Carmelo Cappello Art

Brice Marden Distant Muses 2000 Screenprint 23 1/2 x 19 1/8 inches; 60 x 49 cm Edition of 300 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks...

Medium: Print Condition Print in good condition and has been stored flat since purchase. Signature Hand-signed by artist, Hand Signed and Numbered by the Artist in Pencil, CB HOYO. ...

Posture (2022) by Julien Guarneri Sanded stainless steel sculpture, 42 × 11 × 13 cm / 16.5 × 4.3 × 5.1 in. (Can be produced on a monumental scale - contact us for further information...

Delphine Brabant: Union VI, Bronze, 2025 25 × 7 × 6 cm / 9.8 × 2.8 × 2.4 in 5 kg / 11 lbs Edition of 8 + 4 Artist's Proofs Union VI, Bronze is a sculpture by contemporary French art...

Anamorphose II is a unique sculpture by French contemporary artist Frédérique Domergue. This piece is made with oak wood clad in patinated bronze. Dimensions are 43.3 × 11.4 × 4.7 in...

Agitation évolution inox (2024) by Julien Guarneri Stainless steel sculpture, 22 × 32 × 12 cm / 8.7 × 12.6 × 4.7 in. (Can be produced on a monumental scale - contact us for further i...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

Noise (Vacarme, 2024) by Julien Guarneri Stainless steel sculpture, 44 × 11 × 20 cm / 17.3 × 4.3 × 7.9 in. (Can be produced on a monumental scale - contact us for further information...

Glenn Ligon Study After "One Black Day", 2018 Silkscreen, collage, ink, marker, and pencil on paper 24 x 38 inches Signed recto

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this bright yellow, red, ...

Juste Milieu (2022) by Julien Guarneri Sanded stainless steel sculpture, 42 x 22 × 14 cm / 16.5 × 8.7 × 5.5 in. (Can be produced on a monumental scale - contact us for further inform...

Silence I’m making noise (Silence je fais du bruit, 2021) by Julien Guarneri Stainless steel sculpture, 315 × 430 × 106 cm / 124 × 169.3 × 41.7 in. For Julien Guarneri, creating monu...

This contemporary abstract outdoor steel sculpture represents a male figure. Ferhat Özgür Görel’s dynamic sculptural work has been showcased in thirteen different countries. The Geo...

Repetition (2022) by Julien Guarneri Stainless steel and raw waxed steel sculpture, 42 × 10 × 13 cm / 16.5 × 3.9 × 5.1 in. (Can be produced on a monumental scale - contact us for fur...

Nando Kallweit’s "Amici V" is a contemporary bronze sculpture that captures the essence of unity and connection through its strikingly elongated abstract forms. This modern figurative artwork features three faceless figures standing tall together, their textured surfaces and slender silhouettes evoking a sense of strength and harmony. The interplay of light and shadow on the dark patina enhances the sculpture’s expressive depth, making it a sophisticated addition to minimalist, abstract, and contemporary art collections. Amici V symbolizes companionship, resilience, and shared experiences, resonating deeply with collectors who appreciate art that conveys emotion through form. German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the strength of ancient Egyptian sculptures...