Evgenia Makarova Art

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and subtlety—in exquisite tension. Working with oil and mixed media on canvas, he paints in color fields of soft shapes and delicate lines. Grids of diaphanous faces and blocks of illegible text emerge in rich washes of color. Like reliefs, his compositions are built up from numerous layers of material and mark-making. Their surfaces shift with the light and the changing position of the viewer. Full of strength and fragility, Zimmer’s works reward patient viewing, revealing their rich visual nuances to those who take time to delve into their layers. This 43 inch high by 35 inch wide original artwork is created with many layers of mixed media and oil on canvas. This painting is wired and ready to hang. The sides of the artwork are painted as a continuation of the front. It does not require framing. It is signed by the artist on the back of the artwork. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Whether figurative or abstract, Zimmer’s artworks inherently alter the feeling of a space. One is absorbed in contemplation as perfectly layered colors and etched hieroglyphic text vibrate from within. Zimmer’s work oscillates between the Geometric Abstraction of Josef Albers and the sublimely layered color fields of Mark Rothko; with added figures that seem to be composed of shadows. This tension between form, color, and text creates canvases with glowing compositions that reverberate with emotion. Bernhard Zimmer was born in 1957 in Stuttgart, Germany. From 1978 to 1984, he completed his education in Cultural Studies at Hildesheim. Zimmer continues to live and work in Cologne. He has exhibited in Hanover, Munich, Dusseldorf, Basel, Gent, Hong Kong, and Singapore to name a few. Zimmer has created a positive stir at major international art fairs such as Art Basel and Kunst Köln. His mysterious compositions pique the taste of the serious art collector. Artspace Warehouse has been representing and exhibiting Bernhard Zimmer's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESNTATION Artspace Warehouse, Los Angeles, CA EXHIBITIONS 2023 Artspace Warehouse, Los Angeles, USA 2018 Artspace Warehouse Los Angeles, USA 2017 Galerie Manoel Nunes, Köln, Germany 2016 Galerie J. Huber, Rapperswil, Switzerland 2016 “New Figuration and Neo-Expressionism,” Galerie Henze & Ketterer, Switzerland 2015 Art-co. Galerie, Aachen, Germany 2015 Galerie Reitz, Köln, Germany 2015 Artspace Warehouse, Los Angeles 2014 Kunstwarenhaus Zurich, Switzerland 2013 Galerie Biesenbach, Köln, Germany 2013 HLP Galerie, Wesseling, Germany 2013 Galerie Wilmsen, Hergatz, Germany 2012 Galerie Artco, Aachen , Germany 2012 Artspace Warehouse, Los Angeles 2011 Galerie Reitz, Köln, Germany 2010 Galerie Artco, Aachen, Germany 2010 Galerie Reitz, Köln, Germany 2008 Galerie Reitz, Köln, Germany 2008 Galerie Muenchow, Zürich 2006 Galerie Reitz, Köln, Germany 2006 Wolkenburg, Köln, Germany 2006 Galeria Sineu Estacio, Mallorca, Spain 2005 Galerie Muenchow, Zürich, Switzerland 2005 Art Forum Riehen, Basel/Köln 2004 Fesser, Trier, Germany 2003 Hesse, Hannover Hiscox, München, Germany 2003 Döres, Köln, Germany 2002 CBH, Köln, Germany 2001 Galerie Depelmann, Hannover, Germany 2001 Galerie Glanz, Erftstadt, Austria 2001 Credit Suisse, Switzerland 2001 Art Forum Riehen/Basel, Switzerland 1988-01 Inter Art Galerie, Köln, Germany 1998 A. Hansrod, Singapur, Singapore 1997 Museum Langes Tannen, Hamburg, Germany 1995 Alte Feuerwache, Köln, Germany 1993 Stollwerck-Museum, Köln, Germany 1992 EP Galerie, Düsseldorf, Germany 1990 Galerie Pului, Praterinsel München, Germany 1984 Kunstverein Holzminden, Germany 1984 Kunstverein Hildesheim, Germany 1982 Galerie Berger, Bochum, Germany PUBLIC COLLECTIONS LB Bank Baden-Württemberg, Germany Stadtsparkasse, Köln, Germany R+V Versicherung, Köln, Germany Oberpostdirektion, Köln, Germany ART FAIRS 2017 AAF Hong Kong 2015 AAF New York, USA 2014 Houston Fine Art...

A wonderful minimalist mixed media work Circa 1970. Though the artist is unknown this work was acquired along with pieces by well know artists Karel Appel and Robert Motherwell from...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Bernhard Zimmer's abstract paintings transmit the richness of multiple layers of oil paint applied with precision to create an overall composition that holds opposites - order and ch...

Bernhard Zimmer's abstract paintings transmit the richness of multiple layers of oil paint applied with precision to create an overall composition that holds opposites - order and ch...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Richard Andres (American, 1927-2013) Interior, 1976 acrylic on canvas signed lower right, signed and titled verso 50 x 59.5 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

This painting is part of a new series I began in the fall of 2025 titled Contemplation and Introspection. In this series I am exploring the profound relationship between nature and t...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch...