Eduardo Arranz-Bravo

Cadaques No.22, Abstract Mixed Media on Paper by Eduardo Arranz-Bravo

1994

Pre-Olympic stamps created for the ‘92 Barcelona Olympics by Spanish artist Eduardo Arranz Bravo. Barcelona Pre-Olympic Stamp 3 Eduardo Arranz-Bravo, Spanish (1941) Date: 1990 Mixed...

Pre-Olympic stamps created for the ‘92 Barcelona Olympics by Spanish artist Eduardo Arranz Bravo. Barcelona Pre-Olympic Stamp 2 Eduardo Arranz-Bravo, Spanish (1941) Date: 1990 Mixed...

Abstract Mixed Media artwork by Spanish artist Eduardo Arranz-Bravo. Cadaques No.44 Eduardo Arranz-Bravo, Spanish (1941) Date: 1994 Mixed Media on Paper, signed lower left Size: 4 x...

Pre-Olympic stamps created for the ‘92 Barcelona Olympics by Spanish artist Eduardo Arranz Bravo. Barcelona Pre-Olympic Stamp 1 Eduardo Arranz-Bravo, Spanish (1941) Date: 1990 Mixed...

Abstract Mixed Media artwork by Spanish artist Eduardo Arranz-Bravo. Cadaques No.49 Eduardo Arranz-Bravo, Spanish (1941) Date: 1994 Mixed Media on Paper, signed lower left Size: 3.7...

This is a mixed media oil painting, 'Untitled no. 40' on synthetic vellum by contemporary American artist John Millei. The work measures 14 x 11 inches and is displayed in a 20.5 x 1...

This original framed abstract painting on paper by Kelly Rossetti features a cool blue palette. Expressive strokes and drips of varying blue tones are contrasted by smaller warm dabs...

In this painting by Heather Hartman, lateral stripes of glossy metallic bronze are overlaid on a blue-grey painting featuring shadows of leaves in the descending sun. The blur effect on the underlying painting suggests that the leaves are blowing in the wind, and the disruption attributed to the hard-edged lines reminds us of window blinds...

Anila Quayyum Agha Flowers (Orange Circle), 2017 Mixed media on paper (encaustic orange circle with pink beads in center) 29.5 x 30 inches 74.9 x 76.2 cm...

Naive Symbolist Painting by Enrico Prometti 1945 - 2009 Italy Midcentury signed and dated 1967 On red textured paper fabric Known for his African inspired Symbolist Abstract Art ...

Mixed media on paper Signed and dated, l.r. $1250.00, including framing This work is offered by ClampArt, located in New York City.

Anila Quayyum Agha All the Flowers are for Me - Burgundy, 2016 Laser-cut encaustic embroidery on paper 21 x 21 inches 53.3 x 53.3 cm AQA038 Anila Quayyum Agha examines issues of global politics, cultural identity, mass media and gender roles in her multidisciplinary practice. The Pakistani-American artist is best known for her immersive, large-scale light installations in which she laser-cuts elaborate patterns into three-dimensional cubes. Suspended and lit from within, the cubes cast lace-like, floor-to-ceiling shadows that completely transform the surrounding environment, alluding to the richly ornamented public spaces such as mosques that Agha was excluded from as a female growing up in Lahore. In addition to her suspended light installations, Agha also creates wall-mounted sculptural works, including her Flowers series (2018) that explores love and loss inspired by the mixed emotions she experienced following her son’s wedding and mother’s passing, events that happened in the same year. Although these works may appear decorative, they are imbued with meaning, from the floral patterns that express the beauty and femininity of her mother, to the metallic threads commonly used for wedding dresses in Pakistan. The visual elements collectively amplify the interplay between the matrimonial and the funereal, and by extension, the larger cycle of life. To produce these elaborate works, Agha laser-cuts vibrantly hued encaustic paper with intricate patterns and adorns them with light-reflecting embroidery and beads. These exquisitely detailed drawings are framed within shadow boxes, allowing light to pass through the cut-outs and cast patterned shadows in a manner similar to her large-scale light installations. The framing and shadows allow these works to transcend their two-dimensionality. Anila Quayyum Agha has an M.F.A. in fiber arts from the University of North Texas. She has exhibited her work across the globe, including in the 2018 Kansas City Biennale, curated by Dan Cameron; the Peabody Essex Museum, Massachusetts; the Brooklyn Academy of Music, New York; the Dallas Contemporary Art Museum, Texas; the National Museum of Sculpture, Valladolid, Spain; and the Cheongju Craft Biennale, Korea. Her work is in the collections of the Cincinnati Art Museum, Ohio; the Grand Rapids Art...