Baurjan Aralov Paintings

Ksenya Istomina 'Midday Nap' 60 x 80 cm ( Frame is included in price, size framed in a black frame form the pictures is: Oil on linen, framed Painted after life, the artist always ...

Justin Wheatley's "Good Morning" is an original, handmade acrylic painting depicting a city scene with a basketball hoop. Justin Wheatley was born and raised in Clinton, Utah. He ho...

Irisha Pavlenko Nowhere to Hide 80 x 60 cm Oil on linen Russian-born artist Irisha Pavlenko has developed a distinctive figurative language in which portraiture, still life, memory,...

Ksenya Istomina – Waiting for a Miracle Oil on linen, 105 x 70 cm In Waiting for a Miracle, Ksenya Istomina captures a moment of quiet contemplation and anticipation. A young woman ...

Justin Wheatley was born and raised in Clinton, Utah. He holds a Bachelor of Fine Arts from Utah State University with an emphasis in drawing and painting, and a Masters of Arts fro...

A tall, fair-haired figure wrapped in a light blue towel stands on the bank of inviting, calm water. Dark green trees in a forest, and mountains in the dist...

Seaweed Goddess by Marc Zimmerman This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. ABOUT THE ARTIST Marc Zimmerman is a visionary artist whose creations embody a ...

Michael Tole says of his work… This work draws a connection between the didactic moralizing tendencies of Neo Classicism (represented in the style of the painting) and Modernism (represented in the architectural setting). Though modern art eschews the naturalistic imagery used by Neo Classicists, both movements pursued a self-important, austere, self-consciously masculine aesthetic that they saw as synonymous with virtue. Set in the MoMA courtyard, a passel of men lounge about, regarding a golden statue which looks terribly out of place in this modernist vitrine. The uncomfortable architectural setting, prisonlike and cold, provides a foil for the odalisque-like young men sprawled on hard stone benches and paying homage to the central idol. In my current work, The Revisionist Histories, I am writing letters to art history, literature, and mythology in an attempt to reflect the social changes that have reshaped our society over the past century.  As part of this agenda, I explore the evolution of gender norms, power dynamics, and representation within Western visual culture and what this implies for the negotiation between pleasure, justice, and our culturally specific discourse on beauty.    The seed for The Revisionist Histories was sewn when I caught a glimpse of my preteen daughters watching music videos on their iPad as I chopped veggies for dinner.  Out of the corner of my eye I caught glimpses of music videos featuring Beyonce, Taylor Swift, Ariana Grande, Katy Perry, and Doja Cat gyrating across the tiny screen.  A better parent might have snatched the iPad away, but I was overcome with hallucinatory visions of this pop diva...

Flip Gaasendam Dutch Cows on the Salt Marsh 75 x 120 cm Oil on Canvas This painting is framed (included in price) 80 x 125 cm This painting is made by Flip ...

In the summer of 2024, on the Eastern Shore of Maryland, a father and son reenacted a Civil War "stag dance" at the Kent Cultural Alliance in Chestertown. These all-male dances, wher...

Ksenya Istomina 'Watching her sketchbook'' 75 x 75 cm Oil on linen Painted after life, the artist always works with a real scenery. Her realistic but impressionistic paintings look...

Pepper is a stunning oil painting on linen of a close up of a woman's upper torso in a bralette. This piece is in Leigh Cunningham's signature style of blurry abstracted realism.

“Much like the human body, trees carry marks of time—scars, textures, and changes that reveal their history. For me, the older a tree is, the more interesting it becomes. Its bark is...

Oil paint on canvas Unique work Hand-signed by the artist Stéphane Fauchille, dream anthropologist “Would you, for a moment, like to become the Claude Lévi-Strauss of the aborigin...

The Space Between This work foregrounds negative space as an emotional register. The figure’s isolation is intensified by the surrounding darkness, which functions as both void and refuge. Hall’s mastery of chiaroscuro is evident in the way light traces bone and muscle while leaving the face partially obscured, denying easy access to the subject’s inner life. Nathan Brad Hall...