The work of American realist painter and illustrator Charles Edward Chambers is characterized by such an exceptional mastery of color and composition that, in his day, his refined figurative paintings may have fooled collectors into thinking he was a graduate of the Académie des Beaux-Arts.
Born in 1883 in Ottumwa, Iowa, Chambers studied at the School of the Art Institute of Chicago and the Art Students League of New York under Canadian-American painter George Bridgman. Another of his teachers was illustrator Fanny Munsell (later his wife), who influenced his style and technique. Munsell secured illustration work for a range of magazines, including Cosmopolitan and Women’s Home Companion, before she died in 1920.
Chambers learned to modify his painting technique so that his work was primed for reproduction on a mass scale. He gained recognition as a classical figurative painter and illustrator during World War I when, in 1917, he illustrated a well-known poster for the U.S. Food Administration titled Food Will Win The War. He was also a regular contributor as an illustrator at the time to Harper’s Monthly and created covers for Redbook magazine.
Throughout the 1920s and 1930s, Chambers kept busy with editorial assignments and advertising campaigns. While it’s true that Art Nouveau posters were plastered everywhere along the streets of Paris during the early years of the Belle Époque, poster art continued to remain very relevant in the Art Deco years, too. While creating illustrations for authors such as Pearl Buck, W. Somerset Maugham, Faith Baldwin and Louis Bromfield, Chambers earned advertising commissions from the decades’ prominent companies and brands. These included painting portraits of famous musicians Sergei Rachmaninoff, Alfred Cortot and Ignacy Jan Paderewski for Steinway & Sons and designing billboard ads and posters for cigarette company Chesterfield and soap manufacturer Palmolive.
Today, Chambers’s works remain favorites among collectors of vintage 20th-century art.
Find original Charles Edward Chambers paintings and prints on 1stDibs.
Story illustration for “Appearance and Reality” by Somerset Maugham
By Charles E. Chambers
Located in Fort Washington, PA
Story illustration for “Appearance and Reality” by W. Somerset Maugham, published in Cosmopolitan, November 1934, pages 22-23. Described as "A masterfully witty story of manners and...
Canvas, Oil
$14,800Sale Price|20% Off
“I was playing Chopin, with an ache in my heart.” Illustration for Harper’s Mag
By Charles E. Chambers
Located in Fort Washington, PA
Story illustration for “The High Cost of Conscience” by Beatrice Witt Ravenel for Harper’s Magazine, published January 1919. Year: 1918 Dimensions: 30.00" x 21.00", Framed 35.5" x ...
Canvas, Oil
Brooklyn Blue Sky
By Tom Irizarry Studio
Located in Booklyn, NY
One calm evening in Brooklyn. One timeless painting. This scene captures the downtown Brooklyn skyline. A blue sky swirls around the last hurrah of daylight. It soothes the menacing drama of the storm cloud. Brooklyn Blue Sky...
Oil, Other Medium, Cotton Canvas, Pigment
$1,250
H 17 in W 25 in D 2 in
Vintage Oil Painting "Strings and Brass" Symphony Oil Painting c.1989
Located in San Francisco, CA
Vintage Oil Painting "Strings and Brass" Symphony Oil Painting c.1989 Original oil on canvas Canvas dimensions 24" wide x 16" high The simple maple frame measures 25" wide x 17" h...
Canvas, Oil
$6,500
H 22 in W 24 in
Still Life with Grapes, Realist Oil on Canvas, Framed, Circa 1880
By Morston Constantine Ream
Located in Philadelphia, PA
Morston Constantine Ream (American, 1840-1898) Grapes Oil on canvas, 10 x 12 inches Framed: 22 x 24 inches (approx.) Signed at lower right: “Morston Ream” The still-life painter Mor...
Canvas, Oil
$1,435Sale Price|40% Off
H 39.38 in W 31.89 in
The Billiard Player oil on canvas painting
By Fernando Botero
Located in Sitges, Barcelona
Title: The Billiard Player Artist: Anonymous Technique: Oil on canvas Dimensions: 39.4 x 31.9 in Period: c. 2000 Condition: Good Art Movement: Contemporary Figurativism, Neofiguratio...
Canvas, Oil
Monk in a Monastic Cell, Roma, Italy
Located in Stockholm, SE
Egron Lundgren (1815–1875) Monk in a Monastic Cell signed and dated Egron Lundgren Rom 1848 oil on relined canvas unframed 62 x 50 cm (24 ½ x 19 ¾ in.) framed 79 x 68 cm (31 x 26 ¾...
Canvas, Oil
$4,950
H 34 in W 42 in D 2 in
“Still Life, 1936” by Katharine "Kitty" Duff Church British Modern Oil Signed
Located in Yardley, PA
“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...
Canvas, Oil
$450
H 12 in W 10 in D 1 in
Heritage 5 - 21st Century Contemporary, Figurative Portrait, African Woman Hair
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Arobieke Tomiwa...
Canvas, Oil, Acrylic
$2,500
H 33.75 in W 41.75 in
Still Life with Decanter by Philadelphia Artist Larry Day, 1962
Located in Philadelphia, PA
Larry Day (American, 1921-1998) Still Life with Decanter Oil on canvas, 33 3/4 x 41 3/ 4 inches FRAMED: 41 x 49 inches (approx.) Signed at lower right: “Day” Exhibition label on str...
Canvas, Oil
$6,579
H 15.36 in W 20.08 in
Assassination of Clarence in the Tower; Scene from Richard III, Act I, Sc. 4
Located in Stockholm, SE
Egron Sellif Lundgren (Stockholm 1815–1875 Stockholm) The assassination of George, Duke of Clarence in the Tower of London; A Scene from Shakespeare’s Richard III (Act I, scene 4) ...
Canvas, Oil
Composition
Located in PARIS, FR
Signed by the artist, lower left. This expressive painting by Erald Alentar is characterized by a dense, tactile surface and a rich, earthy palette dominated by deep greens, browns,...
Canvas, Oil
$5,682
H 40.16 in W 27.96 in D 1.19 in
Oil On Canvas Still Life With Flowers And Japanese Satsuma Porcelain
Located in Gavere, BE
"Oil On Canvas Still Life With Flowers And Japanese Satsuma Porcelain" Painting very rich in colors with beautiful dimensions The whole sold with a sublime frame in perfect condition...
Canvas, Oil
Blacksmith (Untitled)
By Erle Loran
Located in Los Angeles, CA
Blacksmith (Untitled), 1936, oil on canvas, signed and dated lower right, 28 x 30 inches Erle Loran was an influential American painter, art historian, and educator, renowned for h...
Canvas, Oil
Elderly Couple
By Charles E. Chambers
Located in Fort Washington, PA
Signature: Signed Lower Left Framed: 36.00" x 41.00"
Canvas, Oil