Luyckx (Flemish, 1623 – c.1675) Oil on canvas Circa 1670 Unsigned 43 ½ x 59 1/8 in.; Frame 52 7/8 x 68 7/...

Olga Antonova "Two Turquoise, White and Silver Cups Stacked" Oil on Canvas 12 x 12 Inches Olga Antonova’s subject is compositions of extraordinarily elegant, beautiful and whimsical cups, plates, teapots, vases and dishes, but there is something playful about these paintings. Stacked teacups are also amusing, having a kind of jaunty and upbeat personality of their own. Polka dots are as endearing to adults as to children, and everyone responds to the bling and sparkle of gold and silver while marveling at Antonova’s seemingly effortless ability to paint these radiant details...

Dimensions with frame: 37 x 45 x 3,5 cm Signed along the lower edge. This refined still life painting presents an elegant arrangement of fruit set upon a wooden table against a dark...

***PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 13 INCHES X 16 INCHES*** Oliver Clare British, (1853-1927) Still Life of Fruit & Still Life of Flowers Oil on canvas, pair, both signed & dated ‘92 Image size: 6 inches x 9 inches (each) Size including frame: 13 inches x 16 inches (each) An appealing pair of still life paintings by Oliver Clare. The first painting shows primroses and lilac blossom next to a red berry. In the second, damsons can be seen next to apples and a strawberry. Oliver Clare was born in Birmingham in 1853, the son of the flower artist George Clare (1839-1890) and his wife Elizabeth Bowen. His brother Vincent Clare (1856-1917) also became an artist and both would have received tuition from their father who influenced their style and subject matter. At the age of 18 he enlisted as a soldier in the Kings Own regiment, but gave this up to become a full time artist. Like his father, Clare specialised in still life paintings, containing fruit and garden flowers, often on mossy banks. Sometime after 1871, he moved to London where he married Emma Mary Webb...

Signed and dated "C. Leroy 1840" in the lower right corner. A finely executed floral still life depicting an elegant arrangement of camellias and daisies in a transparent glass vase, set upon a wooden surface. The composition is carefully balanced, with lush pink camellia blossoms contrasted against the delicate white petals of daisies, creating both visual richness and botanical variety. The artist demonstrates a high level of technical skill in the rendering of textures: the velvety softness of the camellia petals, the crisp structure of the daisies, and the subtle reflections and refractions within the glass vessel. The dark, neutral background enhances the luminosity of the flowers, a compositional device rooted in traditional European still life painting. The palette is harmonious and refined, combining warm pinks and greens with deep, earthy browns. Fine craquelure across the surface attests to the painting’s age and authenticity, while contributing to its visual character. This work reflects the enduring tradition of 19th century naturalist and academic still life painting, appealing to collectors of classical floral compositions and decorative fine art. floral still life painting, camellia painting oil, daisies still life, 19th century flower painting...

This wonderful 17th-century French School vanitas painting is a meditation on mortality and the transience of earthly pleasures. The composition centers on a finely rendered human sk...

Profusion of Flowers Dutch School style, late 20th century oil on canvas, unframed canvas : 36 x 24 inches provenance: private collection, Cornwall, England condition: a few minor su...

Pair of small oil paintings (studies) by Oscar Julius Paulsen (1860-1932) depicting a plum branch, the other a cherry branch with fruit. Both have light backgrounds and are mounted i...

The artist has an elegant mark of nature, and the experience of working en plein air allows her to capture emotions that would otherwise not be possible. She is considered Italy's best botanical artist and collaborates with many botanical gardens where she also holds watercolour courses, a technique she masters like few contemporary artists. The artist herself prepared the background in real, stainless gold, which gives it a modern, warm surface that chameleonically matches the colours of the surrounding walls. Margherita Leoni was born and raised in Italy, however, she spent most of her adult life in San Paulo, Brazil. It was there that she started a collaboration with the botanical faculty of the local university, allowing her to develop interesting research in rare botanical species studies and drawings. For this reason, most of her artworks, illustrate Brasilian botanical species, both rare and common. The artist's mastery of watercolour allows her to take part in botanical expeditions where she paints in plein air. Given her exquisite watercolour technique and her extensive botanical knowledge, Margherita Leoni is considered the heir of Margaret Mee. Among her most important exhibitions, three of her artworks were selected by Shirley Sherwood...

Pocket Ochre Blush Pear 222 (canvas size 7x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, w...

Ornate Classical Flowers oil painting on canvas, framed signed and dated 1947 framed: 17.5 x 12.5 inches canvas: 16 x 10.5 inches provenance: private collection condition: very good ...

Original oil on canvas laid down on board by the well known American artist, Jean Paul Selinger. Signed top right by the artist along with “Florence” where the artist visited in the...