Arthur Joseph Meadows Figurative Paintings

Painting of Farm with Geese in the English Countryside by 20th Century British Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Provenance: Part of the English Heritage Series No.111 Art measures 10 x 8 inches (approx.) Frame measures 15 x 13 inches (approx.) James Wright was born in Peterborough in 1935 and now lives in Lincolnshire. James is a self-taught artist and a leading exponent of the traditional English landscape style. His early work concentrated on the busy fishing villages around the coast of Norfolk, Cornwall and Sussex. More recently, his traditional landscapes mainly feature the East Anglian and Lincolnshire countryside. About the English Heritage Collection From the most powerful to the most humble, from Bronze Age axes...

Horse Drawn Plough with Two Horses, Ploughman and his Dog. Signed, Oil on Canvas, housed in a gilt frame, by British Landscape Artist, James Wright. Art measures 24 x 16 inches Fram...

A boy wades into the creek preparing to set his sailboat on a journey down the creek in this romantic narrative late Victorian oil painting. This painting tells a story, set in an id...

Preparing the Ships Coastal Marine Scene with Figures and Sailing Vessels English, mid 19th century oil on board, framed in a gilt moulded frame Framed: 10.75 x 14.5 inches Board: ...

William Thornley was a painter of coastal scenes whose work is very similar to Hubert and Charles Thornley, who may have been members of the same family. He painted scenes of genre, architecture, and landscapes as well. A number of the landscapes were of Belgium, Holland, Italy, and Norway. However, it is for his seascapes that he is best remembered. Thornley’s works are beautifully detailed and show a masterful understanding of the moods of both weather and sea. They are often small in size and put together with fine detail and great artistic merit. Thornley’s fishing scenes are spirited and similar in style to those of “Jock” Wilson, and are often painted in pairs. Thornley’s works have always been popular when they appear on the art market. He was believed to have first exhibited marines at the Royal Academy in 1859 from an address in Paddington, London and also at the British Institution from 1861 until it closed in 1867. He continued to exhibit at the Royal Academy until 1898. Thornley also exhibited at the Paris Salon and the Salon of French Artists, receiving an honorable mention in 1881 and a third-place medal in 1888. William Thornley also went by the names Georges William and William...

The Loch Keepers Cottage by Joel B. Owen (British, signed and dated 1925) oil painting on canvas: 20 x 30 inches condition: overall very good and presentable, pronounced crinkling to...

Orientalist painter (19th century) - View of an Arab city with caravan. 57 x 47 cm (unframed) - 71 x 62 cm (framed). Original oil on canvas, in a contemporary 19th-century carved a...

Outstanding English Victorian 19th century Harvest landscape. Thomas Simon Dingle was the son of Thomas Dingle (1818-1904), known as a London landscape painter, but who, according t...

19th century English landscape with trees, a Harvest Field during Summertime. A wonderful classic English landscape dating from the middle of the 19th century. This style of paintin...

Jacob Eduard Van Heemskerck Van Beest (1828-1894) “Avondgebed; Maleidische tripang visschers onder de hoge kust van Celebes” (Ev...

This is a wonderful outstanding quality scene of an English cottage garden scene. The quality of the piece is amazing with a real understanding of how to make a very desirable painting. Charles James Lewis, was baptized at St Giles, Camberwell, London on 6 October 1830, son of Charles Thomas Lewis, a clerk at the bank of England, and his wife Sarah Hyde née Bennett (1805-1872), who married at Tottenham, London on 11 June 1825. In 1851, a 20-year-old student in painting, living at 17 Nelson Square, Camberwell with his 52-year-old married father Charles and a 64-year-old 'unmarried' Sarah Lewis. Charles married at Camberwell in 1854, Mary Ann Matilda Hammond Shetton, and in 1871, a 50-year-old landscape artist, living at 2 Cheyne Walk...

This twentieth-century oil on canvas painting depicts a traditional Dutch country genre scene complete with a quiet waterway, cottage, and windmill against a pale sky. A young girl s...