Eduardo Arranz-Bravo Art

Zincographies, 1971 Edition : 76/200 Publisher : Cercle Graphique Européen, Amsterdam Printer : Maeght, Paris Catalog : [RMM 346] 55.00 cm. x 76.00 cm. 21.65 in. x 29.92 in. (paper)...

Colorful and dynamic abstract composition by Ross H. Pollette, who also paints under the pseudonyms 'Max West' (American, b. 1948). Pollette has used oil, in...

RAZA Sayed Haider Tree, bindu and five elements, 2008 Original Lithograph Handsigned in pencil Numbered / 150 copies On vellum 22 x 43" (56 x 110 cm) Authenticated by the Editor sta...

The Witch of Endor conjures up the specter of Samuel in front of King Saul is an old master artwork realized by a follower of Georg Andreas Wolfgang I between 18th and 19th century. Mixed colored oil painting on canvas. On the back probable signature of the author traced by brush "P. So [mita] rt [...] Fac. ". The subject of this painting, the witch of Endor, a necromancer mentioned in the Bible whose power was to evoke the spirit of the dead, is a very rare theme in painting and there are few artists who represented it. In Italy it was especially Salvator Rosa (1615-1673) who had a deep interest in necromantic subjects and, in particular, he produced many paintings of this kind when he stayed in Florence in the 1840s. Rosa's inventions were exported throughout Europe and, in particular, in the German cities of Stuttgart, Nuremberg and Augusta through the works of Johann Heinnrich Schonfeld (Stuttgart, 1627 - Habsburg, 1684), an artist who worked in Naples and who remained sensitive to figure of Salvator Rosa. In this context, in addition to Schonfeld, the Swiss Joseph Werner II (Berne, 1637-1710) was also responsible for the diffusion of this pictorial genre, introducing Rosa's works on witchcraft among his knowledge of Augsburg. He was also the inventor of the scene represented here from whose drawing (Bern, Kunstmuseum, inv. A1196), executed in 1677, the engraving made immediately after by Georg Andreas Wolfgang the Elder (1631–1716) and by which derives precisely the work examined here. The engraving, which was part of a series of biblical images, was dedicated by Wolfgang to Leonhard Weiss, probably a municipal employee of Augsburg or tis mayor. Reference bibliography: - Susan Broomhall, Gender and emotions in medieval and early modern Europe...

Vintage American modernist oil painting. Oil on canvas. Unsigned. Measuring: 34 by 22 inches overall. Excellent condition, ready to hang and enjoy.

Lincoln Townley, British Legacy Player, Banker 2026 Medium: oil on canvas Framed Size: 20 x 16 inches Unframed Size: 25 1/2 x 21 1/2 inches Signature: Signed (on the reverse) Pro...

Earl Hill (1927-1985). Gas Station Attendant, 1966. Oil on masonite panel, 10.5 x 13.5 inches, 15 x 18 inches framed. Signed and dated lower right. Inscribed...

Sobreteixims I Color lithograph, 1973 Unsigned (as issued) From: Derrière le Miroir, No. 203. Large edition Published by Maeght Éditeur, Paris Lithographs printed by Lourlot, Paris P...

Artist: Henri Matisse (after) Title: Danseuse Creole Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Frame Size: 21 1/4" x 17" Sheet Size: 14" ...

Large Oil on Canvas by Jacques Hubert Bonnefoy (French, ca. 1930) — Adam & Eve. Striking large-scale oil on canvas painting by Jacques Hubert Bonnefoy, a French modern figurativ...

Edwin Kosarek (b.1929). Abstract Head in Profile, 1953. Oil on canvas, 12 x 16 inches. Signed and dated on verso. As found condition. The piece would b...

Jules Olitski (1922-2007) is one of the most collected and accomplished artists associated with the color-field movement, if not 20th century American abstraction. Olitski came to ...