Guigen Zha Mixed Media

Realistic brown and red toned intricately embroidered portrait of a woman in Hollywood glam style. Work is unsigned. Framed in a thick black wooden frame. Dimensions Without Frame: ...

This striking artwork, titled "At Full Gallop," is a testament to James Gillick's profound admiration for horses and his extraordinary skill as an artist. Executed in sepia crayon on...

Wild Running Horse Three-Dimensional Painting on Wood 40H X 30" W 2019 in Los Angeles Collaborative Artwork - Irena Orlov-Zeev Orlov SPECIFICATIONS: Combines Painting and Sculptur...

Painting: oil, charcoal, mixed media on Canvas. 12 x 12" With a fresh pallet that is injected bold, beautiful colors, this painting will add a dramatic pop of color to your in...

In 2020, amidst the lockdown's intensity, my art journey ignited professionally. With ample time to delve deep, I explored figurative painting and abstract drawings until early 2022. I created a different series of paintings, one standout series, "Black, Bold, and Beautiful," celebrated the radiant essence of black women through six vibrant portraits clad in Ankara suits. While one found a home with a collector in Tel Aviv, the rest lingered in my studio. Two years on, a spark ignites within me to revisit this series, infusing it with the evolved narrative that aligns and fits into the conversation my works now engage in as a Contemporary Gospeller. The notions of “Restoration and restitution” weigh heavily in my heart, reflecting on personal and global scales. While global discourse focuses on returning stolen artefacts from Africa back to their origins, my perspective delves deeper into the restoration of lost time and purpose. My point of view on Restoration and Restitution is from this notion that man can lose years of his life in futility, and when the time of profit comes, it occurs mostly at the brink of life. A profound scripture, "I'll restore the years that the locust has eaten," resonates deeply, offering a beacon of hope amidst perceived futility. When I read this verse, it distinctly jumped out at me. Wow! Years can be restored! There is hope! To make this revisiting more contextual, I look out for material which can be regarded as “used-up”, “less-value”, or “wasted” - then it appears to me that Jute sack fits into this context! The Jute sack stands for the lost years of glory, having exchanged hands from one country to another before ending up in my studio to take a new life, different from what it has been used for. Thus, the series finds renewal through the symbolism of jute bags...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. In t...

This portrait reflects the wisdom and resilience of a life lived. The wrinkled facial features and long beard of the hero hint at a connection to the past, and the unfinished brushst...

This artwork titled "Piano Solo" 2000 is original mixed media (oil paint on print) on canvas by American artist and musician Mark Keller, b.1955. It is ha...

Ponte Sant’Angelo, Wrapped, Project for Rome - Christo, Contemporary, 21st Century, Collage, Limited Edition Collage on lithograph with acrylic frame Edition of 160 Arab and 90 Roman...

Among the Stones by Leo E. Osborne Abstract Nature Wall Relief, best suited for interior placement Carved Canada Goose and Rocks - Unique Carved Mixed...

Conditions : Very good Conditions. Signed lower right. Pencil on carton 9.85 inches x 8.66 in with the frame. All In its Original setting under epoque glass. Biography : François Grenier, is a French painter, student of Jacques Louis David but also of Pierre Narcisse Guerin...

This work was created by Tom Rooth in the Cambrian Mountains of Wales, where Tom lives, off-grid. Production process: Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing. Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame (the frame dictates the subject-matter). Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years, and prior to this Bonhams, Phillips and Sotheby's. Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...