François Desnoyer Prints and Multiples

About this work: Among the most engaging images of Picasso’s final years, "Young Spanish Peasant" combines the unmistakable shorthand of his late draftsmanship with a particularly ap...

Original Hurricane Bicycle vintage poster. Archivally linen backed in mint condition 72-year-old poster, ready to frame. This is an original mid-century modern vintage Hurricane...

Listing includes framing, free shipping to continental US and a 14-day return policy. Kate Moss by Annie Kevans 20 x 16 inch paper 16 x 20 inch image Archival pigment print Edition 15 of 50 Signed and edition on the front of the print Frame is in fair condition and is included for free due the condition issues. The print itself is in excellent condition. If you would like the print sent unframed the cost is the same. Please let us know if you would prefer to have us ship the print unframed. Artist Biography - Kevans’ paintings reflect her interests in power, manipulation and the role of the individual in inherited belief systems. She looks at alternative histories and how they relate to current issues and creates what she describes as ‘anti-portraits’ that may or may not be based on real documentation. She believes that, as her work is concept driven, sometimes the actual similarity to the person depicted in the work is irrelevant. This can be seen in her 'Boys' series which is not about portraying dictators as they really looked as children but rather about the notion of the ‘innocent child’ which has influenced images of children in art...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Unsigned and unnumbered, ...

Emilio Grau Sala Original Handsigned Lithograph Dimensions: 76 x 54 cm Edition: HC XXI/XXX HandSigned and Numbered Ecole de Paris au seuil de la mutation des Arts Sentiers Editions ...

(after) Bernard Buffet Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions:...

This is an exclusive handprinted limited edition of a cyanotype. This beautiful triptych is called "Fresh California Pool patterns", which shows the semi-abstract movements of light reflecting in a California swimming pool. Details: + Edition Size: only 20 + Medium: Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided. + Measurements : 100x210 cm (40 x 84 in.) Each paper measures 100cm x 70cm (about 40 in. x 28 in.) each. , a standard frame size. + All cyanotype prints...

Marc Chagall (Russia/France 1887‑1985). ”L’Oranger”. Year 1975 Signed and numbered Marc Chagall 8/50. Colour lithograph printed on Arches. Framed 35.5H x 28W x 2D Inches Illustr...

Title: Die Zauberflöte (Mourlot CS. 38), The Metropolitan Opera Year: 1973 Medium: Lithograph on wove paper Size: 39.5 x 25.75 inches Notes: From the opening of Mozart's 'The Magic F...

Artist: Peter Max (1937) Title: Liberty Head X Year: 2004 Edition: 679/700, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7 x 6.87 inches Condition: Excellent Inscripti...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

About this work: Created in 1942-43, this work belongs to one of the most fertile periods of Matisse’s career as a printmaker and draftsman. By this time, Matisse had long since mast...

Artist: Henri Matisse (after) Medium: Original lithograph Title: Lierre Portfolio: The Last Works of Henri Matisse Year: 1958 Edition: 2000 Framed Size: 17" x 17" Sheet Size: 14" x 1...

Artist: Peter Max (1937) Title: Umbrella Man at Sunrise Year: 2001 Edition: 303/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9 x 11 inches Condition: Excellent In...

Artist: Henri Matisse (1869–1954) (after) Title: The Swimming Pool I (La Piscine I) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 42 inches (35.56 x 106.68 cm), with trifold and stitch perforations as issued Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered as issued Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139 Notes: Excerpted from the album (translated from French), This double issue of VERVE is entirely devoted to the last works of Henri Matisse-1950-1954. These works, rendered in color litbography, were made by the artist, in gouache papers, cut with scissors and glued. They are accompanied by drawings executed during the same period or before. Matisse specially composed the cover of this album. Under his direction were drawn, during the year 1954, the first of these lithographic plates. The work was completed on July 28, 1958 by Mourlot Freres for lithography and by Master Printers Draeger Freres for heliogravures and typography. Additional notes: This exquisite lithograph after Henri Matisse (1869–1954), titled La Piscine I (The Swimming Pool I), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, originates from the July 28, 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This visionary composition reflects Matisse’s late mastery of form and color, translating his celebrated cut-out aesthetic into the lithographic medium with remarkable clarity and vibrancy. Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), published as Verve Vol. IX, No. 35-36 on July 28, 1958, represents one of the most important posthumous tributes to Henri Matisse’s final period of artistic production. Conceived and directed by the visionary publisher Teriade, this issue of Verve is entirely dedicated to the works Matisse created between 1950 and 1954, a period defined by his pioneering cut-out technique. Produced in Paris with exceptional technical precision, the publication brings together color lithographs faithfully rendering Matisse’s gouache cut-outs alongside a selection of drawings executed during the same period or earlier. The lithographs were printed by Mourlot Freres, while Draeger Freres oversaw the heliogravures and typography, ensuring the highest level of craftsmanship. The project was initiated under Matisse’s direct supervision in 1954, with the artist guiding the early stages of translation from original cut paper compositions into lithographic form. As part of the broader legacy of Verve, one of the most influential artistic and literary publications of the twentieth century, this issue stands as a monumental record of Matisse’s final innovations, preserving the essence of his late style and affirming his enduring impact on modern art. HENRI MATISSE (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie’s New York for Odalisque couchee aux magnolias (1923). Henri Matisse La Piscine...