Arnold Blanch Art

The People, 1938, oil on canvas, signed lower right, 36 x 48 inches, label verso reads “348 / 89 / Carnegie Institute, Pittsburgh, PA, USA / _____ The People / _______ Arnold Blanch ...

Arnold Blanch The People, 1938 Signed lower right Oil on canvas 36 x 48 inches Provenance: Private Collection Exhibitions: Pittsburgh, Carnegie Institute, International Exhibition...

Original ceramic bowl with still life of fruit by the American artist, Arnold Blanch. Signed under the still life and copyright. Condition is very good. Provenance: A Long Island, ...

Arnold Blanch Nude Signed lower right Oil on board 20 x 16 inches Provenance: G. David Thompson Collection, Pittsburgh Private Collection, New York Bo...

Untitled (Mortal Angel) is a semi-abstract oil painting of two female figures with black, white, blue and red by 20th Century artist Arnold Blanch from circa 1955. Presented framed, ...

Vintage Modernist WPA era painting by Arnold Blanch (1896-1968) of a Colorado Landscape, likely near Colorado Springs, Colorado, with green fields, red rocks and mountains in the background under a moody sky. Dominant colors include, green, yellow, red/brown, gray, white and blue. Painting is clean and in good vintage condition - please contact us for a detailed condition report. About the Artist: Arnold Blanch was an illustrator, printmaker, teacher and painter. He was primarily known for his landscape, genre, figurative, realist, and surrealist paintings. Born in Manterville, Minnesota, he was encouraged to study art by his mother, an amateur artist. He began studying at the Minneapolis Art Institute in 1914. In 1916, he received a scholarship to study in New York at the Art Students League. In New York, he studied under Robert Henri, Francis Luis Mora, Boardman Robinson, John Sloan, and Kenneth Hayes Miller. In 1919, Blanch arrived in Woodstock, New York to study at the Art Students League summer school. He married his fellow student Lucile Lundquist, and they settled in Woodstock in 1922 after traveling to France for a year. Blanch remained in Woodstock for more than forty years, until his death. He was an important figure in the Woodstock Artists Association, as he devoted much of his time to maintaining financial and moral support for the Association. Throughout his life, Blanch had more than sixty solo and group exhibits. He was awarded the Guggenheim Foundation Fellowship in 1940. In 1962, he had a retrospective at the Krasner Gallery in New York. Blanch's artistic style changed frequently throughout his career. After the 1930's, Blanch's palette became lighter and his subjects became less serious. In the 1930s, after he and his first wife separated, Blanch became romantically involved with artist Doris Lee, and both were influenced by each other's artistic styles for the next thirty years. Blanch was also influenced by the Abstract Expressionists; however, he primarily remained a figurative painter. His last artistic style consisted of shallow pictoral space and tightly arranged structures. ©David Cook Galleries...

Born in Minnesota in 1896, painter Arnold Blanch began his studies at the Minneapolis School of Art from 1916 to 1917. Following his service in World War I, he studied under Kenneth ...

ARNOLD BLANCH "CIRCUS GIRL" OIL ON CANVAS, SIGNED AMERICAN, DATED 1933 18 X 14 INCHES Arnold Blanch 1896-1968 Blanch was born in Mantorville, Minnesota, Arnold Blanch was a painter of scenes of social-realist American life with mystical overtones and a child-like seeming style. He was also a highly respected teacher, lecturer and visiting critic and was a spokesman for the art colony in Woodstock, New York. He was married to Lucile Blanch...

Arnold Blanche (1896-1968). Still Life, c.1950. Gouache on cardboard, measures 5 x 7 inches; 12 x 14 inches in a vintage oak frame. Signed lower left. Arnold BLANCH (1896-1968) Birth place: Mantorville, MN Death place: near Woodstock, NY Addresses: Woodstock, NY Profession: Painter, graphic artist, illustrator, writer, teacher, lecturer, designer Studied: Minneapolis Sch. Art, 1916-17; ASL, 1919-21, with Kenneth Hayes Miller, John Sloan, Henri Exhibited: S.Indp.A.; SFAA, 1931 (prize); CPLH, 1931 (prize); AIC, 1930-31, 1932 (med.), 1933-43; PAFA, 1929-37, 1938 (med.), 1939-45, 1948-1952, 1953, 1960, 1962; CI, 1938 (med.); Domesday Press, 1945 (prize); Corcoran Gal, 1928-61; GGE 1939; WFNY 1939; MMA; Butler AI; WMAA, 1931-46, 1948-52; Nat. Ceramic Exhib., 1949 1951 (prizes); MoMA; VMFA; LOC; solos: New York, 1954, 1958, 1959, 1961; Dupont Mus., Art-USA, 1959 (prize); Artists of the Upper Hudson, 1960 (prize); Norton Art Gal., West Palm Beach, 1961 (prize); Silvermine Gld. Artists, 1961 (prize); Harris Prize, Chicago, 1932; Phila. Artists All.; Salons of Am. Member: Guggenheim Fellowship, 1933; Woodstock AA. Work: WMAA; MMA; CMA; Colorado Springs FAC; CPLH; Cranbrook Acad. Art; Detroit IA; Univ. Nebraska; CAM; Denver AM; Butler AI; Encyclopaedia Britannica; Univ. Arizona; Dupont Mus., Fredericksburg, VA; Munson-Williams-Proctor, Utica, NY; Lowe Gal., Miami, FL; Tweed Mus., Duluth, MN; PAFA; LOC; BM; CI; Gulf Coast FAC, Clearwater, FL; Univ. Minnesota; Woodstock Artists Assoc. WPA murals, USPOs, in Fredonia (NY), Norwalk (CT), and Columbus (WI) Comments: Realist artist, member of the Woodstock art colony. WPA artist, 1930s. He was married to artist Doris Lee. Position: instr., Calif. Sch. FA, 1930-31; ASL, 1935-39, summer, 1947-52, summer, Woodstock, NY, 1950-61; Colorado Springs FA Center, 1939-41; Michigan State Univ., 1944; Gulf Coast Art...