James Wright Figurative Paintings

English Naval Shipping Scene with Sailing Vessels at Sea Oil Painting English School, early to mid 19th century oil on canvas, in period gilt frame Framed: 29 x 39 inches Canvas: ...

A boy wades into the creek preparing to set his sailboat on a journey down the creek in this romantic narrative late Victorian oil painting. This painting tells a story, set in an id...

Elias Muukka (1853–1938) Finland Månsken vid stranden (Moonlight by the Shore), 1909 signed and dated 09 oil on canvas unframed 31 × 40.5 cm (12.2 × 15.9 in) framed 44 × 54 cm (17....

"Extensive Early Industrial Landscape with Mill" by John Pennington (1773-1841, British) subsidiary buildings, bleaching fields and a country house beyond, three children with a bir...

signed and dated Otto Sinding Karlsruhe 1873 lower right oil on relined canvas framed 59 × 101 cm (23.2 × 39.8 in) unframed 41 × 83.5 cm (16.1 × 32.9 in) Provenance: The collection ...

‘Fabbriche di Careggine’ by Edmund John Niemann (1813-1876). The painting is signed by the artist. Fabbriche di Careggine is the name of a Italian ghost village that today lies bene...

Jacob Eduard Van Heemskerck Van Beest (1828-1894) “Avondgebed; Maleidische tripang visschers onder de hoge kust van Celebes” (Ev...

Orientalist painter (19th century) - View of an Arab city with caravan. 57 x 47 cm (unframed) - 71 x 62 cm (framed). Original oil on canvas, in a contemporary 19th-century carved a...

"Twilight Landscape with Windmill and Church" is a captivating work by Swedish artist Albert Larsson, painted in 1891 when Larsson was 22 years old. The painting captures a landscape steeped in the quietude of dusk, with a sky ablaze in hues of red and orange, signalling the end of the day. The silhouettes of trees are rendered with astonishing detail against the twilight sky, showcasing Larsson's early mastery of light and shadow. Dominating the pastoral scene is a traditional windmill, its blades stilled against the sky, alongside the spire of a church that pierces the horizon. These structures, together with the meticulously painted trees, are testaments to the human presence within the natural world, suggesting a harmony between the two. A notable feature is the small water-filled furrow in the field, which catches the fading light of the sky, creating a pathway of reflection leading the eye through the composition. This detail highlights Larsson's skill in using light to draw attention to elements within his paintings. Albert Larsson, born on November 4, 1869, in Malmö and passing on August 31, 1952, in Lund, was an artist deeply influenced by his education in Copenhagen at the Art Academy and later at Peder Severin Krøyer...

Coastal Harbour Scene with Fishing Boats at Sea by William Thornley (British, 1857–1935) oil on canvas, framed, signed lower left corner Framed: 11 x 17 inches Canvas: 10 x 16 inche...

A late 18th Century oil on canvas laid on board of a young beauty in period costume carrying a basket of flowers on her head. Presented in a very fine gilt, period 'Directoire' frame...

signed lower right oil on canvas unframed 37 × 50 cm (14.6 × 19.7 in) framed 51.5 × 63 cm (20.3 × 24.8 in) This painting depicts Kastellholmen as seen from Skeppsholmen, rendered un...

The painting depicts "Ossian tells Malvina about the exploits of his son Oscar" and is dated at lower right "Filippo Bellati did the year 1811" and the unframed measurements are 233 ...

Off the Coastline by G. Selby (British, second half 20th century) signed oil on canvas, unframed canvas: 20 x 40 inches Provenance: private collection, England Condition: very good c...

Sailing off the White Cliffs of England by G. Wilson ( British School) signed and dated 1922 oil on board, framed framed: 17 x 20 inches board: 9 x 12 inches Provenance: private coll...