Bernhard Quade Landscape Photography

Signed large scale photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large format camera to allow epic scale print sizes with incredible image details Marmo di Carrara...

Edition 12 additional sizes on request A young hunter of the Hadza tribe at the Lake Eyasie in Tanzania is going to hunt with his dog. The picture was made in the evening hours shor...

Maggie Taylor creates evocative single-scene narratives in her whimsical and often elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objec...

28"x42" photograph, edition of 5 signed on reverse. In this photograph by Zoe Wetheral, a curved line of bushes separates finely mowed grass from a dense blue water, carefully mani...

Nature paints the horizon with a lively yellow field and a busting blue sky... Inspired by David Hockney's seminal work 'The Arrival of Spring', as well as Van Gogh's picturesque ru...

New York City based travel, wildlife and street photographer Viet Chu, captured this magical golden shot of surfers surfing through the wild waves of oc...

Untitled (Nr. 1009) Photography 18" x 24" Edition 2/20 by Ben Cope Unframed - ships rolled in a tube Signed and numbered by the artist. Comes with COA issued by the artist. Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul...

Tom Hegen provides with his aerial photographs an overview of places where the relationship between humans and nature becomes visible. Often choosing dramati...

Archival pigment print Signed and numbered, verso 11 x 16.5 inches (Edition of 15) 24 x 36 inches (Edition of 10) 40 x 60 inches (Edition of 7) This photograph is offered by Clamp...

This fine print features a blue hazy close up shot of the Blue pond, man-made pond in Biei, Hokkaido, Japan. It is the result of works on the Biei River, carried out after the 1988 e...

Archival pigment print Signed, titled, dated, and numbered, verso 20 x 24 inches (Edition of 10) 30 x 36 inches (Edition of 5) 40 x 48 inches (Edition of 5) This artwork is offer...

North Texas: Plowed Field, Patricia by Peter Brown presents a sublime scene. The plowed, warm toned dirt stretches far into the horizon, leading to the bright blue sky. Lush green grass frames the edge of the soil. Archival Pigment Print Image size: 19.25 x 24 in. Paper size: 22 x 26 inches. Edition of 25. Signed and numbered in black ink on print margin by Peter Brown. From Peter Brown's series, Hometown Texas. Available in additional sizes, limited to a single edition of 25 prints: 11 x 14 in. $1400 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...