Bozhena Fuchs Paintings

A Scottish Glasgow School Abstract Expressionist mixed media painting by Grant McTavish. The work is signed and dated bottom right and is resigned and dedicated to the backboard. The...

Embudo, Acrylic on Canvas. In good condition measures 42x42

Untitled Abstract Expressionist painting, 1957 Oil on canvas measuring 18 x 30 inches. Signed with monogram and dated lower right. Two repair patches on back on painting. Artist...

Known to his contemporaries as “Fred,” the junior Herring painted farm and equestrian scenes similar in subject matter and style to those of his father. His paintings are chiefly dis...

River Lagoon with a “Carmel Meadows” free bluff in the background by Alfred Schroff (American, 1863-1939). An exceptional painting with distinct brushwork of the Carmel River mouth, ...

**"The Flamenco" (Flamenco Dancer in an Interior)** James Durden (British, 1878–1964) Oil on canvas, 36 × 30 inches (42½ × 36 inches framed) Signed Lower Right A luminous and masterfully composed interior scene, this large-scale oil on canvas ranks among Durden's most ambitious and captivating works. A flamenco dancer, dressed in a richly tiered pink and green ruffled skirt, dark beaded bodice, and red hair ornament, stands with hands on hips in a moment of quiet confidence — poised between performance and repose. Her dark-eyed gaze is directed toward the light-flooded window, creating a compelling sense of psychological presence. The room itself is a tour de force of English interior painting: a crystal chandelier catches the diffused afternoon light filtering through gauze curtains; a gateleg table set with green-trimmed porcelain and a vase of pink hydrangeas anchors the foreground; a gilded Oriental screen glows warmly behind a teal wingback...

A New York City winter steet scene (possibly Madison Ave?) by American Impressionist, Kenneth Frazier (1867 - 1949). This oil painting on panel measur...

Summer Fields Farm oil on canvas/panel 10 x 15 image size unframed, 13.25 x 18.25 x 1.25 framed signed LR Summer Fields Farm is a beautiful impressionistic landscape oil painting cre...

An exceptional, early work by important Connecticut-based artist Clifford Mitchell, Jr. (1925-2005). This fantastic abstract expressionist compositi...

This richly detailed acrylic composition by François Arnal reflects the artist’s fascination with symbolic form, texture, and visual rhythm during the formative years of postwar abst...

Colorful Modernist Portrait of Two Women in a Mediterranean Interior Artist: Miquel Torner de Semir Title: Two Women in a Mediterranean Interior Medium: Oil and mixed media on canvas Dimensions: 54 × 65 cm / 21.26 × 25.59 in Orientation: Landscape Signature: Signed lower right Frame: Unframed Country of origin: Spain Period: Late 20th century Style: Modernist, Figurative, Neo-Expressionist Subject: Female figures, portraiture, interior scene, Mediterranean landscape Condition: Good vintage condition. The surface presents pronounced impasto, visible texture and intentional irregularities characteristic of the artist’s technique. Description A vibrant and highly decorative modern figurative painting by Catalan artist Miquel Torner de Semir, depicting two stylized women within a richly textured Mediterranean interior. The composition presents one standing woman dressed in vivid red, holding a small turquoise object, while a second female figure appears in profile in the foreground. Their pale faces, large expressive eyes, elongated necks and carefully arranged hairstyles create the enigmatic, timeless presence that defines Torner de Semir’s most recognizable paintings. Behind the figures, the artist constructs a fragmented interior through architectural forms, dark window-like structures and a distant view of white Mediterranean buildings beneath an intense blue sky. The result combines female portraiture, interior painting and Mediterranean landscape within a single layered composition. Strong black outlines organize the scene into flattened areas of cobalt blue, crimson red, turquoise, ochre, brown and violet. Thick impasto, graphic marks and collage-like passages give the canvas a tactile, almost sculptural surface. The contrast between the monumental figures and the abstracted background creates both decorative impact and psychological tension. The painting reflects Torner de Semir’s fascination with Catalan Romanesque frescoes, Gothic portraiture, early Renaissance painting and modern European figuration. The frontal poses, hieratic expressions and simplified forms recall medieval religious imagery, transformed here into a colorful and unmistakably contemporary vision of Mediterranean womanhood. A particularly representative example of the artist’s mature figurative language, combining expressive female portraiture, bold color, textured surfaces and a sophisticated Mediterranean atmosphere. Its compact dimensions and strong visual presence make it especially suitable for a modern interior, eclectic collection or gallery wall. About the artist Miquel Torner de Semir was born in Santa Pau, Girona, in 1938. He studied at the Sant Jordi School of Fine Arts in Barcelona and continued his artistic education at the San Fernando School of Fine Arts in Madrid. He was also a pupil of Catalan muralist, engraver and illustrator Ricard Marlet. Torner de Semir developed a deeply personal figurative style rooted in the visual traditions of Catalonia and the wider Mediterranean world. His work draws inspiration from Romanesque mural painting, Gothic art, Italian primitive painters, Renaissance portraiture and the major European artistic movements of the 20th century. He is especially known for his stylized female figures, characterized by almond-shaped eyes, elongated necks, strongly outlined features and elaborate hairstyles. These mysterious women often inhabit imaginary interiors, theatrical settings or fragmented Mediterranean landscapes. His compositions combine flattened perspective, saturated color and heavily worked surfaces. Through the use of impasto, graphic lines and collage-like textures, Torner de Semir gives his paintings an almost architectural construction. His figures appear simultaneously ancient and modern, combining the solemnity of medieval icons with the expressive freedom of modern figurative art. He held his first solo exhibition in Terrassa in 1968 and subsequently exhibited extensively in Spain and abroad, including France, other European countries, the United States and Japan. His distinctive female portraits and Mediterranean compositions have made his work highly recognizable among collectors of Catalan and Spanish modern art. Pictorial inspiration The composition evokes the expressive female figures of Pablo Picasso, the chromatic intensity and decorative freedom of Henri Matisse, the poetic atmosphere of Marc Chagall, the elongated elegance of Amedeo Modigliani and the simplified, sculptural forms of Paul Gauguin. Its bold outlines, flattened perspective and Mediterranean palette also connect the work with modern European figurative painting and the tradition of Catalan Romanesque art. Colorful modernist painting, female portrait painting, two women painting...

This work is a continuation of the series "Grasses", but I expressed my creative search with an experiment and tried a new colors for me - gray and purple . This colors for me is the...