Blair Hughes-Stanton was the only son of a successful landscape painter, Sir Herbert Hughes-Stanton. He had little formal education, joining a cadet school ship at the age of 13. As an artist, he trained at the Byam Shaw School of Art, where he was greatly influenced by Leon Underwood. In 1921, he moved to Underwood’s new school in Hammersmith and when Underwood went to America in 1925, Hughes-Stanton was left in charge of the school. Although he continued to paint and draw, he soon gained a reputation for his wood-engravings. Hughes-Stanton's first published works were illustrations to T.E. Lawrence’s The Seven Pillar’s of Wisdom, 1926. He married Gertrude Hermes, a well known British printmaker, in the same year. Much of Hughes-Stanton’s subsequent work was in the form of illustrations for private press books, first with the Cressent and Golden Cockerel Presses and then, from 1930–33, for the Gregynog Press in Wales. Between 1928–30, he was closely associated with D.H. Lawrence and illustrated several of his books. It was partly in response to the philosophy of these novels and partly to his new affair with Ida Graves that he created the overtly sexual iconography that marks the prints of this period. In 1933–36, he established Gemini Press, with the backing of Robert Sainsbury, but by 1935, the Depression had put an end to commissions for illustrative works, and he returned to the single sheet print. Hughes-Stanton's prints of the later 1930s are notable in their concern with modernist abstraction. He won an international prize for engraving at the Venice Biennale in 1938. During World War II, he worked in camouflage with the Royal Engineers, after which he was sent to Greece, where he was captured, became a PoW, and was shot in the face. Following the war, commissions for private press books dried up, and his war wound seriously affected his three-dimensional vision. He found work teaching at Westminster School of Art 1947–48, and from 1948 Hughes-Stanton was a lecturer in printmaking and drawing at the Society of Wood Engravers, St. Martins and the Central School of Art. He later lived in Manningtree, Essex.
$19,462Sale Price|20% Off
Myth III - British 1936 Modern art tempera painting Ida Graves poet family
By Blair Hughes-Stanton
Located in Hagley, England
This superb British 1930's modern art tempera painting is by noted interwar artist Blair Hughes-Stanton. Painted in 1936 it is part of the myth se...
Egg Tempera
Blair Hughes-Stanton 'Reclining Nude' abstract oil painting British Surrealism
By Blair Hughes-Stanton
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Blair Hughes-Stanton (1902-1981) Reclining Nude, c. 1936 Tempera on canvas 76.5 x 102 cm Signed lower right 'Blair H S'. Provenance: The estate of the artist. A magnificent abstract nude rendered in a dynamic colour palette. This is probably Hughes-Stanton's most important work, and belongs to the nation's great, if brief, period of British Surrealism. The three major elements are distinct: the pastel tones of the window view and wall, the sensual curvatures of the pale nude, and the bold foreground featuring a fantastically accomplished still life of a fruit bowl (which could be a painting in and of itself) and the impressively phallic chair back. This is a brilliant example of erotic modernist abstraction. Blair Hughes-Stanton, son of the artist Sir Herbert Hughes-Stanton, was a noted British artist of the interwar period. At the age of 13 he joined the Royal Navy training ship HMS Coway, but at 19 - advised by his father - he abandoned the sea for his paintbox. He studied art at Byam Shaw School (1919-1922) where he was influenced by Leon Underwood (who was a major influence throughout his studying), Royal Academy Schools (1922-23), and Leon Underwood's School (1923-25). He was celebrated mostly for his skills as an engraver, and was a founding member of the English Wood Engraving Society when it was established in 1925. His first wife was the printmaker Gertrude Hermes...
Canvas, Tempera
$2,556
H 15.36 in W 10.63 in D 0.99 in
Virgin of Kataphyge and St. John, after a Byzantine Bulgarian Icon 14th Century
Located in Segovia, ES
The Virgin of Kataphyge with Saint John the Evangelist, after a Bulgarian Byzantine icon of the 14th Century. Egg tempera and gold leaf on gesso and wood. Author: Oliver Samsinger...
Gold Leaf
$6,000
H 52.5 in W 40.5 in D 1.5 in
"Modernist Nude" Mid Century Bold Colorful Abstract Nude Painting Oil on Canvas
Located in New York, NY
A strong modernist oil painting depicted in the 1950s by Russian, American painter Helen Stein. Mostly known for her abstract figures on canvas, this piece...
Canvas, Oil
$2,676Sale Price|20% Off
H 16.54 in W 13.39 in D 0.79 in
Icon of Our Lady of Jerusalem with oklad by Oliver Samsinger
Located in Segovia, ES
Icon of Our Lady of Jerusalem. Egg tempera on gesso and over a wooden board. Dimensions in centimeters: 42 x 34 x 2 cm / In inches: 16.54 x 13-39 x 0-79 " Author: Oliver Samsinger...
Brass
$2,680
H 49.5 in W 35 in D 1 in
A Large, Impressive Painting of a Standing Female Nude by Artist Francis Chapin
By Francis Chapin
Located in Chicago, IL
A large, impressive 1930s painting of standing female nude by notable Chicago Modern artist Francis Chapin, in a gold-toned frame. Artwork size: 43 3/4 x 29 3/4 inches; Framed siz...
Canvas, Oil
$760Sale Price|20% Off
H 17.75 in W 24 in D 0.25 in
Modernist Reclining Female Nude Figurative
Located in Soquel, CA
Modernist reclining female nude figurative painting by an unknown artist (American, 20th Century). This vivid late 20th-century figural piece featur...
Masonite, Tempera
$1,208Sale Price|33% Off
H 11.82 in W 10.04 in D 0.79 in
Saint Nicolas in the style of Russian icons of the 18th century. With Oklad
Located in Segovia, ES
Icono of Saint Nicolas in the style of Russian icons of the 18th century. Egg tempera and gesso on wood, covered by a metal oklad made by the artist himself. The oklad, in principle, were made to cover damaged parts of highly revered ancient icons...
Gesso, Wood, Egg Tempera
$1,800
H 30 in W 23 in D 2 in
A 1940s Painting of a Seated Female Nude in Summer Landscape, Ox-Bow School
By Francis Chapin
Located in Chicago, IL
A beautiful 1940s painting of a seated female nude in a summer landscape by renowned Chicago artist, Francis Chapin (Am. 1899-1965). Painted at the Oxbow School in Saugatuck, Michig...
Canvas, Oil
$2,091
H 25.2 in W 11.42 in D 1.78 in
The archangel Saint Michael, after an icon of the 14th century
Located in Segovia, ES
Archangel Saint Michael after an icon from Constantinople of the 14th Century. Artist: Oliver Samsinger Technique: Egg tempera on gesso and wood, with application of gold leaf Dimens...
Gold Leaf
$1,975
H 16.93 in W 11.42 in D 1.38 in
Christ Pantocrator (Open Book) – Byzantine Icon, Egg Tempera & 24K Gold
By Oliver Samsinger
Located in Segovia, ES
Christ Pantocrator (Open Book) Artist: Oliver Samsinger. Technique: Egg tempera on gesso and wood, with 24‑karat gold leaf. Dimensions: 43 × 29 × 3.5 cm. Description of the Work Th...
Gold Leaf
$3,067Sale Price|20% Off
H 21.26 in W 15.36 in D 0.79 in
Christ, the Great High Priest. Greek-Italian style Icon with silver oklad
Located in Segovia, ES
Christ, the Great High Priest. Greek-Italian style Icon with silver filigreed oklad. Egg tempera, over gesso on wood with a silver cover, "oklad", with pol...
Silver
$987
H 31.89 in W 21.26 in D 0.04 in
The Couple - Oil Paint attr. Edgar Stoebel - Mid-20th Century
By Edgar Stoëbel
Located in Roma, IT
The couple is an artwork attribuited to Edgar Stoebel (1909-2001). 81 x 54 cm; no frame. Oil painting on canvas. Good conditions!
Canvas, Oil
$755
H 10.44 in W 9.26 in D 1.19 in
Icon of The Holy Virgin of Tenderness (Korsunskaya).
Located in Segovia, ES
Icon of THE KORSUN VIRGIN (KORSUNSKAYA), egg tempera, and gold leave on gesso, over a piece of wood. Dimensions: (H) 26.5 x (W) 23.5 x (D) 3 cm. Also called The Holy Virgin of Tenderness, represents the Mother of God and infant Christ in a tender cheek-to-cheek embrace. The Virgin's hands tenderly surround the head and hands of the Child Jesus while he takes the cloak of the Mother of God with his left hand and plays with the fingers of his right hand, between his mother's neck and his own. Two very old icons, from the 12th and 13th Centuries, painted on the same theme, are respectively in the Uspenskii Cathedral in Moscow and in the Russian Museum in St. Petersburg. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterward, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold. Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...
Gold Leaf