$1,200
Mid Century Modernist Israeli 'Sabra in Haifa' Landscape Harbor Oil Painting
By Bacia Gordon
Located in Surfside, FL
Genre: Classic Subject: Portrait, Sabra in Haifa Medium: Oil Surface: Canvas Country: United States Bacia Gordon (1904-1977) came to the United States from Poland and studied at th...
Canvas, Oil
Portrait of an Israeli Boy
By Bacia Gordon
Located in Surfside, FL
Genre: Classic Subject: Portrait Medium: Oil Surface: Canvas Country: United States Dimensions: 21.25" x 18.25" Dimensions w/Frame: 28.75" x 25.75" Bacia Gordon (1904-1977) came to ...
Canvas, Oil
$16,000
H 31 in W 25 in
Henry Gasser American Scene Realism Regionalism Mid-20th Century Modern WPA
Located in New York, NY
Henry Gasser American Scene Realism Regionalism Mid-20th Century Modern WPA Henry Martin Gasser (1909-1981) "Village in Snow" Oil on canvas laid on artist's board, c. 1930s 28 x 22...
Canvas, Oil, Board
$29,000
H 40 in W 43 in
"Winter Landscape" William Lester Stevens, Cape Ann Snowy Landscape
By William Lester Stevens
Located in New York, NY
William Lester Stevens Winter Landscape Signed lower right Oil on canvas 32 x 36 inches Born on June 15, 1888, in Rockport, Massachusetts, Stevens displayed his artistic abilities ...
Canvas, Oil
$13,500
H 40.5 in W 50.5 in D 3 in
“Washington Square Park, 1938” NYC Social Realism Female American Artist Oil
By Dorothy Eisner
Located in Yardley, PA
An exceptional, large, early work by American artist Dorothy Eisner (1906-1984). This painting was recently exhibited at Gracie Mansion in 2019 as part of “She Persists” - a show de...
Canvas, Oil
$2,900
H 15 in W 19 in
Boys Swimming Industrial Landscape WPA Mid 20th Century Social Realism Modernism
By Henry Ernst Schnakenberg
Located in New York, NY
Boys Swimming Industrial Landscape WPA Mid 20th Century Social Realism Modernism Henry Schnakenberg (1982 - 1970) Boys Swimming Industrial Landscape 11 1/2 x 15 1/2 sight Oil on Canvas Signed lower left 14 1/2 x 18 1/2 inches, Framed Bio In many cases, American artists visited the Armory Show in New York in 1913, and returned to their studios to react to or against what they saw. However, for Henry Ernest Schnakenberg it was much more life altering. Prior to visiting this important exhibition of American and European modernist art...
Canvas, Oil
$600
H 16 in W 16 in D 1 in
Bluebird of Innocence Oil Painting on Cotton Canvas, American Modern
By Evy Olsen Halvorsen
Located in Kingston, WA
a reworking of a quieter image with the same child, but children aren't quiet and this needed more vitality, so I added more birds and flowers, anemones. I wanted to evoke an idyllic...
Cotton Canvas, Oil
$6,500
H 32 in W 32 in D 2.75 in
"The Champ, 1942" Joe Louis "Brown Bomber" Boxer Portrait Ex-Museum Oil Signed
Located in Yardley, PA
“The Champ, 1942” by Theodore Fried (1902-1980) This important portrait by Hungarian-American artist Theodore Fried depicts the legendary boxer Joe Louis aka “The Brown Bomber” and ...
Canvas, Oil, Board
$9,000
H 30.5 in W 35.5 in
"High Noon" James Goodwin McManus, Skyscape, Connecticut Landscape, Modernist
Located in New York, NY
James Goodwin McManus High Noon, circa 1935 Signed lower right Oil on canvas 25 x 30 inches Provenance Private Collection Ric Serrenho, North Granby, Connecticut (acquired from the above in 2004) James McManus...
Canvas, Oil
$8,750
H 30 in W 22 in
Ruth, American Modern Oil Painting on Canvas, Mid-20th Century, Signed
By Joseph Watson Little
Located in New York, NY
Joe Watson Little - (1915 - 1986) Had a considerable run for Hearst publications, doing covers and story arts from the 40s through the 60s. Also did PWPs (Post War Pulps) like Master...
Canvas, Oil
$8,000
H 30.5 in W 38.5 in
"Untitled" Albert Heckman, 1950s Modernist Abstracted Still Life Painting
By Albert Heckman
Located in New York, NY
Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...
Canvas, Oil
$10,000
H 30 in W 24 in D 0.75 in
"Nude No. 4" - Original Realist Nude - Black Woman Oil on Canvas by B. Krigstein
By Bernard Krigstein
Located in Carmel, CA
Bernard Krigstein (American, 1919-1990) "Nude No. 4" 1975 Oil paint and enamel on canvas, stretcher bars The artist signed the bottom left corner of ...
Enamel
$1,475
H 24 in W 28 in D 2 in
Antique American School Tropical Modernist Palm Tree Landscape Oil Painting
Located in Buffalo, NY
Antique American modernist tropical landscape oil painting. Oil on canvas. Framed. Measuring: 24 by 28 inches overall, and 20 by 24 painting alone.. In excellent original condition....
Oil, Canvas
$8,500
H 38 in W 48 in D 2 in
"War Brides, Wash Sq NYC" American Scene WWII Modernism WPA Mid-Century Oil
By Georgina Klitgaard
Located in New York, NY
"War Brides, Wash Sq NYC" American Scene WWII Modernism WPA Mid-Century Oil. 30 x 40 inches. Oil on canvas, c. 1942. Signed lower right. Titled on the stretcher. Housed in a sensational Heydenryk frame. Our gallery, Helicline Fine Art...
Canvas, Oil
An empty game. Oil on canvas, 42, 5 x 58, 5 cm
By Victor Karnauh
Located in Riga, LV
An empty game Oil on canvas, 42,5x58,5 cm
Oil, Canvas
The Market #2 - by Marc Zimmerman
By Marc Zimmerman
Located in Carmel, CA
The universal farmers market is bustling with action. Geometric stalls with intense color coupled with contrasting blue arches creates the dynamism in this work of art. The Market #...
Canvas, Oil
$895
H 34 in W 24 in D 2 in
Vintage Ballet Painting of Robert Joffrey in "Sea Shadows", Oil on Canvas
Located in Buffalo, NY
Vintage American ballet oil painting on canvas by artist Tina Mackler of Robert Joffrey performing "Sea Shadows". Signed. Framed. Measuring: 34 by 24 inches overall and 32 by 22 inch...
Canvas, Oil
Sold
H 34 in W 36.5 in
Mid Century Modernist Israeli 'Sabra in Haifa' Landscape Harbor Oil Painting
By Bacia Gordon
Located in Surfside, FL
Genre: Classic Subject: Portrait, Sabra in Haifa Medium: Oil Surface: Canvas Country: United States Bacia Gordon (1904-1977) came to the United States from Poland and studied at th...
Canvas, Oil
Portrait of an Israeli Boy
By Bacia Gordon
Located in Surfside, FL
Genre: Classic Subject: Portrait Medium: Oil Surface: Canvas Country: United States Dimensions: 21.25" x 18.25" Dimensions w/Frame: 28.75" x 25.75" Bacia Gordon (1904-1977) came to the United States from Poland and studied at the Art Institute of Chicago. She traveled widely the United States, Mexico, Europe, and Israel. She was a member of, and has exhibited with Artists Equity, Jewish Arts Club, the Renaissance Society of the University of Chicago, The Chicago Art Institute, and in Migdal Ashkalon, Israel. She was also a member of the Chicago Society of Artists. Her work is represented in many private collections in New York, Los Angeles, Detroit, Cleveland, St. Paul, Rockford, Milwaukee, and Chicago. Mrs. Gordon spent much time in Israel in the 1950s and 1960s, and most of the works in this web site reflect her stay there. The New York art critic, Alfred Werner, has said: “I find Mrs. Gordon’s freedom of paint aesthetically rewarding. She blends the reporter’s task of objectively recording appearance with the poet’s privilege of imprinting subjective reaction upon exterior reality... Here is the talent that often omits details, to let the spectator fill in, that prefers an allegorical hint to a straight tale, and that translates the strangeness of Maabaroth and Kibbutzim into terms of universally acceptable humanity” An Israeli critic has written of Mrs. Gordon : “The Jewish Daughter, born in Lithuania and reared in the United States, was stirred by the miracle of the Ingathering of the Exiles. The men, women and children she pictures thrill and pulsate with life because of her warm and loving brush.” "My first encounter with Israel in 1955 was inspiring and productive. It was a birds-eye view of the land and the people – the kibbutz, the village, the settlement, the Maabora, the Huleh project, Lachish at its inception, dedicated Israelis, new immigrants and the military of all ranks. I lived among people of many lands sketching and painting. I felt a great urgency to record and interpret. Working at an accelerated pace – line and color merged as I endeavored to express the universal qualities in these people. It was a tremendously stimulating experience and resulted in rechanneling my creative energy. I sketched and I wandered. I sketched in the Uval Gad where pipes are made to carry water to the Negev. I wandered among the bewildered white-robed bearded men of Morocco in Lachish… and among the older Yemenite settlements in Migdal Ashkalon. In Tiberias I saw people dressed in all garbs, the orthodox mantles of the polish ghetto and the oriental robes...
Canvas, Oil
Sold
H 34 in W 36.5 in
Mid Century Modernist Israeli 'Sabra in Haifa' Landscape Harbor Oil Painting
By Bacia Gordon
Located in Surfside, FL
Genre: Classic Subject: Portrait, Sabra in Haifa Medium: Oil Surface: Canvas Country: United States Bacia Gordon (1904-1977) came to the United States from Poland and studied at the Art Institute of Chicago. She traveled widely the United States, Mexico, Europe, and Israel. She was a member of, and has exhibited with Artists Equity, Jewish Arts Club, the Renaissance Society of the University of Chicago, The Chicago Art Institute, and in Migdal Ashkalon, Israel. She was also a member of the Chicago Society of Artists. Her work is represented in many private collections in New York, Los Angeles, Detroit, Cleveland, St. Paul, Rockford, Milwaukee, and Chicago. Mrs. Gordon spent much time in Israel in the 1950s and 1960s, and most of the works in this web site reflect her stay there. The New York art critic, Alfred Werner, has said: “I find Mrs. Gordon’s freedom of paint aesthetically rewarding. She blends the reporter’s task of objectively recording appearance with the poet’s privilege of imprinting subjective reaction upon exterior reality... Here is the talent that often omits details, to let the spectator fill in, that prefers an allegorical hint to a straight tale, and that translates the strangeness of Maabaroth and Kibbutzim into terms of universally acceptable humanity” An Israeli critic has written of Mrs. Gordon : “The Jewish Daughter, born in Lithuania and reared in the United States, was stirred by the miracle of the Ingathering of the Exiles. The men, women and children she pictures thrill and pulsate with life because of her warm and loving brush.” "My first encounter with Israel in 1955 was inspiring and productive. It was a birds-eye view of the land and the people – the kibbutz, the village, the settlement, the Maabora, the Huleh project, Lachish at its inception, dedicated Israelis, new immigrants and the military of all ranks. I lived among people of many lands sketching and painting. I felt a great urgency to record and interpret. Working at an accelerated pace – line and color merged as I endeavored to express the universal qualities in these people. It was a tremendously stimulating experience and resulted in rechanneling my creative energy. I sketched and I wandered. I sketched in the Uval Gad where pipes are made to carry water to the Negev. I wandered among the bewildered white-robed bearded men of Morocco in Lachish… and among the older Yemenite settlements in Migdal Ashkalon. In Tiberias I saw people dressed in all garbs, the orthodox mantles of the polish ghetto and the oriental robes...
Canvas, Oil
Portrait of an Israeli Boy
By Bacia Gordon
Located in Surfside, FL
Genre: Classic Subject: Portrait Medium: Oil Surface: Canvas Country: United States Dimensions: 21.25" x 18.25" Dimensions w/Frame: 28.75" x 25.75" Bacia Gordon (1904-1977) came to the United States from Poland and studied at the Art Institute of Chicago. She traveled widely the United States, Mexico, Europe, and Israel. She was a member of, and has exhibited with Artists Equity, Jewish Arts Club, the Renaissance Society of the University of Chicago, The Chicago Art Institute, and in Migdal Ashkalon, Israel. She was also a member of the Chicago Society of Artists. Her work is represented in many private collections in New York, Los Angeles, Detroit, Cleveland, St. Paul, Rockford, Milwaukee, and Chicago. Mrs. Gordon spent much time in Israel in the 1950s and 1960s, and most of the works in this web site reflect her stay there. The New York art critic, Alfred Werner, has said: “I find Mrs. Gordon’s freedom of paint aesthetically rewarding. She blends the reporter’s task of objectively recording appearance with the poet’s privilege of imprinting subjective reaction upon exterior reality... Here is the talent that often omits details, to let the spectator fill in, that prefers an allegorical hint to a straight tale, and that translates the strangeness of Maabaroth and Kibbutzim into terms of universally acceptable humanity” An Israeli critic has written of Mrs. Gordon : “The Jewish Daughter, born in Lithuania and reared in the United States, was stirred by the miracle of the Ingathering of the Exiles. The men, women and children she pictures thrill and pulsate with life because of her warm and loving brush.” "My first encounter with Israel in 1955 was inspiring and productive. It was a birds-eye view of the land and the people – the kibbutz, the village, the settlement, the Maabora, the Huleh project, Lachish at its inception, dedicated Israelis, new immigrants and the military of all ranks. I lived among people of many lands sketching and painting. I felt a great urgency to record and interpret. Working at an accelerated pace – line and color merged as I endeavored to express the universal qualities in these people. It was a tremendously stimulating experience and resulted in rechanneling my creative energy. I sketched and I wandered. I sketched in the Uval Gad where pipes are made to carry water to the Negev. I wandered among the bewildered white-robed bearded men of Morocco in Lachish… and among the older Yemenite settlements in Migdal Ashkalon. In Tiberias I saw people dressed in all garbs, the orthodox mantles of the polish ghetto and the oriental robes...
Canvas, Oil