Candice Eisenfeld Landscape Paintings

Artist Comments
Power lines extend into the fog, creating a quiet landscape that merges the chaos of human creation and the calmness of nature. Isolated from the noise of the modern world and moments of reflection, utility poles support the electrical veins of society within a calm, natural setting. Opposite realities can coexist, creating beauty in the spaces where they meet. The artwork has a matte, low-sheen finish, which allows clear viewing in various lighting conditions.

About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art...

Artist Comments
Candice was deeply inspired after a visit to Yellowstone National Park. The central landscape image was created using a photographic transfer method while the landscapes on either side were created with paint applications. "The abstracted compositional areas serve as windows or doors to memories, to secrets, to hidden worlds," Candice says.

About the Artist

Words that describe this painting: forest, pine trees, hudson river school, lock and key...

Artist Comments
Artist Candice Eisenfeld draws inspiration from the silhouetted trees of the rainforests of Northern Georgia. "One early morning as the fog was clearing, a hawk guided me through the mountains," shares Candice. "The hawk led me through ethereal, meditative places with overwhelming beauty." She took photographs of her journey and painted her experiences of the adventure. "The bottom image depicts the rough, beginning of the journey and the scene portrays the ending. The rough, orange texture denotes the bark of the trees."

About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest...

Artist Comments
A sophisticated, dreamlike view of divergent paths one can take. The middle path appearing as a painting within a painting...