Bengt Lindström Wall Decorations

Op Art serigraph from Hungarian/French artist Victor Vasarely, signed in lower corner and numbered 32/250. The original work is professionally framed in a matte brushed aluminum frame.

Advertising poster for an event featuring "cancan dancers" with printed event information and a well-staged dancer in motion with her petticoat billowing....

Max Bill (1908-1994) Geneva Museum exhibition serigraph, created to accompany the exhibition of works by Max Bill held from 6 April through 30 April 1972 at the Musee Rath in Geneva,...

Gaston Sebire French, 1920-2002 Landscape with figures Oil on canvas 31 by 41 ½ in. With frame 38 by 48 ½ in. Signed lower right Gaston Sebire (1920 – 2002) Gaston Sebire, was one of Europe’s leading landscapists, was born in the village of Saint-Samson in Normandy in 1920. A self taught artist, he began to paint seriously at the age of eighteen. For eight years he worked as a postal clerk in the Rouen, sorting letters at night in order to support his career as a painter. In 1952 Gaston Sebire had his first exhibition at the Galerie Gosselin in Paris. The following years he enjoyed the double triumph of winning both the coveted Prix de la Critique and the Prix Casa Velasquez. The Latter award made it possible for him to spend a year and a half in Spain. Of this formative period he said, “They were my first, wonderful years without worry. For fifteen years I had never known what the next day would bring.” The year 1957 marked another important stage in his career. His painting “La Dinde” won the Greenshields Prize in a field of 136 competitors, making it possible for him to paint for another two years without the worry of finances. Winning the awards naturally drew public attention to the artist from Normandy, and his works were presented in highly successful one-man shows in Paris. Sebire was a Norman, a man strongly attached to the soil, and after his exhibitions in Paris, he returned to Rouen to his large house overlooking the town and once again plunged into painting the countryside. Gaston Sebire was a strongly built man with square hands and a rather heavy walk. He had immense vitality, and used that to his advantage.  As he said of himself, “When the snow falls, I can’t stay indoors. I set out with my paint box. I paint outdoors from nine in the morning until five at night. If it were only a question of money, one could just as well paint in one’s own room.” But Sebire went into the countryside, or into the village, and sets up his easel. When there is a café into which people are going; there is a fence, a telegraph pole, a few buildings in the background. The scene takes on life, vivid life, with a sense of some event about to take place in the scene. Like many artists, and like a typical Norman, Sebire was silent and solitary by nature, with a personality as strong and Frank as his paintings. A painting, he says, “must have an element of mystery, show an effort to look beyond the aura surface of things.” Sebire’s early paintings were somber with much use of black and white tones. In 1970 he turned to colour. The subtle light of the Normandy skies; the shifting light and color along the seacoast; the magnificent blues of the Rouen pottery...

Wonderful vintage 1980s US poster from for Marvel's Captain America. Super design and very cool. This vintage poster have been professionally cleaned, de-acidified and linen-backed ...

Sicilian glazed terracotta wall decoration, Italy, 1980s Reproduced a shovel of prickly pears. It is in excellent condition.

Carborundum Etching with collage by James Coignard ( France 1925-2008). Signed and numbered 2/75. Framed . Dimension with out frame 29" x 23".

Victor Vasarely (French/Hungarian, 1906-1997) Serigraph In Colors On Wove Paper, C. 1975, Chess, H 29'' W 29'' Signed in pencil and numbered 279/300. Organic surrealist forms on a c...

Very decorative pair of geometric midcentury gouaches circa 1980s by a North East Artist. These have a great visual impact created in a strong primary palette and are incredibly visu...

1960s Swedish abstract oil on canvas. Painted by Bengt Ossler (1932-1998) Swedish artist Ossler was self-taught and his work is in the collection of Museum of Modern Art in Stockhol...

" Diagonales Violettes", large carborundum etching with emboss by James Coignard ( 1925-2008). France. Signed and numbered. Framed. Dimensions; 30'x23" ( framed 37"x30").

Oil on canvas. Signed. Provenance: Bo Mattssons collection, Malmö. W: 66,6 cm/ 2' 2 1/5" H: 56 cm/ 1' 10" D 2,7 cm cm/ 1"