Anna Sadowska Art

Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...

Central Park is part of a group of prints based on a visit to New York City, Because I live and work in quiet isolation and often don't meet anyone apa...

Tapies Litografia original Work reproduced in the catalogue raisonné, image 286. Edited in 1971 TAPIES was the maximum representative of Spanish abstract art of the 20th century. ...

Agamograph (3D lenticular). Hand signed lower right by Yaacov Agam. Hand numbered XX/XC lower left Custom framed as pictured. Plexiglass sandwich style with white frame. Frame s...

A color abstract geometric composition titled "From Color to Form IV", executed in 1969, by the celebrated Italian artist Marino Marini (1901-1980). A rare artist's proof Marini was...

Roy Ahlgren Allegro, 1986 Serigraph Signed, title and edition in pencil in lower margin Edition 5/100 Sheet: 22 1/4in H x 29 3/4in L (unframed) Ahlgren came to art relatively late ...

Technical Data Technique on support: Print, artist's proof Title of the work: “Composition in Red” Artist: Gerardo Rueda (1926-1996), signed and dated by hand Year: 1970 Country of o...

Frank Stella's 1984 print "Then Came a Stick and Beat the Dog, Illustrations After El Lissitzky's Had Gadya" shows the artist's maximalist approach to abstraction and his interest in...

Antoni Tàpies is considered one of the most significant Spanish artists of the 20th century and a leading exponent of European informal art. His work combines matter, signs and symbo...

Inspired by Matisse, Flower Vase, 2020 by a.muse blooms with color and energy. A 14" x 10" one-of-a-kind abstract art on watercolor paper hand-pulled by the artist on an etching pres...

Antoni Tàpies is considered one of the most significant Spanish artists of the 20th century and a leading exponent of European informal art. His work combines matter, signs and symbo...

Armando 18.09.1929 Amsterdam Zurück Giclee on heavy, hand-made cotton paper Year: 2016 Hand-signed and labelled Edition: e.a. Condition: In good condition Dimensions: 50.0 x 50.0 on 63.0 x 61.0 cm ARMANDO (Amsterdam 1929 - Potsdam 2018) Sculptor, Writer, Film and documentary maker, Violinist Education: Armando studied art history in Amsterdam for a number of years. He lived in Amstelveen and worked in Amsterdam. Armando (Amsterdam 1929) is one of the most important post-war Dutch artists and he is appreciated nationally and internationally. His work, based on his personal experience of the Second World War in Amersfoort, deals with existential and universal themes that he describes in terms of power and powerlessness, perpetrators and victims, memory, transience and melancholy. Fascination for violence and evil determines his work from the outset. Amazed by the treacherous beauty of this violence, Armando uniquely elaborates his theme in every discipline that he practices. Driven by the desire for insight into evil and for the mastery of the techniques to shape his theme, he explores the possibilities of every medium to the extreme. Armando's work comprises series of monumental paintings, pasty and worked through in black and white with here and there traces of color, subtle, poetic drawings and graphics. From 1989 onwards sculptures appear that seem to be shaped and bent by forces of nature. Armando's prose and poetry have their own place. In a very specific language, the unspeakable, surrounded by a lot of white, is expressed. Documentaries in which both perpetrators and victims have the floor, films, theater and theater performances complete an oeuvre of which both visual and literary work have been awarded several times. As a violinist of the Armando Quartet, Armando expresses the feeling of melancholy and melancholy that has a place in all his work, in music. Exhibitions and prices: 1984 - The Multatuli Prize for those in power, reports from Berlin and Tuscany. 1985 - The first Jacobus van Looy...