Georges Gobo Prints and Multiples

Printed in chartreuse, dark green, bright yellow, orange, and brown, this surreal scene features a grey-walled room populated with strange machinery and a red chair. Paolozzi creates...

A vibrant vintage poster in blue, pink, brown, and classic 1960's avocado green, by Scottish Pop art progenitor Eduardo Paolozzi. Machinery extends upward in two arms like a space-age car engine...

Takashi Murakami, Kanye West, Louis Vuitton; Los Angeles 2007 (Murakami Gala): Rare folding invitation published on the occasion of a 2007 reception honoring Takashi Murakami and fashion icon Marc Jacobs with a special performance by Kanye West; October 28th, 2007; MOCA Los Angeles; hosted by Louis Vuitton. Front side imagery features a reproduction of Murakami’s ‘Jellyfish...

Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...

Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...

Antique British Steamship Etching This moody etching by Joseph Kirkpatrick (British, b. 1874 d. 1936) features a steamboat in the midst of choppy w...

This offset lithograph in colors in three panels was created in 2002 and is from the unsigned edition of unknown size measuring
 
25 x 20 ½  in. (63.5 x 52 cm.) each and 25 x 62 in. ...

This lithograph in colors with raised chop mark was printed by Imprimerie Chaix in Les Maîtres de l'Affiche, 1899, on fine woven, heavy stock paper. Measures 15 ¾ x 11 3/8 (40 x 29 c...

Basquiat Rome 1982: Rare, highly sought-after original catalog/exhibition card to Basquiat's 1982 Rome show at Galleria Mario Diacono, Italy. Opening to ...

"End of Day" Original Limited Edition Etching by John McGrath (Irish/American b.1884 d.1942). This etching depicts a man with a tool slung over his shoulder walking along a path th...

Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...

Louis Lozowick, 'Tanks #1', lithograph, 1929, edition 50, Flint 39. Signed, titled, and numbered '11/50' in pencil. Signed with the artist's monogram in the stone, lower left. A superb, richly-inked impression, on cream wove paper, the full sheet with margins (3/4 to 1 7/8 inches), in excellent condition. Matted to museum standards. Image size 13 15/16 x 8 1/16 inches (355 x 204 mm), sheet size 15 3/4 x 11 1/4 inches (400 x 286 mm). Exhibited: 'The American Scene: Prints from Hopper to Pollock', Stephen Coppel, The British Museum, 2008. Literature: 'Prints and Their Creators, A World History', Carl Zigrosser, Crown Publishers Inc, 1974; 'American Lithographers...