Fannie Lou Spelce Paintings

Very Rare English School, mid-19th Century Portrait of a Prizefighter in the Ring Possibly a portrait of Tom Sayers Oil on canvas, circa 1850 Unsigned Frost & Reed label verso This ...

Step into a dreamlike pastoral paradise with this enchanting mid-century oil on canvas by French artist Denise Collet. Titled "Girls and Ponies," this wo...

Charming mid-century naive painting of small figures and chickens in a rural landscape by an unknown artist (American, 20th Century). Signed with the monogram "I. M. H." on lower lef...

19th century English Folk Art Landscape with Cottage. This charming English Victorian 19th-century folk art landscape is a delightful portrayal of pastoral life, blending a quaint t...

JERUSALEM, Vielle du David, (City of David) Oil painting on canvas Hand signed in Hebrew (Perlman, Pearlman or Perelman. There are numerous artists with this name. we are unsure wh...

Landscape Mississippi River. Saul Haymond, Sr. (1947- ) of Pickens, Mississippi is a self-taught painter who has been documenting life in the African American community in Holmes Co...

Julian Nemethy, Steamboat "Armenia" on the Hudson River Oil on canvas, Overall size is24 x 38 inches Julian Nemethy’s Steamboat "Armenia" is a masterful example of American folk art painting, celebrating the rich history of 19th-century Hudson River steamboat travel. This vibrant oil on canvas captures the iconic paddle steamer Armenia in motion, its sidewheel churning through stylized waves beneath a dramatic sky. With meticulous attention to detail, Nemethy evokes the golden age of river commerce, blending historical accuracy with artistic charm. The painting’s composition features hallmark elements of Americana: the steamboat’s ornate structure, billowing smokestacks, and patriotic American flag signal a proud moment in New York’s transportation heritage. Autumnal trees and a distant riverside building anchor the scene in the Hudson Valley, making this work especially resonant for collectors of regional art and maritime history. Nemethy’s folk art style—characterized by flattened perspective, decorative surface treatment, and narrative clarity—echoes the traditions of 19th-century ship portraiture and itinerant painters. His use of bold color and rhythmic patterning enhances the visual storytelling, making Armenia a compelling centerpiece for any collection focused on American riverboats, steamboat paintings...

Julien Nemethy (b. 1948) New Orleans Packet – Eclipse, 1999 Oil on canvas Sight: 22 x 28 in.; Frame: 26 x 32 in. Julien Nemethy’s New Orleans Packet – Eclipse is a richly detailed and atmospheric tribute to the golden age of American river travel, rendered with the artist’s characteristic precision and historical sensitivity. Set against a softly illuminated shoreline, the steamboat Eclipse emerges as both a technological marvel and a cultural emblem, its tiered decks, plume of smoke, and bustling activity captured with documentary clarity. Nemethy’s controlled palette—warm umbers, riverine blues, and the glow of late‑day light—infuses the composition with a sense of nostalgia, transforming the vessel into a symbol of movement, commerce, and the romance of the Mississippi. A superb example of the artist’s mature work, the painting demonstrates his ability to merge narrative realism with painterly refinement, offering a scene that is at once historically grounded and visually compelling. Provenance: Private collection, United States. Condition: The canvas presents in excellent overall condition with strong surface integrity and no visible restoration under normal viewing. Notes: Nemethy’s riverboat...

About this work: “Untitled (Manhattan Street)" 1942 by Samuel Koch (Polish/American, 1887-1963). A fantastic and rare example of Koch’s charming views of New York. A milliner by tra...

G. Kent Untitled, c. 1880-1910 Oil on canvas 10 x 12 1/4 in. 12 x 14 1/8 x 1 3/8 in. Signed lower right: G. Kent

A perfect painting for lovers of Japan, and for admirers of naïve or outsider art. Painted during Maurice Loirand's long residence in Japan, this charming composition reflects the deep affection he developed for his adopted country and its distinctive landscape and architecture. Maurice Loirand (1922–2008) led a remarkable life and is today recognised internationally as one of France's important naïve painters. Born into a working-class family in Brittany, near France's Atlantic coast, he began work in the shipyards at the age of fifteen. During the Second World War, he joined the French Resistance, where he met painters, poets and intellectuals who introduced him to an artistic world far removed from his origins. Entirely self-taught, Loirand devoted every spare moment to painting and soon began exhibiting alongside established artists. After moving to Paris in the 1950s, he continued to earn his living as a technician while painting through the night. In 1968, he finally became a full-time artist. International travel and numerous exhibitions followed. He exhibited in Brazil, Argentina and New York, including with the Jean Tiroche Gallery. His work has been shown alongside paintings by Léger, Matisse and Picasso, and The Collector's Guild of New York commissioned him to produce a series of lithographs. A visit to Japan transformed his life. Captivated by the country, he remained there for eighteen years and married the Japanese poet...

Signed and dated oil on canvas animals in landscape by French primitive painter Henri Hecht Maik. The piece depicts a tiger lying on the branch of a tree with further bare trees of r...