Craig Bassam Furniture

Since debuting at the Milan furniture fair in 2003, the BassamFellows Tractor stool has become a bona fide modern icon. From the outset, it has proven to be a piece of infinite varie...

We are delighted to offer extremely rare and important pair of fully restored, original, Herman Miller No1 & Herman Miller Hillie circa 1958-1960 black leather and Rosewood lounge armchairs and ottomans These are pretty much the most iconic and well known armchair and ottoman ever made, exhibited countless times, displayed in the V&A, Metropolitan Museum of Art, winners of countless awards these are the simply put the finest suite around They have been on a journey, I’ve had all pieces stripped to the bare shells, the frames have been washed back and traditionally French polished, the leather all restored and hand dyed the original nero black, they are the finest example pair anywhere in the world today One suite has the black Herman Miller No1 label, the other, the earlier redish Herman Miller Hillie label Condition wise, the restoration has been done in such a way to keep all the original charm and patina but make them gallery ready, they will have age and use related patina marks here and there but mostly they are in very fine order Dimensions armchairs Height:- 80.5cm Width:- 85cm Depth:- 86.5cm Seat height:- 41cm Dimensions ottomans Height:- 42cm Width:- 65.5cm Depth:- 53.5cm Please note all measurements are taken at the widest point, MUST READ! The Eames Lounge Chair and ottoman are furnishings made of molded plywood and leather, designed by Charles and Ray Eames for the Herman Miller furniture company. They are officially titled Eames Lounge ( 670 ) and Ottoman ( 671 ) and were released in 1956 after years of development by designers. It was the first chair that the Eameses designed for a high-end market. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art. Design Charles and Ray Eames sought to develop furniture that could be mass-produced and affordable, with the exception of the Eames Lounge Chair. This luxury item was inspired by the traditional English club chair. The Eames Lounge Chair is an icon of Modern style design, although when it was first made, Ray Eames remarked in a letter to Charles that the chair looked "comfortable and un-designy". Charles's vision was for a chair with "the warm, receptive look of a well-used first baseman's mitt." The chair is composed of three curved plywood shells covered with veneer: the headrest, the backrest and the seat. The layers are glued together and shaped under heat and pressure. The shells and the seat cushions are essentially of the same shape, and composed of two curved forms interlocking to form a solid mass. The chair back and headrest are identical in proportion, as are the seat and the ottoman. The products have changed in various ways over time. Beginning in 1956 and running through the very early 1990s, the shells were made up of five thin layers of plywood which were covered by a veneer of Brazilian rosewood. The use of Brazilian rosewood was discontinued in the early 1990s, and current production since then consists of seven layers of plywood covered by finishing veneers of cherry, walnut, palisander rosewood (a sustainably grown wood with similar grain patterns to the original Brazilian versions), and other finishes. Small changes include the sets of spacers between the aluminum spines and the wood panels, originally of rubber, later hard plastic washers, and the number of screws securing the armrests, originally three, changed to two in second-series models, while the "domes of silence" (glides/feet) on the chair base originally had thinner screws attaching them to the aluminum base than those on later chairs, and the zipper around the cushions, either brown or black on early models, was later black only. Further, early ottomans had removable rubber slide-on feet with metal glides, and early labels are of oblong foil. History The Eames Lounge Chair first...

Herman Miller, Mid-Century Modern, Eames Lounge Chair, Ottoman, USA, 1960s A vintage Herman Miller lounge chair with matching ottom...

This is a rare and early example of arguably the most important and iconic Mid Century design ever produced, the Eames lounge and ottoman ( 670/671 ), this version was made in Europe, under license to Martin Fehlbaum by Countura, by Herman Miller circa 1950/1960's. Countura was the precursor to the later Vitra production. The chair and ottoman are in good condition, the veneer chair shell shows evidence of later screws etc, and the upholstery is a later Louis Vuitton vinyl...

Set of six dining chairs in black leather by Giancarlo Vegni and Gianfranco Gualtierotti for Fasem, Italy, circa 1980. D...

Since its release, the Spindle Chair’s distinctive silhouette has appeared in a vast array of celebrated commercial and residential interiors. The phenomenally successful piece was inspired by a visit to Louis Kahn’s Exeter Library. Designer Craig Bassam’s imagination was ignited when he noticed the traditional utilitarian chair juxtaposed against the powerful geometry of Kahn’s building. Seduced by its elemental simplicity, Bassam realized an updated spindle back chair would fit perfectly within the BassamFellows ‘Craftsman Modern’ aesthetic. The BassamFellows Spindle Chair offers a new take on the classic piece, a descendent of the classic English Windsor Chair. One first notices its weightless quality, which Bassam achieved by using metal for the chair’s legs and spindles, giving the illusion of two floating surfaces. This contemporary reboot makes the spindles less prominent, evoking a less rustic, 21st century setting for the chair. A counterpoint to the metal spindles is the chair’s timber elements, including an ultra-comfortable ergonomic seat carved from solid wood. Given its updated minimal silhouette, ultra-light materiality and concern for comfort, it’s the kind of chair you can envision in many contexts. The Spindle Collection includes counter and barstool...

Since debuting at the Milan furniture fair in 2003, the BassamFellows Tractor stool has become a bona fide modern icon. From the outset, it has proven to be a piece of infinite varie...

Since its release, the Spindle chair’s distinctive silhouette has appeared in a vast array of celebrated commercial and residential interiors. The phenomenally successful piece was inspired by a visit to Louis Kahn’s Exeter Library. Designer Craig Bassam’s imagination was ignited when he noticed the traditional utilitarian chair juxtaposed against the powerful geometry of Kahn’s building. Seduced by its elemental simplicity, Bassam realized an updated spindle back chair would fit perfectly within the BassamFellows ‘Craftsman Modern’ aesthetic. The BassamFellows Spindle chair offers a new take on the Classic piece, a descendent of the Classic English Windsor chair. One first notices its weightless quality, which Bassam achieved by using metal for the chair’s legs and spindles, giving the illusion of two floating surfaces. This contemporary reboot makes the spindles less prominent, evoking a less rustic, 21st century setting for the chair. A counterpoint to the metal spindles is the chair’s timber elements, including an ultra-comfortable ergonomic seat carved from solid wood. Given its updated minimal Silhouette, ultra-light materiality and concern for comfort, it’s the kind of chair you can envision in many contexts. The Spindle Collection includes counter and barstool...

We are delighted to offer for sale extremely rare and important lightly restored, original, Herman Miller No1 1960's black leather and Rosewood lounge armchair and ottoman This is...

Since debuting at the Milan furniture fair in 2003, the BassamFellows Tractor Stool has become a bona fide modern icon. From the outset, it has proven to be a piece of infinite varie...

About Frederic Daybed Frederic daybed it’s inspired by Japanese minimalism. With simple and clean structure, combined with two geometric shaped cushio...

Since its release, the Spindle Chair’s distinctive silhouette has appeared in a vast array of celebrated commercial and residential interiors. The phenomenally successful piece was inspired by a visit to Louis Kahn’s Exeter Library. Designer Craig Bassam’s imagination was ignited when he noticed the traditional utilitarian chair juxtaposed against the powerful geometry of Kahn’s building. Seduced by its elemental simplicity, Bassam realized an updated spindle back chair would fit perfectly within the BassamFellows ‘Craftsman Modern’ aesthetic. The BassamFellows Spindle Chair offers a new take on the classic piece, a descendent of the classic English Windsor Chair. One first notices its weightless quality, which Bassam achieved by using metal for the chair’s legs and spindles, giving the illusion of two floating surfaces. This contemporary reboot makes the spindles less prominent, evoking a less rustic, 21st century setting for the chair. A counterpoint to the metal spindles is the chair’s timber elements, including an ultra-comfortable ergonomic seat carved from solid wood. Given its updated minimal silhouette, ultra-light materiality and concern for comfort, it’s the kind of chair you can envision in many contexts. The Spindle Collection includes counter and barstool...