Edmund De Waal Sculptures

This blue, white, and gold striped, geometric ceramic wall hanging by sculptor Brian Bosworth uses simplistic color and pattern. Along side the three-dimension form, which create an ...

Abstract Porcelain Form, Elegant Contemporary Sculpture, Polkadot Patterning Japanese artist Harumi Nakashima creates free-form ceramic sculptures that feature organic, yet psychede...

Japanese artist Harumi Nakashima creates free-form ceramic sculptures that feature organic, yet psychedelic characteristics. Nakashima, mostly known for beautifully structured, odd g...

This beautiful minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work, mono...

“Bloom” is a contemporary porcelain wall sculpture installation by Heather Knight, founder of Element Clay Studio, a Savannah-based studio recognized for organic modern ceramic works...

Kevin Snipes creates ceramic vessel forms that act as canvases for self referential narratives that are brought to the viewer through a combination of illustration and symbolism, obs...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

This sculptural wall installation is composed of five hand-sculpted porcelain wall sculptures exploring repetition, texture, and organic structure. Each circular form is individuall...

Contemporary Ceramic Sculpture, 9 x 14 in, Glazed Stoneware, Judith Ernst Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated b...

Bedazzle 2006 Porcelain, luster, plexiglas, rhinestones, feathers 8" x 8" x 18" Signed COA provided Rain Harris uses her artistry with material to create a conversation between good taste, beauty, and tawdriness. By developing a piece with unrefined materials and bringing it to the point of refinement, she is creating art that asks where good and bad taste meet. This contemporary ceramic piece features a delicate array of porcelain flowers, berries, and leaves mounted on an organically shaped wooden plinth. The light green resin reflects the image of the porcelain bouquet.

18 x 24 x 8 inches styrofoam and venetian plaster Black and white three dimensional floating high contrast wall sculpture with clean lines Dai Ban presents new series of minimalis...

This contemporary porcelain wall sculpture by Heather Knight, founder of Element Clay Studio (est. 2007), is a large-scale work exploring botanical form through repetition, symmetry,...