Herculaneum Pottery Serving Pieces

J Blin lemonade set. Located in NYC. Eight cups and one pitcher.

Very fine, elegant antique handmade and hand painted Meissen porcelain, 2 lobed scalloped serving dish with rocaille handle in the "Blue Onion" pattern. In perfect condition. The ...

A French rustic glazed terracotta covered baking dish from the 19th century, with brown and green floral décor. Created in France during the 19th century, this covered baking dish fe...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

Fabulous vintage Mid-Century Modern solid colours red pitcher piece code PIT70 by Waechtersbach, Germany and a blue covered casserole “Sundial” dish by Hall. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear. There are a few factory flaws underneath the glaze on the top of the Sundial lid. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, Mid-20th Century.   Ist diese Keramik nicht fabelhaft?? That’s German for “Isn’t this pottery FABULOUS?” Well, we certainly think so!! We have a lovely pair of useable pottery pieces to offer to you. First, we have a vintage bold red bulbus shaped “Solid Colours” pitcher by Waechtersbach, crafted in Germany and a beautiful vintage “Sundial...

A rustic French pottery pot from the 19th century, with brown glaze and straight handle. Created in France during the 19th century, this pottery pot features a brown glazed circular ...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

A fine, antique faience figural sweetmeat stand marked for Veuve Perrin. Five sweetmeat cups rest on figural Intertwined branches and are supported by ...

This is a 19th century English neo-classical style staffordshire biscuit jar. It is marked and in very good antique condition.

A French Provincial green glazed pottery Hors d'Œuvres dish from the mid 19th century, with scalloped edges and orange accents. Created in Provence during the reign of Emperor Napolé...

A French pottery covered baking dish from the 19th century, with brown glaze and lateral handles. Created in France during the 19th century, this pottery baking dish features a circu...

Early and rare hand-thrown ceramic serving dish by mid-century modern masters, Edwin and Mary Scheier. With curved handles and a swirl design, this fabulous hand-crafted pottery ston...