Dean Cornwell Figurative Paintings

Among the many accolades I would grant Dean Cornwell, the one that rises to the top would be that he is one of America's greatest portrait painters. With a few strokes, he captures h...

If there ever were a perfect work in the canon of art history, this masterpiece study by Dean Cornwell would be it. Every line has meaning and not a line out of place, as Cornwell d...

There is no one alive that can paint and draw like Dean Cornwell. How can that be? They do not train artist the way they did. He was Normal Rockwell's ...

A complex composition of interlocking pyramids defines Cornwell not only as a great storyteller but a master of painting fundamentals and design. There exists no living artist today who can paint and draw on a level as Dean Cornwell. Published in Cosmopolitan magazine: "The Short Happy Life of Francis Macomber" by Ernest Hemingway Reproduced in Dean Cornwell, Dean of Illustrators (Broder) The work is rendered in the painterly style of a school of impressionism. Dean Cornwell was Normam Rockwell's favorite Illustrator. He was a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt...

Medium: Oil on Canvas Signature: Signed Lower Right LITERATURE: C.D.B. Bryan, Mort Walker and the Art of Illustration, Architectural Digest, July 1988, p. 64, illustrated.

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 36.00" x 34.00; Framed 43.75" x 41.75" "The Great Things of Life—Travel, Edison Mazda Lamps/General Electric advertisement" Signed and dated lower left: Dean / Cornwell / 21 Dean Cornwell's advertisements for companies like Coca-Cola, Palmolive Soap, and Philadelphia Blended Whiskey are as chock full of atmosphere and narrative drama as his magazine story illustrations. The present work graced one of eleven advertisements in ""The Great Things of Life"" series, commissioned by General Electric, which ran in monthly 1921 editions of The Saturday Evening Post. Each of these ads, designed by a different artist - among them, Arthur I. Keller, Elizabeth Shippen Green, Clarence F. Underwood, and Sarah Stillwell Weber -- suggested that the warmth of the Edison Mazda Lamp, or incandescent light bulb, went hand in hand with middle-class virtues and opportunities, including ""Reverence,"" ""Contentment,"" ""Gratitude,"" and ""Chums."" For ""Travel,"" Cornwell imaged a honeymooning couple disembarking from a car, about to enter a brightly illuminated inn: ""The Honeymoon Trail is a trail of Light -- Soft lights, orange blossoms, and solemn vows - A handful of confetti, laughing goodbyes and a porch--light smiling its happy farewell -- Bright headlights throwing their radiance over the road; and the lights of welcome in an old-fashioned inn -- So another couple sets forth on the honeymoon trail -- a trail that lingers in memory as long as life lasts, indelibly etched by the magic of light. We speak of life as a journey; have you ever stopped to think how much Edison Mazda Lamps contribute to the pleasure of the journey?"" (General Electric advertisement, The Saturday Evening Post, 1921). The present work is accompanied by three copies of the advertisement as featured in The Saturday Evening Post. " Dean Cornwell, born in 1862, was an American artist who was best known as a muralist and for his famous illustrations in national magazines including Harper's Bazaar, Redbook, and Cosmopolitan. He was born in Louisville, Kentucky and as a child observed his civil engineer father do industrial drawings, which led to his interest in art. Cornwell studied at the Art Institute of Chicago and built his career as a cartoonist for the Lousiville Herald and the Chicago Tribune. Cornwell illustrated the works of some of the most famous names in the literary world, including Edna Ferber, Ernest Hemingway, Pearl S. Buck, and Somerset Maugham. He also created murals for the 1939 World's Fair, Bethlehem Steel, and the General Motors Building in New York City. Cornwell's spectacular murals grace buildings...

Medium: Oil on Canvas Signature: Signed Lower Left

Medium: Oil on Canvas Signature: Signed Woman with suitor/explorers wearing pith helmets Publication Information: Story Illustration for "A Marriage of Concenience" by Comerset Mau...

Medium: Oil on Canvas Signature: Signed Upper Left Story illustration for “The Stars Look Down” by A.J. Cronin, illustrated by Cornwell and W. Smithson Broadhead...

Medium: Oil on Canvas Signature: Signed and Dated Lower Right

Medium: Oil on Board Dimensions: 25.50" x 20.00" Signature: Initialed Lower Right

Date: 1929 Medium: Oil on Board Signature: Signed and Dated Lower Left Dimensions: 30.00" x 19.00" Study for "Find the Woman" (Cosmopolitan Magazine) Artist biographical not...

Fact: There is no one alive today who can paint and draw as good as Dean Cornwell. Why? It takes a lifetime of training, work and commitment to be a great academic artist. Unfortunat...

Medium: Oil on Canvas Dimensions: 34.00" x 30.00" Signature: Signed Lower Left PRICE ON REQUEST- Story illustration for The Torrent, image of man and woman in outdoor setting. Masters of the Golden Age: Harvey Dunn and His StudentsSouth Dakota Art...

More than 20 beautifully rendered post-impressionist portraits in character, define Dean Cornwell as one of America's great artists. In his time, he was a famous as Norman Rockwell and was Norman Rockwell's favorite illustrator. "One thing puzzled Dirty Dan extremely. That was the perfectly frank, friendly manner in which his employer and this outcast woman greeted each other, the earnestness with which they conversed, and the effect of the woman's low-spoken words upon the color of Hector McKaye's face." Morris Weiss collection...

Approximate Date: 1950 Medium: Oil on Canvas Signature: Signed Lower Right Size: 42.00" x 37.00" PRICE ON REQUEST- This image was used in magazine advertisements and promotion...

One of the hallmarks of Cornwell's style is that he paints the most stoically soulful faces that express the contained trials and hardships of the subject. Caption: "Are you making little things?" questioned Lucy. 'No ,' said Marge. 'If this one happens to live, there will be many long years ahead of us for that." Morris Weiss collection...

There is no one alive that can paint and draw like Dean Cornwell. How can that be? They do not train artist the way they did. Dean Cornwell in his day was as famous as Normal Rockwell...

Date: 1918 Medium: Oil on Board Dimensions: 13.00" x 14.00" Signature: Unsigned 1921 Hearst International, The Torrent. Nicknamed "The Dean of Illustrators" by his peers. A cartoonist at 18 for Louisville Herald. By 1911 he was in the Chicago Tribune's Art department while studying at the city's Art Institute. In 1915, a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt...

Date: 1919 Medium: Oil on Canvas Dimensions: 24.00" x 36.00" Signature: Signed and Dated 'Dean / Corn / well '19' (Lower Right) This work was originally used as an illustratio...

If there ever were a perfect work in the canon of art history, this masterpiece study by Dean Cornwell would be it. Every line has meaning and not a line out of place, as Cornwell d...

Date: 1930 Medium: Oil on Canvas Dimensions: 40.00" x 30.00" Signature: Initialed and Dated Lower Right of Right Canvas Woman with suitor/explorers wearing pith helmets Pub...

Date: 1919 Medium: Oil on Canvas Dimensions: 26.00" x 40.00" Signature: Signed and Dated illustrated: JVJ Publishing, Jim Vadeboncoeur; The Vadeboncoeur Collection of Images...

Date: 1923 Medium: Oil on Canvas Dimensions: 35.50" x 30.00" Signature: Signed Lower Left Never the Twain Shall Meet, Cosmopolitan illustration, 1923 This illustration appeared in Peter B. Kyne's story, Never the Twain Shall Meet. "'Ah!' said Tamea. 'You do not believe, then, that I am the Queen of Riva?' 'No,' retorted the health officer, 'I do not. You're the Queen of Hearts.''" It was also reproduced on page 76 of Dean Cornwell: Dean of Illustrators by Patricia Janis Broder, Collector's Press, 2000. Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota...

Date: 1925 Medium: Oil on Board Dimensions: 25.5" x 16.5" Signature: Initialed, Dated and Inscribed Lower Left: DC / 1925 / To Sid Hydemon / 19

Date: 1920 Medium: Oil on Canvas Dimensions: 24.00" x 30.00" Signature: Signed Lower Right 1920 Cosmopolitan - page 63 of cornwell book Nicknamed "The Dean of Illustrators" by his peers. A cartoonist at 18 for Louisville Herald. By 1911 he was in the Chicago Tribune's Art department while studying at the city's Art Institute. In 1915, a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt Jemima...

Date: 1918 Medium: Oil on Mounted Canvas Signature: Signed Lower Left Dimensions: 24.70" x 18.20" Illustration from “The Fire Flinger’s” written by William J. Neidig, featured ...

Date: 1940 Medium: Oil on Canvas Dimensions: 40.00" x 36.50" This image was used in magazine advertisements and promotional calendars. Exhibited: 22nd Avvual Exhibition of Advertisi...

Medium: Oil on Canvas Dimensions: 43.00" x 38.00" Signature: Signed Lower Right This image was used in magazine advertisements and promotional calendars.

Date: 1919 Medium: Oil on Board Dimensions: 35.50" x 23.00" Signature: Signed Story illustration: “Painless Extraction”, author: Octavus Roy Cohen, Saturday Evening Post, March...

Medium: Oil and Pencil on Board Dimensions: 29.50" x 23.25" Signature: Signed Lower Left

One of the most successful illustrators of the early 20th century Dean Cornwell Untitled (Crucifixion on the Battlefield) initialed DC (center left), oil on canvas, framed canvas: 33...

Original Oil on Canvas Illustration for Hearst/Cosmopolitan Aug. 1925 "Land Where Men Forget the Past, The Coconut Pearl" Caption: " 'Anyone who's knocked ...