Antonio Ross Y Guell Art

Bold composition of two people on a porch by Majel McHugh Logan (American, 1916-1982). Two people sit facing each other on a porch, backlit by warm sun. The piece is sketchy but confident, with thick brushstrokes adding high contrast shadows and highlights. Although the subjects' faces are undefined, there is nonetheless an expressive quality in their body language. Signed "Majel Logan" in the lower right corner.\ Artist's tag on verso with title. Presented in a wood frame with a gold accent. Frame size: 14.75"H x 16.75"W Canvas size: 14"H x 16"W Majel Logan (nee McHugh) (American, 1916-1982) was born in Utah. After graduation from St. Mary of the Wasatch College in Utah, she studied at the Pennsylvania Academy of Fine Arts. She continued to study at Idaho State University before eventually settling in Santa Clara, CA. Although she was a professional artist at the time, she nonetheless continued her studies at San Jose State University in the 1970s. By the mid-70s, she had won 43 awards in state, regional, and local competitions, including Fiesta des Artes (Los Gatos...

Calm farm scene of a bucket filled with daisies by an unknown artist (20th Century). In the background a brick barn has a door open, with weeds and plants growing in front of it. A p...

A beautiful coastal painting by Massachusetts artist Joseph H. Greenwood, known for his evocative New England landscapes. This work captures the quiet charm of the Dartmouth coast ne...

Gorgeous mid century San Francisco Bay seascape oil painting by California artist Hartzell Harrison Ray (American, 1896-1991). Signed "H. Ray" lower right and on verso. Texture added...

“In June (Im Juni)” Julius Paul Junghanns (German, 1876-1958) Oil on canvas Signed and dated “1913,” titled on reverse 18 ½ x 23 1/4 (27 1/4 x 31...

Beautiful landscape painting of a California pond with Eucalyptus and Oak trees by Jesse Don Rasberry (American, 20th Century). Presented in a rustic wooden frame. Signed on verso. Acquired directly from the artist. Image: 8.25"H x 10"L. Rasberry was born in Oklahoma and soon after relocated to Lodi, California. Growing up in close proximity to wide open agricultural land and the scenic San Joaquin River Delta had a profound impact on Rasberry and influenced and inspired his paintings. Full Bio: Jesse Don Rasberry was born on November 10, 1940 in rural, picturesque Oklahoma. Shortly after his birth, his family relocated to California, living a short while in Palm Springs, before eventually settling in the grape-growing region of Lodi in San Joaquin County. Later, the family moved a short distance south to Stockton, California, where Rasberry's father supported the group as a builder and carpenter. They would remain in the Stockton/Lodi area throughout Rasberry's adolescent and formative years. Growing up in close proximity to wide open agricultural land and the scenic San Joaquin River Delta had a profound impact on Rasberry, and would later form the foundation and inspiration for his artistic endeavors. The family traveled frequently, which exposed him to the dramatic landscapes of the Southwest. As a young child, Rasberry showed a strong interest in art and the natural world. He attended grade school and high school in Stockton, where Rasberry pursued drafting and drawing. Throughout his life, he always found time in his leisure to draw portraits, wildlife, and architecture. Rasberry also enjoyed woodworking, eventually following in his father's footsteps, embarking on a career as a general contractor and home builder. In 1979, Rasberry relocated to Texas where he continued to work as a general contractor and home builder. During the early 1980s, he commenced a new career as a decorative and fine arts dealer. This career was more in keeping with his appreciation of art. As a dealer in the trade, he was exposed to all manner of art from the 19th and 20th centuries, which served to sharpen his eye and provided much inspiration for the soon-to-be artist. In the early 1980s, while in Texas, Rasberry started painting, primarily landscapes of Texas and California. He spent time with, and drew inspiration from, the regional artists Bill Warden, and Louise Collins. As time passed, Rasberry began to devote more time to his painting, and by the turn of this century, art had become his primary focus. Essentially self-taught, Rasberry received some instruction from the late Bill Warden of Texas. On occasion, he paints with other artists during classes and on plein air painting excursions, as with Ning Hou...

Gorgeous landscape of Sierra Mountains and lake in autumn by Oliver Glen Barrett (American, 1903 - 1970), circa 1940. Signed lower right corner; ti...

"The Awakening" Early Spring Landscape of Mt Hamilton Oil on Masonite Early Spring landscape by Palo Alto, California artist "Florice" Florence P. Wideman (Hoffman) (American, 1893-1...

"Pilgrimage", a mid century figurative landscape by Carmel, California artist Mary Miller (Klepich) (American, ? - 1957). Presented in a rustic giltwood frame. Signed "Mary Miller" lower right. Titled "Pilgrimage," dated "1952" and signed "Mary Miller" on logo on verso, with Santa Cruz Art League Twenty Third Statewide Art Exhibition Label. Image, 18"H x 24"L. Framed size: 22.5"H x 28.5"W. Mary Miller (Klepich) exhibited in the Twenty-Third Annual Santa Cruz State-Wide Art Exhibition. She and her husband Fred Klepich studied at Bellas Artes, San Miguel de Allende in Mexico. Fred and Mary Owned Carmel Craft Studios, later (SAS) Studio Art Supplies...

Wonderful early 20th Century study of Jean Leon Gerome Ferris's 1885 Lion and Sun landscape "The Two Majesties." Unsigned. Condition: One tear professiona...

Lush landscape of an autumn forest by Evelyn Campbell (Australian, 20th Century). A path runs from the lower right of the composition through an open gap in a wood fence, with a wago...

This exceptional 1924 original oil painting by influential Colorado modernist John E. Thompson depicts the historic High Bridge—New York City’s oldest surviving bridge—as it rises gracefully above the Harlem River. A rare and dynamic example of Thompson’s early modernist style, the work blends architectural realism with expressive, textured brushwork. The elegant stone arches, rhythmic spans, and atmospheric urban setting reveal Thompson’s mastery of composition and color. Signed and dated in the lower right, the painting carries strong historical authenticity and collector appeal. It is presented in a custom vintage frame that complements the period and enhances its refined, timeless presence. This rare early 20th-century view of New York City architecture is an important acquisition for collectors of American modernism, urban landscapes, and historic engineering landmarks. It captures a pivotal moment where traditional realism meets the burgeoning energy of modernist vision—making it a standout work in any distinguished collection. About the Artist: John E. Thompson – Pioneer of Colorado Modernism John Edward Thompson (1876–1945) is celebrated as the “Dean of Colorado Artists” and a foundational figure in introducing European modernism to the American West. Educated at the Art Students League of Buffalo and later in New York, he absorbed avant-garde influences while working in Europe, particularly inspired by Paul Cézanne. Settling in Denver in 1914, Thompson became a catalyst for the region’s modern art movement. He taught at the University of Denver and the Santa Fe Art School, working alongside Andrew Dasburg, B.J.O. Nordfeldt, and Walter Ufer. His mentorship shaped artists such as Józef Bakoś and Walter Mruk, co-founders of the influential group Los Cinco Pintores...