David Roth Furniture

Early 20th century Japanese black and white paper print of drawings of 18th century Japanese screen. This black and white paper print ...

Château Mouton Rothschild label Unpublished creation by Agam 1984 Dimensions : L 27 cm x h 32 cm Without frame : 17 cm x 11 cm Price : 190€ fo...

Jack Roth, Untitled, acrylic on paper, 1981. Signed lower right "Roth." Measures: Sheet 30" H x 22" W. Framed. Jack Roth (American/New York, 1927-2004). Abstract Expressioni...

The works of Ethan Murrow are beloved by many for his detailed realist/surrealist techniques and their sense of humor. Artist : Ethan Murrow, b. 1975 Titl...

Selection of modernist art serigraphs or lithographs, circa 1950s-1970s. They are: 1) Victor Vasarely color lithograph, circa 1960s. It has been recently reframed in a clean lined bl...

David Hockney 1988 poster for David Hockney: A Retrospective at The Metropolitan Museum of Art 1988 The 1988 poster for David Hockney: A Retrospective at The Metropolitan Museum of ...

Produced by the Tate Gallery for their 1984 exhibition of the artist, this piece features David Hockney's beautiful 1984 work "Views of Hotel Well III". This marked one of several ke...

On a background of white, the red, yellow, purple, black and blue colors of this somewhat surrealistic print stand out. The artist's proof, it is signed "Bennema-Brejcha, 1970"

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

This beautiful poster featuring David Hockney's 1998 painting "Garrowby Hill" was produced by the Museum of Fine Arts in Boston, USA in 2019 to promote works by the British artist ex...

Number 24, edition of 25. Number 2 of this smaller edition of Artist's Proofs can be found in the Smithsonian Museum of American Art. Signed, dated 1971 and numbered (in Roman Num...

A colorful serigraph depicting an abstract illustration of a golf tournament, made by the renowned artist Leroy Neiman; depicting a golf competitor as the main focal point and specta...