Casa e Giardino Side Chairs

Splendid and rare Cesare Lacca slipper chair in Faux fur and dark blue Satin, manufactured by Casa and Giardino, the famed Interiors store owned by Fede Cheti. Italy 1950s Referenc...

"Fireside" Chair Gio Ponti Manufactured for Casa E Giardino Milan, Italy 1930's Rush Seat with Oak of Beech Wood Frame. "Chair is in good "original" as foundation condition. Chair...

A Pair of Italian Mid-Century Side Chairs or fireside chairs with a structure in black lacquered beech wood and a seat in hand-woven rush. This iconic fireside chair was designed by ...

Black fireside chair by Gio Ponti for Casa E Giardino , Italy. Wood High back ladder chair with rush seating . Marked Made in Italy. If you are in the New Jersey, New York City Metro...

A fireside chair with a structure in black lacquered beech wood and a seat in hand-woven rush. This iconic fireside chair was designed by Gio Ponti in 1939 and produced by Casa & Giardino during the 1950s. The peculiar look of this chair is due especially to the high sculptural back, which presents beautifully carved details and a rustic seat in a natural hand-woven rush. Literature: Domus n. 143, November 1939, pag. 60. Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in fine furniture and ceramics, education, office and residential buildings, and everything in between. Giovanni, known as Gio Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to an end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini...