Harald Dry Schmidt Mixed Media

Artist Comments
This contemporary abstract combines paint and paper collage to create a textured linear pattern in the lower portion of the artwork. The top section features ...

Hypomnema. A term that is composed of the ancient Greek preposition Hypo-Mneme and literally means “commemorative memory.” It is the meeting of several layers in an object, the memor...

A vivid burst of color and movement, this painting captures the unrestrained energy of nature in full flourish. Bold strokes of crimson, fuchsia, and emerald collide with flashes of ...

Collage on canvas “From an early age, I was known as the “searcher”. I was attracted to the spiritual side of life, its abstract qualities. My father, a dentist and antique dealer, ...

Hypomnema. A term that is composed of the ancient Greek preposition Hypo-Mneme and literally means “commemorative memory.” It is the meeting of several layers in an object, the memor...

The series explores the expansion of color as both a physical and emotional phenomenon. Water, as an indeterminate agent, displaces and transforms pigment on the surface, generating ...

Newspaper, tarpaulin, cloth, and plastic are layered to create an intriguing relief which has been sparingly coated with white emulsion, creating a rustic abstract piece full of subtle colour and depth. The artwork has been signed in Cyrillic...

Hypomnema. A term that is composed of the ancient Greek preposition Hypo-Mneme and literally means “commemorative memory.” It is the meeting of several layers in an object, the memor...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

The artist applies the underpainting in approximately five to six layers, building a rich texture of brushstrokes that adds depth and atmosphere to the work. Although this process is...

Jennifer Losch Bartlett #7 (Glass Houses), 2000 Mixed Media: 3D Sculpted plate glass over silkscreen grid on baked enamel and steel plate, housed in a box frame Signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Unique Frame included Floated and framed in a museum quality white wood frame with UV plexiglass and a die-cut window in the back revealing the artist's original label and signature Provenance: The original owner acquired this work directly from the artist; bears the artist's bespoke studio label and signature This unique, exceptional 3-D mixed media work is signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Measurements: Frame: 15.75 x 15.75 x 2 inches Artwork: 12 x 12 inches About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...